Daily Dose Of Jazz…

Rubén “Baby” López Fürst was born July 26, 1937 in Buenos Aires, Argentina. From the age of five he studied music and piano, and was soon attracted to jazz. In 1951 the 14 year old Ruben got the nickname Baby from the other musicians because he was a child. He made his debut on the jazz scene performing at the concerts organized by the Hot Club de Buenos Aires.

In 1953 Baby played in a string ensemble led by the López Fürst brothers who performed a jazz concert at the Provincial Hotel in the city of Mar del Plata, Argentina. With his brother Héctor on banjo and him on piano they created the Hot Jammers group and made two 78-single records for Victor. He went on to be part of the Dixie band, The Picking Up Timers.

In 1957 the big succes of Oscar Alemán inspired Baby to leave the piano and take up the guitar, trying to emulate one of his idols: Django Reinhardt. Then began regular performances with a string-group named the Blue Strings. It was a quartet in the vein of gypsy string swing.

Modern jazz captivated him in 1959, when he listened to Gerry Mulligan at the Hot Club de Montevideo in Uruguay. Trying to play those new sounds, in 1962 he joined the modern group of pianist Sergio Mihanovich. On the two albums recorded in 1962, the work began Argentine cool jazz with saxophonist Leandro “Gato” Barbieri, Sergio Mihanovich on piano, drummer Osvaldo “Pichi” Mazzei, trumpeter Rubén Barbieri, Oscar López Ruiz on electric guitar, Rubén López Furst on piano, Domingo Cura on percussion, Osvaldo Bissio vibráphone, and baritone saxophonist Julio Darré.

Fürst is one of the most important pianists in the history of Argentinean jazz and opted to stay in Buenos Aires and make a name for himself at home unlike his counterparts Barbieri and Lalo Schiffrin. He played for over 20 years, mainly with his own trio or quartet.

The hard bop musician also formed a swing group. Pianist and guitarist Baby Fürst, whose primary influences were Teddy Wilson and Bill Evans, died on July 26, 2000 at the age of 63 in Buenos Aires.

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Daily Dose Of Jazz…

Denman Maroney was born on July 25, 1949 in Durfort-et-Saint-Martin-de-Sossenac, Occitanie, France. He went on to receive his Bachelor of Arts from William College and his Masters of Fine Arts in composition and piano from the California Instute of the Arts.

He plays what he calls hyperpiano involves stopping, sliding, bowing, plucking, striking and strumming the strings with copper bars, aluminum bowls, rubber blocks, plastic boxes and other household objects. This is sometimes done with one hand while the other hand is used to play the keys.

He received a grant from the National Endowment for the Arts for his work and worked on a new soundtrack to go with German horror film The Cabinet of Dr. Caligari. As an educator he held a position of adjunct professor at Ramapo College of New Jersey in 2010 and is currently at Fairleigh Dickinson University.

Pianist and composer Denman Maroney continues to explore and create music.

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ELEW TRIO

Eric Robert Lewis (born May 13, 1973), popularly known as ELEW, found cross-over success playing rock and pop music. He is known for his unconventional and physical playing style, which eschews a piano bench and includes reaching inside the piano lid to pull at the strings directly, as well as the creation that he calls “Rockjazz”, a genre that “takes the improvisational aspect of jazz and ‘threads it through the eye of the needle of rock.

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Daily Dose Of Jazz…

Mario Rivera was born on July 22, 1939 in Santo Domingo, Dominican Republic and learned to play during his childhood. Moving to New York City in 1961 at 22 he started working with singer Joe Valle as his accompanist. He spent two years with bandleader Tito Rodríguez. During his career he worked with Mongo Santamaria, Eddie Palmieri, and Machito.

From the 1970s to the 1990s he worked with Tito Puente. Both appeared in the films Calle 54 and The Mambo Kings. In 1988 he became a member of the United Nations Orchestra led by Dizzy Gillespie. He was also a member of the Afro-Cuban Jazz Band led by Chico O’Farrill. His only solo album, El Commandante, was released in 1996.

He recorded seventy-six albums as a sideman with Willie Colon, Cheo Feliciano, Dizzy Gillespie, Kip Hanrahan, Conrad Herwig, Giovanni Hidalgo, Chico O’Farrill, Eddie Palmieri, Tito Puente, Tito Rodriguez, Típica 73, Africando, Alfredo “Chocolate” Armenteros, Soledad Bravo, George Coleman, Junior Cook, Rafael Cortijo, Tito Gomez, Jerry Gonzalez, Juan Luis Guerra, La Lupe, Machito, Arturo O’Farrill, Pat Patrick, Bobby Paunetto, Daniel Ponce, Louie Ramirez, Paquito D’Rivera, Alfredo Rodriguez, Mongo Santamaria, Laba Sosseh, Juan Pablo Torres, Stanley Turrentine, Dave Valentin, Fernando Villalona, and Pete Yellin.

Saxophonist Mario Rivera, who also played trumpet, flute, piano, vibraphone, congas, and drums, died from cancer on August 10, 2007 in New York City.

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Daily Dose Of Jazz…

Matthew Mitchell was born July 19, 1975 and grew up in Exton, Pennsylvania. He first played the piano aged six, and composed from the age of 10. He had lessons in jazz and theory at a university from the age of twelve and at this stage he was influenced by pianists Keith Jarrett and Herbie Hancock.

He attended Indiana University for three years and then completed a master’s degree at the Eastman School of Music in the late Nineties before settlling in New York City. After holding down several jobs in the city Matt decided to move to Philadelphia, Pennsylvania where he worked in a library at The University of the Arts for nine years before leaving when he had too many gigs to fit in.

2011 saw him leading the sextet Central Chain, the following year he introduced a new trio with bassist Chris Tordini and Dan Weiss on drums. During this decade Mitchell was also part of Berne’s Snakeoil band, and John Hollenbeck’s Large Ensemble and Claudia Quintet. He joined and recorded with saxophonist Rudresh Mahanthappa’s band.

Mitchell was awarded a Pew Fellowships in the Arts in 2012. He has released fifteen albums as a leader or co-leader and recorded as a sideman on thirty albums.

Pianist and composer Matt Mitchell, who is a faculty member at New York’s Center for Improvisational Music, continues to expand his jazz catalogue through performance, composition and recordings.

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