Daily Dose Of Jazz…
Luckey Roberts was born Charles Luckyth Roberts on August 7, 1887 in Philadelphia, Pennsylvania, and was playing piano and acting professionally with traveling Negro minstrel shows in his childhood. Settling in New York City about 1910 he became one of the leading pianists in Harlem, and started publishing some of his original rags.
Roberts toured France and the UK with James Reese Europe during World War I, then returned to New York where he wrote music for various shows and recorded piano rolls. With James P. Johnson, he developed the stride piano style of playing about 1919.
His reach on the keyboard was unusually large and Luckey could reach a fourteenth, leading to a rumor that he had the webbing between his fingers surgically cut. Those who knew him and saw him play live denounced it as false, he simply had naturally large hands with a wide finger spread.
By the 1920s Roberts teamed up with lyricist Alex C. Rogers, co-wrote three Broadway musicals, Go-Go and Sharlee in 1923, and My Magnolia in 1926, the latter starred Adelaide Hall, a major black revue star.
Hisnoted compositions include Junk Man Rag, Moonlight Cocktail, Pork and Beans, and Railroad Blues. The Glenn Miller Orchestra recorded Moonlight Cocktail, and was the best selling record in the United States for ten weeks in 1942.An astute businessman, he became a millionaire twice through real estate dealings. Pianist and composer Luckey Roberts, who recorded piano solos with Willie “the Lion “ Smith, passed away on February 5, 1968 in New York City.
Daily Dose Of Jazz…
Kamil Hala was born on August 1, 1914 in Most, Czechoslovakia. During the late Fifties he led his own orchestra. He was a member of the Czechoslovak Radio Dance Orchestra beginning in 1960, starting as a pianist and later as its arranger and conductor. After the orchestra split in 1963 he was the conductor of the Czechoslovak Radio Jazz Orchestra until the 1990s.
Pianist composer, arranger, and conductor Kamil Hala passed away on October 29, 2014 in Prague, Czechoslovakia.
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Daily Dose Of Jazz…
Jef Gilson was born on July 25, 1926 as Jean~François Quiévreux in Guebwiller, France. As a clarinetist he began playing with Claude Luter in the Boris Vian band. After that stint he switched to the piano. The experience of the Dizzy Gillespie Big Band led him to become an arranger and big band leader. In his band played, among others Bill Coleman, Bernard Vitet, Jean-Louis Chautemps, François Jeanneau, Michel Portal, Jean-Luc Ponty, Bernard Lubat, Lloyd Miller and Henri Texier.
For a time he was musical director of the vocal sextet Les Double Six. Gilson’s free jazz recordings did not materialize into success, and in 1968 he temporarily went to Madagascar. His 1971 return saw him concentrating first on ethno jazz, then total improvisation. In 1973 he founded his label Palm, and released recordings with his orchestra Europamerica, and with Butch Morris. For this more arranged record, which started reflecting his achievements of free jazz, he was awarded the 1978 Prix Boris Vian.
Up to his final days he lived withdrawn in Ardèche, France. Pianist, arranger, composer and big band leader Jef Gilson passed away on February 5, 2012.
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Three Wishes
Sir Charles Thompson had but one thing to say in response NIca’s inquiry:
1. “To have you and be able to command you as a king! And be happy together, doing everything we want to do, forever.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Alan Warren Haig was born on July 19, 1922 in Newark, New Jersey and raised in nearby Nutley. At eighteen he majored in piano at Oberlin College and started playing with Dizzy Gillespie and Charlie Parker in 1945. He performed and recorded from 1945 to 1951 with Gillespie, Parker, Eddie Davis and His Beboppers with Fats Navarro, the Eddie Davis Quintet, and Stan Getz. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for Guild Records in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style. He was part of the nonet on the first session of Miles Davis’ Birth of the Cool.
For much of the 1950s and 1960s, Haig got by with semi-cocktail piano in New York bars. In 1969 he had a brush with the law having been accused and acquitted of the strangling murder charge of his thrid wife.
In 1974, Haig was invited to tour Europe by Tony Williams, owner of Spotlite Records in the United Kingdom. At the end of a very successful tour he recorded the Invitation album for Spotlite with Bibi Rovère on bass and Kenny Clarke on drums. This kick-started his re-emergence and, over the next eight years, he built a strong following in Europe and toured several times, recording in the UK and France, and appearing elsewhere. He also recorded for several Japanese labels.
Pianist Al Haig, best known as one of the pioneers of bebop, and who recorded twenty~three albums as a leader, passed away from a heart attack on November 16, 1982 in New York City.
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