Requisites

The Trio ~ The Oscar Peterson Trio | By Eddie Carter

This morning’s record from the library is a live album featuring three jazz giants. The Trio (Pablo Records 2310 701) is aptly named because it captures Oscar Peterson on piano, Joe Pass on guitar, and Niels-Henning Ørsted Pedersen on bass in performance during three nights at the Chicago jazz club, London House. What makes this album unique is the exceptional chemistry between each musician. Oscar Peterson’s virtuosic piano playing, Joe Pass’s innovative guitar techniques, and Niels-Henning Ørsted Pedersen’s melodic bass lines all shine through in this album. My copy is the 1973 U.S. Stereo release.

Side One starts with the first of two tunes by Oscar Peterson. Blues Etude begins at a brisk clip, with Joe and Niels-Henning firing on all cylinders before Oscar joins them for the melody. Oscar reveals his broad range in the song’s only solo, enhanced by Joe and Niels-Henning’s accompaniment. Chicago Blues is a delicious dish of soul food beginning with a lengthy piano introduction ahead of the trio’s slow-paced melody. Oscar opens with a tasty invitation for everyone to come to the table. Joe takes charge with a delicious second course next. Oscar adds another scrumptious dish to the meal, and then Niels-Henning provides the final course with a succulent solo preceding a luscious ending.

Side Two opens with Easy Listening Blues by Nadine Robinson. The trio gets things started with a polite melody. Oscar begins the song’s only solo with a warm caress of the keys, creating a beautiful musical landscape. Meanwhile, Joe and Niels-Henning tail him closely until the theme’s restatement and conclusion. Come Sunday is a beautiful jazz standard by Duke Ellington that becomes the sole showcase of Joe Pass. The guitarist approaches the theme and song’s only solo with a simple directness, resulting in a wonderful expression of incredible beauty culminating with a tender ending and appreciative applause from the audience.

Secret Love by Sammy Fain and Paul Francis Webster is a lively tune that will have you tapping your toes from the trio’s opening ensemble. Oscar is up first with a happy groove that makes a lasting impression on the listener. Joe steps up next and gives a splendid statement; then Oscar adds a few final comments ahead of the theme’s reprise and the audience’s approval. Norman Granz produced The Trio, and it’s unknown who supervised the live recording. However, the album’s sound quality is excellent with a soundstage that transports the listener to the London House audience as the trio is performing.

If you’re discovering the music of Oscar Peterson and are in the mood for a live album where you become part of the live audience at the London House. I invite you to check out The Trio by The Oscar Peterson Trio the next time you visit your favorite record store. It’s a fantastic album that captures three of the most renowned musicians at the top of their game. The Trio is a title highly recommended for a spot in your library, as it not only showcases the individual brilliance of each musician but also their exceptional chemistry, making it a must-have for any jazz enthusiast!

~ Come Sunday – Source: JazzStandards.com

~ Secret Love – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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HIBIKI ENOMOTO QUARTET

Pianist and composer Hibiki Inamoto was born in Osaka, Japan in 1977. At the age of 3, he began piano lessons and at age 5 he made his stage debut with his clarinet musical father. He started his musical studies at age 18 where he gained the techniques of pianist master Alfred Cortot and interwined his own reform movement. During his studies, his European tour received high appraisal from Germany’s major newspapers.

Upon his return to Japan, he met concert tuner master Yu Takagi with whom a specialized piano (New York Steinway (Steinway & Sons)) was prepared which Hibiki transports wherever city he tours. He has performed with world top members in the renowned Berlin Philharmonic Symphony Orchestra and secured foremost applaud from the classic world.

As composer and music director, he has extended his great recognition in major Japanese films as “Nagai Sanpo” (A Long Walk) which received a Grand Prix Award at the Montreal World Film Festival, “Hoshi Mamoru Inu” (A Dog’s Star Protection), “Ikigami” ((from Manga Living God), etc. His creativity has also extended to his own inventions including a piano tinbre (piano mute) patent (No. 4572092) where it became possible to play various tinbre (instrumental sounds) as bass, cembello, and percussion on one piano.

