Daily Dose Of Jazz…
Karel Velebný was born March 17, 1931 in Prague, Czechoslovakia and at seven years old, he played piano and at fifteen was a modern jazz enthusiast who taught himself to play alto saxophone. He graduated from Gymnasium then studied drumming at the Prague Conservatory, making his first public performance as a student, and became a full-time professional as soon as he graduated.
From 1955 to 1958 he played with Czech jazzman Karel Krautgartner’s orchestra, then joined contrabassist Luděk Hulan to co-found Studio 5, which became the key ensemble of modern Czech jazz. He continued to work with Krautgartner until the latter emigrated in 1968.
In 1960, the Studio 5 ensemble was absorbed by the Dance Orchestra of Czechoslovakia Radio, but Velebný and the original Studio 5 members soon quit. In 1961, he and flautist Jan Konopásek co-founded SHQ, initially part of the Spejbl and Hurvínek Theatre thus Spejbl and Huvínek Quintet, but later began taking independent performances.
SHQ became one of the most important bands in Czech jazz history. He was its leader, composer, arranger, played as a multi-instrumentalist and taught the younger band members. SHQ’s instrumental line-up and membership changed frequently. Karel played with various Czech jazz ensembles, including Kamil Hála’s orchestra, the Linha Singers ensemble and with other regular collaborators.
As a composer, Velebný concentrated solely on jazz, in compositional styles and arrangements reminiscent of Gerry Mulligan, Chick Corea, Gary Burton and Benny Golson. He wrote mainly for his own ensembles notably Studio 5 and SHQ but also for the Kamil Hála Orchestra, the Karel Vlach Orchestra and others.
In 1978 he was invited to the Berklee College of Music, where he studied jazz teaching and the different approaches of European and American jazz. He organized and led the Summer Jazz Workshop in Frýdlant, Czech Republic until his death. As a teacher, he emphasized knowledge of techniques which could be broadly applied on jazz standards. He also wrote the specialist jazz textbook The Jazz Practical.
Diagnosed with a serious heart disease he was forced to quit as a saxophonist and vibraphonist and was restricted to piano. On March 7, 1989 vibraphonist, pianist and saxophonist Karel Velebný,who was also a composer, arranger, actor, writer and music pedagogue and one of the founders of modern Czech jazz in the second half of the 20th century, died in Prague.
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Daily Dose Of Jazz…
Antonio Ciacca was born in Wuppertal, Germany March 14, 1969 and raised in Italy. He began playing the piano at the age of seven and studied with Steve Grossman, Jaki Byard, Bruce Barth and Barry Harris.
Ciacca toured Europe with the Larry Smith Quartet in 1995 and 1996, played in Japan with the Eiji Nakayama Quartet in 1998, and toured Europe with Wes Anderson and Steve Lacy in 1999. His study with Jaki Byard in 1998–99, and dedicated the album Hollis Avenue to him.
He founded the Detroit Gospel Singers, and toured Europe with them in 2000. He earned his undergraduate Diploma at the G.B. Martini Conservatory in Bologna, Italy. He became Director of Programming at Jazz at Lincoln Center from 2007 to 2011. Earning his master’s degree in jazz studies at City College in New York City and his DMA, Doctor of Musica Arts at Stony Brook University.
Pianist Antonio Ciacca is currently the adjunct professor of Jazz History at Marymount Manhattan College, and Professor of Jazz Arranging and Composition at the G. Nicolini Conservatory in Piacenza, Italy.
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The Jazz Voyager
Jumping on a quick flight from LaGuardia to BWI to be in the audience at what has become a venerated jazz spot in Baltimore, Maryland, the Keystone Korner. Its founder, Todd Barkin, created the iconic location in San Francisco next to the North Beach police station, thus the origin of its name as a play on words on Mack Sennett’s slapstick “Keystone Kops” films. Moving east, he made a prudent decision to bring that same atmosphere to serve great music to the Baltimore, Washington and northern Virginia area.
The purpose for this travel itinerary is to see one of my favorite pianists and to be part of his 50th birthday celebration with 50 SHADES OF O. The Orrin Evans Trio with special guest vocalist Lisa Fischer will take us on an adventurous evening of music. Evans and his 2x Grammy-nominated Captain Black Big Band released and will be performing music from their new studio album, Walk A Mile In My Shoe!
Orrin Evans Tickets: $45.00 ~ $55.00 + fee | Streaming: 6:00pm Only ~ $15.00 + fee
Keystone Korner Baltimore address is 1350 Lancaster Street, 21231. For more information visit keystonekornerbaltimore.com.
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BRUNO HUBERT
Bruno Hubert is one of Canada’s most lyrical and expressive jazz pianists, with a deep sense of swing, lush harmonies, and beguiling melodic lines. His conception, while highly original and utterly genuine, is evocative of, at once, Erroll Garner, Keith Jarrett, Herbie Hancock, Bill Evans and other luminaries of jazz. While he is careful to stress that he is not a composer, he nevertheless presents a cornucopia of medley-like arrangements of jazz standards, soul, rock and pop influenced pieces, often in a lively night club environment.
Mr. Hubert has been quietly underpinning the Vancouver jazz scene for over twenty years now and while he has a number of recordings under his own name, he is also a key associate of other top jazz musicians such as Juno Award winner Brad Turner (Trumpet), Juno nominated vocalists Jaclyn Guillou and Denzal Sinclaire, Seamus Blake and others. Earlier in his career he collaborated with such musical luminaries as Gino Vannelli, and Nora Jones.
The Trio: Bruno Hubert – piano, James Megar – bass, Joe Poole – drums
Tickets: $5.00 ~ $10.00
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JOEY CALDERAZZO TRIO
One of the most distinguished pianists of his generation, Joey Calderazzo has released 13 albums as a bandleader and has risen from child prodigy to elite jazz musician. A member of Branford Marsalis’ band and leader of his own trio, Calderazzo has collaborated with legends such as Michael Brecker, Jack DeJohnette and Dave Holland, exploring jazz through composition, improvisation and performance.
His trio, featuring bassist Orlando Le Fleming and drummer Donald Edwards, exemplifies his commitment to improvisation and swing, captured perfectly on Live From The Cotton Club Tokyo, Volume I . Early collaborations with Michael Brecker and groundbreaking solo recordings for Blue Note Records were key moments in Calderazzo’s career, leading him to a more lyrical, rhythmically diverse, and subtle approach to piano playing.
Originally trained as a classical pianist, Calderazzo studied jazz greats such as Art Tatum, Herbie Hancock and Chick Corea, drawing inspiration from their work to create his own unique style. Albums such as Haiku and Amanecer showcase his solo piano explorations, fusing tradition with his personal voice.
Line-up:
Joey Calderazzo – piano
Orlando Le Fleming – bass
David Hawksing – drums
Admission: Unknown
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