Daily Dose Of Jazz…

Martin Bejerano was born in Miami, Florida on March 9th of Afro-Cuban heritage and began his professional music career at age fifteen, when he began playing George Gershwin’s “Rhapsody in Blue” concerto with the Mexican-American Bi-National Symphony while still in high school. He went on to graduate from the New World School of the Arts, Florida State University and the University of Miami with a Masters in jazz performance.

In 2000 Martin moved to New York City and in less than a year joined drummer Roy Haynes’ band and two years later was a part of guitarist Russell Malone’s quartet. He released his debut album as leader, titled Evolution/Revolution in 2007, followed by Potential Energy in 2013. He has done sideman duties as well on six projects.

In 2010 he was awarded a Chamber Music America commission for a new jazz work, has had several compositions published in Ignacio Berroa’s “Groovin’ in Clave” instructional drum book and has attended the Thelonious Monk Institute Jazz Colony.

Martin has also performed with Kenny Garrett, James Moody, Lonnie Plaxico, Jimmy Heath, Ignacio Berroa, Mingus Big Band, Marcus Printup, Marcus Strickland, and even trading choruses with the legendary Chick Corea. In between performing and recording with the Haynes and Malone bands, pianist Martin Bejerano is an Assistant Professor of jazz piano at the University of Miami Frost School of Music.

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Daily Dose Of Jazz…

Frank LoCrasto was born and raised in Texas on March 7, 1983. Studying piano during his childhood, his influences include Erroll Garner, Raymond Scott, Ennio Morricone, Kraftwerk and Brian Eno. After moving to New York in 2001 to attend the New School, he went on to work as a sideman with jazz musicians such as Pat Martino, Greg Osby and Jeremy Pelt.

At twenty-three he released his debut album When You’re There on the Maxjazz label and his second release five years later, El Dorado, which he recorded in his Brooklyn basement apartment, is layered with vintage synthesizers and old timey pianos.

An accomplished composer and arranger, he is a member of the Jeremy Pelt Quartet, Frank is also a member of Rumblefoot, Breastfist, Yost, and plays regularly with Kat Edmonson and James Iha. His solos exhibit his ample technique and unfettered expressiveness. At 32, he continues to build his talent as a sideman profusely performing, recording and touring.

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Daily Dose Of Jazz…

Louis A. Levy, generally known as Lou Levy, was born on March 5, 1928 in Chicago, Illinois and started playing piano when he was twelve. His chief influences were Art Tatum and Bud Powell. A professional at age nineteen, he played with George Auld, Sarah Vaughan, Chubby Jackson, Boyd Raeburn and Woody Herman’s Second Herd during the late Forties. Still with Woody Herman by 1950, he moved on to play with Tommy Dorsey, Flip Phillips before leaving music for a few years.

Lou returned to music and gained a strong reputation as an accompanist to singers, working with Peggy Lee, Ella Fitzgerald, June Christy, tony Bennett, Anita O’Day and Pinky Winters. He would also go on to play with Shorty Rogers, Stan Getz, Sonny Stitt, Coleman Hawkins, Bob Cooper, Bennie Wallace, Terry Gibbs, Benny Goodman, Quincy Jones, Supersax, and most of the major West Coast players.

Over the course of his career he recorded as a leader for Nocturne, RCA, Jubilee, Philips, Interplay and Verve leaving behind a catalogue of fourteen albums as a leader and another eighty-one as a sideman.

Bebop and cool jazz pianist Lou Levy died of a heart attack in Dana Point, California at the age of 72 on January 23, 2001.

Dose A Day – Blues Away

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Daily Dose Of jazz…

Ralph Towner was born on March 1, 1940 in Chehalis, Washington. Born into a musical family, his mother a piano teacher and his father a trumpet player, Towner learned to improvise on the piano at the age of three. He started trumpet lessons at the age of five, but did not take up guitar until attending the University of Oregon.

Ralph first played jazz in New York City in the late 1960s as a pianist and was strongly influenced by the renowned jazz pianist Bill Evans. He began improvising on classical and 12-string guitars in the late 1960s and early 1970s; and formed alliances with musicians who had worked with Evans, including flautist Jeremy Steig, Eddie Gomez, Marc Johnson, Gary Peacock ad Jack DeJohnette.

He began his career as a conservatory-trained classical pianist, who picked up guitar in his senior year in college, then joined world music pioneer Paul Winter’s Consort ensemble in the late 1960s. Leaving Winter along with band mates Paul McCandless, Glen Moore and Colin Walcott, they formed the group Oregon, mixing folk, Indian classical, avant-garde jazz and frr improvisation.

Around the same time, Towner began a longstanding relationship with ECM Records, releasing virtually all of his non-Oregon recordings since his 1972 debut as a leader Trios / Solos.  As a sideman he has ventured int jazz fsion with Weather Report on the 1972 album I Sing The Body Electric.

Unlike most jazz guitarists, Ralph only uses 6-string nylon-string and 12-string steel-string guitars. He tends to avoid high-volume musical environments, preferring small groups of mostly acoustic instruments that emphasize dynamics and group interplay. He make significant use of overdubbing, allowing him to play piano or synthesizer and guitar on the same track. During the Eighties he used more synthesizer but has returned to the guitar in recent years.

Composer, arranger, bandleader and multi-instrumentalist Ralph Towner, who plays 12 string guitar, classical guitar, piano, synthesizer, percussion and trumpet, has an impressive catalogue of some five-dozen recordings spread between his role as a leader, with Oregon, and as a sideman with Paul Winter and Weather Report among others. He continues to perform, record and tour.

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Daily Dose Of Jazz…

Joey Calderazzo was born on February 27, 1965 in New Rochelle, New York and was inspired by a friend who lived next door, to began his piano studies at age seven. Progressing rapidly in a house where other family members were also playing drums and singing, by the time he turned 14 he was the youngest member of his brother Gene’s rock band. When the other, significantly older band members enrolled at Boston’s Berklee College of Music and switched their allegiance to jazz, he set aside his passions for the Beatles and Led Zeppelin for that of Oscar Peterson, Chick Corea, Herbie Hancock and McCoy Tyner.

He met Michael Brecker at a clinic, and in 1987 the saxophonist was introducing him to the jazz world as part of the touring quintet. After playing on two tracks of Brecker’s1988 album Don’t Try This At Home, Brecker produced Calderazzo’s first disc, In the Door for Blue Note. Not only did Brecker record on the project, he brought along saxophonists Jerry Bergonzi and Branford Marsalis.

Joey has maintained a strong relationship over the years with Brecker and Marsalis having taken the piano chair post Kenny Kirkland in the later’s Buckshot LeFonque. He has played with Dave Holland, Jack DeJohnette, Bruce Gertz, John Patitucci and Jeff “Tain” Watts to name a few. He has released

Calderazzo assumed his role as sideman and composer on a number of Marsalis recordings contributing to Contemporary Jazz, Footsteps Of Our Fathers,Romare Bearden Revealed, Eternal and the DVD A Love Supreme, Live In Amsterdam. As a leader he has released more than a dozen compact discs such as his Secrets, Amanecer, Trio Live and his latest release Going Home, as well as several co-leader projects.

Pianist and composer Joey Calderazzo continues to perform as a solo pianist, as leader of his trio, and as a member of the Branford Marsalis Quartet.

Take A Dose On The Road

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