Three Wishes
The Baroness asked Oscar Peterson what his three wishes would be and he said:
1. “I wish I could play the piano the way I want to.”
2. “I wish everyone was born with innate understanding of all art forms.”
3. “Love throughout the world, individual to individual.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Requisites
My One And Only Love ~ Franco D’Andrea | By Eddie Carter
This morning’s choice from the library is My One and Only Love (Red Record NS 201), a recent acquisition introducing me to the Italian pianist, Franco D’Andrea. His career began in 1963 with bandleader Nunzio Rotondo. He’s also played with Franco Ambrosetti, Gato Barbieri, Conte Candoli, Dave Douglas, Johnny Griffin, Lee Konitz, Steve Lacy, Max Roach, Frank Rosolino, Phil Woods, and other Italian musicians. D’Andrea is one of Italy’s most famous pianists and has an extensive discography of two hundred albums as a leader and sideman. Franco also taught at Conservatorio “F.A. Bonporti” from 1994 to 2006 and currently teaches at Mitteleuorpean Jazz Academy and Siena Jazz. On this date, he’s joined by Mark Helias on bass and Barry Altschul on drums. My copy used in this report is the 1983 Italian Stereo pressing.
Side One begins with the first of three tunes from the pianist’s pen, Nord E Sud is a pretty composition that starts slowly but grows to a medium tempo with Franco displaying fine finger work on the opening chorus. He continues holding our attention on an enchanting performance with consummate pacing ascending to a gorgeous climax. Mark takes over for a brief display of creative imagination on the closing solo before the threesome concludes exhibiting a simple lyrical beauty. The pace picks up for the medium-fast blues, Slalom Speciale beginning with a quick introduction by Altschul segueing into a brisk theme and superbly crafted, adventurous first reading by D’Andrea. The pianist and Altschul share a spirited interchange of ideas next, then the drummer breaks loose with a majestic interpretation ahead of the trio’s return to the theme.
Quiet Children, a delicately gentle ballad describing boys and girls at their most peaceful, when they’re sleeping starts Side Two. The ensemble embarks upon a lovely melody transmitting their joy collectively. The leader delves deeply into each child’s dreams with elegant warmth on the first solo. Mark follows with a thoughtful interpretation culminating with the threesome’s serene ending. My One and Only Love by Guy Wood and Robert Mellin is a 1953 jazz standard allowing each member ample solo space. The opening statement by D’Andrea provides an ideal setting to display his talents with delightful humor as it unfolds. Helias follows with a neatly paced reading expressing fervent admiration for the beautiful woman the lyrics describe. Altschul adds some marvelous energy to the final statement before the group’s reprise ends with a bit of collective free jazz improvisation.
The man behind the dials on My One and Only Love is Italian engineer, composer, and multi-instrumentalist, Giancarlo Barigozzi. His work has created a beautiful pressing with stunning stereo separation where the instruments come alive in your listening room crystal clear. Now that I’ve been introduced to this superb pianist, I’ll be looking for some of his other releases for my library. If you’re in the mood for some contemporary jazz, I submit for your consideration, My One and Only Love by Franco D’Andrea. The trio is strong in all three positions with bass and drums participating equally with the piano and their interplay working seamlessly. This album scores on all counts, and in my opinion, should not be overlooked on your next vinyl hunt!
~ My One and Only Love – Source: JazzStandards.com © 2020 by Edward Thomas Carter
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Daily Dose Of Jazz…
Travis Sullivan was born in 1971 in New York City and founded his 18 piece genre bending jazz orchestra Björkestra in New York City in 2004. Led by the alto saxophonist, musical arrangements are by Sullivan, Kevin Schmidt, and Kelly Pratt. The Björkestra performs the music of eclectic musician Björk.
Since its debut at the Knitting Factory in New York City, the group has performed around the country. In 2007 Sullivan conducted his arrangements with the Sicilian Jazz Orchestra in Palermo, Sicily.
Members of the orchestra, that includes vocalist Becca Stevens, have performed with Arcade Fire, Dr. Dre, Charlie Hunter, Avishai Cohen, Ana Cohen, Jane Monheit, Clark Terry, Rachel Z, Phil Woods, The Spam All Stars, Maria Schneider, and the Saturday Night Live Band, as well as, with Donny McCaslin, Kurt Rosenwinkel and Ben Monder.
His project Altois: The Masters Of Alto Sax interprets the music of the most influential alto saxophonists of the bebop era. Alto saxophonist, pianist, composer and arranger Travis Sullivan continues to further his exploration of jazz.
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Daily Dose Of Jazz…
Ralph Jose P. Burns was born on June 29, 1922 in Newton, Massachusetts and began playing the piano as a child. Attending the New England Conservatory of Music, he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, he lived in the home of Frances Wayne, who was an established big band singer and her brother Nick Jerret was a bandleader who began working with him. He found himself in the company of performers as Nat King Cole and Art Tatum.
Moving to New York in the early 1940s, he met Charlie Barnet and the two men began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed Herman’s sound. For 15 years, Burns wrote or arranged many of the band’s major hits including Bijou, Northwest Passage, Apple Honey, and on the longer work Lady McGowan’s Dream and the three-part Summer Sequence.
Herman band member Stan Getz was featured as a tenor saxophone soloist on Early Autumn, a hit for the band and the launching platform for Getz’s solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura. The success of the Herman band provided Ralph the ability to record under his own name. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings.
Writing compositions for Tony Bennett and Johnny Mathis led to his later work with Aretha Franklin and Natalie Cole. He was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles’s biggest hits, Come Rain or Come Shine and Georgia on My Mind. In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli, Michael Feinstein and Tony Bennett.
During the 1960s he quit touring as a band pianist and began arranging and orchestrating for Broadway shows including Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. His first film score was for Woody Allen’s Bananas. He worked with Bob Fosse and won an Academy Award for Cabaret, and went on to compose the film scores for Lenny, New York, New York and All That Jazz, the latter garnered an Academy Award. Besides winning Oscars, Burns won an Emmy, a Tony and a Drama Desk Award. From 1996 until his death, he restored many orchestrations for New York City Center’s Encores! series.
Carefully hiding his homosexuality throughout his life, pianist, composer and arranger Ralph Burns, who was posthumously inducted into the New England Jazz Hall of Fame in 2004, passed away on November 21, 2001 from complications of a stroke and pneumonia in Los Angeles, California.
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Daily Dose Of Jazz…
Clarence Profit was born on June 26, 1912 in New York City. Coming from a musical family, he began studying piano at the age of three and led a ten-piece band in New York City in his teens.
A visit to his grandparents in Antigua resulted in his staying in the Caribbean for five years. He also led a group in Bermuda. Returning to the States, Clarence led a trio. He co-composed Lullaby In Rhythm with Edgar Sampson. He was respected in his era, but after his early death he fell into obscurity. He was born, and died, in New York City.
Pianist and composer Clarence Profit, closely associated with the swing era, passed away in New York City on October 22, 1944.
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