The Band: Hibiki Enomoto ~ piano | Kosuke Sugiuchi ~ guitar | Junichi Sato ~ bass | Hiroshi Kimura ~ drums

Cover: ¥4950

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SAKI OZAWA

Born in Tokyo, Saki Ozawa began learning classical piano from the age of three, later inspired by Gene Harris’s album “Tribute to Count Basie” at the age of 15. She studied jazz piano at Senzoku Gakuen College of Music, trained by Yuki Arimasa and started her professional career in the Tokyo area, appearing at a number of jazz festivals, then after graduation began regularly appearing as Saki Ozawa trio at the historical jazz club “Alfie” in Roppongi, Tokyo.
In September 2022, the piano solo performed live at the Hamacho Dining & Bar SESSiON, a restaurant established by Blue Note Japan, was quickly fully booked and she appeared at the grand-opening reception for the press of Ebisu’s BLUE NOTE PLACE, which is currently a hot spot. Since then Ozawa has continued to perform regularly at the club with her own trio.
In March 2023, she performed with sax player Adam Pieronczyk at the Polish jazz club Vertigo. Then in June 2023, the debut album “Cheers!” mainly composed of original songs was released by ReBorn Wood Label and in August 2023, the live performance at Cotton Club Tokyo met with great success.

The Trio: Saki Ozawa ~ piano | Yutaka Yoshida ~ bass | Jun Yamazaki ~ drums

Cover: ¥4950

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Daily Dose Of Jazz…

Steve Melling was born on July 12, 1959 and brought up in Preston, Lancashire, UK and began classical piano lessons at age 9. Two years later he began teaching himself jazz at around 11 years old. His first introduction to professional jazz musicians was when he asked the members of the Stan Tracey Quartet to autograph one of their vinyl albums at a Preston gig when he was 17. This fortuitous encounter would eventually lead him back to playing with them, Stan, Art Themen, Bryan Spring and Dave Green later in his career and always learn from the experiences.

Steve went on to study at Goldsmiths’ College in London, joined the National Youth Jazz Orchestra around that time and began playing professionally in the late Seventies, touring with Harry Beckett and Elton Dean. In 1986 received the first Pat Smythe Memorial Trust Award.

The Nineties had him playing regularly at Ronnie Scott’s with his trio and recording with Alan Skidmore, Claire Martin and Peter King. Melling recorded his own album Trio Duo Solo for Ronnie Scott’s Jazz House label. He was commissioned by the Appleby Jazz Festival and wrote and directed a set for an 11-piece group. He joined The New Couriers, worked with Georgie Fame and played with the European Jazz Ensemble.

Steve was commissioned by the National Youth Jazz Orchestra to arrange a piece by Stan Tracey for an album to mark their 50th Anniversary and the album was launched at Ronnie Scott’s in early 2016. The same year he moved to Derbyshire and has spent much time composing, working on his own original compositions. He is also teaching and working with local and national jazz musicians.

Pianist and composer Steve Melling remains in demand in Britain and Europe.

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Daily Dose Of Jazz…

Alain Samba was born on July 10th in Pointe Noire, Congo Brazzaville. His early music experiences began with him playing different kinds of percussion native to the region such as sanza (kalimba), kikongui, marimba and drums. He was influenced by listening to both African and European music. At the age of 8 he moved to France where he studied saxophone and harmony at the American School of Modern Music in Paris.

His music is inspired mostly by the jazz of Duke Ellington, John Coltrane, Charles Parker, Wes Montgomery, Nat King Cole, Ella Fitzgerald and Wayne Shorter, and the music of his native region of Congo such as bantous’ music, lari , téké , mbochi and of course the pygmies polyrhythms and polyphonies.

Since the 90’s he has performed in Paris, France clubs, and all around Europe. He created the Art Ensemble of Africa to illuminate the struggle of world citizenship with the same love of music and sharing. In Stockholm, Sweden he teaches saxophone, harmony and polyrhythms and has played with musicians from around the world based in Sweden. such as Rene Martinez, Celso Paco, Pepe Espinosa, Tropicana se, Marianne Fuglevaag, Derrick Walker, Emilio Estrada, and Jorge Arruda to name a few.

Saxophonist, composer, pianist and percussionist Alain Samba, whose main instruments are tenor and soprano saxophones, continues to mix modern jazz with traditional African music.

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