Daily Dose OF Jazz…
George Wein was born on October 3, 1925 in Boston, Massachusetts. As a youth he was a jazz pianist and while studying at Boston University led a small group, playing professionally around the Boston area. In 1950 he opened a jazz club and record label called Storyville.
In 1954 Newport residents Louis and Elaine Lorillard invited him to organize a festival in their hometown of Newport, Rhode Island, with funding to be provided by them; the subsequent festival was the first outdoor jazz festival in the United States, becoming an annual tradition. Wein went on to start a number of festivals in other cities, including the New Orleans Jazz & Heritage Festival, the Playboy Jazz Festival in Los Angeles and the Newport Folk Festival. In the 60s he set up Festival Productions, a company dedicated to promoting large-scale jazz events.
Pioneering the idea of corporate sponsorship, his “Schlitz Salute to Jazz” and “Kool Jazz Festival” were the first jazz events to feature title sponsors. His JVC Jazz Festivals are worldwide hosting New York, Los Angeles, Chicago, Paris, Warsaw and Tokyo.
Wein has received a wide array of honors for his work with jazz concerts being honored at the White House by both Presidents Carter and Clinton. He has also received the Patron of the Arts from the Studio Museum in Harlem, France’s Legion d’Honneur and appointed Commandeur de L’Ordre des Arts et Lettres and named a Jazz Master by the National Endowment for the Arts to name a few.
He has written his autobiography, Myself Among Others: A Life in Music, received honorary degrees from the Berklee College of Music and the Rhode Island College of Music, is a Lifetime Honorary Trustee of Carnegie Hall and sits as a distinguished member of the Board of Directors Advisory committee of The Jazz Foundation of America.
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Daily Dose OF Jazz…
Wally Rose was born on October 2, 1913 in Oakland, California. A mainstay of the jazz scene in San Francisco during the 1940s and 1950s, he was the pianist in Lu Watter’s group, and the Yerba Buena Jazz Band, for its entire existence from 1939 to 1950. During this period he recorded for the Jazz Man imprint in 1941-42, did several albums for Good Time Jazz and also recorded for Columbia Records.
Following this tenure, through the 1950s Rose played with Bob Scobey and Turk Murphy then did mainly solo work for the rest of his career. He did an album in 1982, which was his first release as a leader in 24 years.
Wally Rose, jazz and ragtime pianist passed away on January 12, 1997 in Walnut Creek, California.
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Daily Dose OF Jazz…
Donny Edward Hathaway was born on October 1, 1945 in Chicago, Illinois and was raised by his grandmother in the projects of St. Louis, Missouri. He began singing at age three in a church choir with his grandmother, a professional gospel singer. Graduating from high school he studied music at Howard University. Forming a jazz trio to work around D.C. but left Howard in 1967 without a degree, after receiving job offers in the music business.
Hathaway worked as songwriter, session musician and producer in Chicago at Twinight Records, arranged for The Unifics, worked with the Staple Singers, Jerry Butler, Aretha Franklin, The Impressions and Curtis Mayfield. He became house producer for Curtom Records, recorded as a member of the Mayfield Singers and dropped his first single “The Ghetto” in 1970. He recorded several albums following this debut.
Donny went on to contribute to soundtracks, recorded the theme to the TV series Maude, composed and conducted the soundtrack for the 1972 film Come Back Charleston Blue and wrote several hits such as his collaboration with Roberta Flack – Where Is The Love – that garnered them both a Grammy and This Christmas that has become a seminal holiday song.
However, genius has its detractors and during the best part of his career he began to suffer from severe bouts of depression and was found suffering from paranoid schizophrenia. On January 13, 1979 the body of Donny Hathaway was discovered on the sidewalk outside the luxury Central Park South hotel Essex House in New York City. His death was ruled a suicide.
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Daily Dose Of Jazz…
Oscar Pettiford was born September 30, 1922 in Okmulgee, Oklahoma to a Choctaw mother and Cherokee/African American father. Growing up playing in the family band in which he sang and danced, he switched to piano at the age of 12 then to double bass when he was at the age of 14. Despite being admired by the likes of Milt Hinton, he stopped playing in 1941, feeling he couldn’t make a living. Five months later, he once again met Milt, who persuaded him to return to music.
In 1942 he joined the Charlie Barnet band and 1943 saw him gaining wider public attention after recording with Coleman Hawkins on his “The Man I Love.” He also recorded with Earl Hines, Ben Webster, led a group with Dizzy Gillespie and went to California with Hawkins to play in the film The Crimson Canary and on the soundtrack.
Following this he joined Duke Ellington, then Woody Herman but by the 50s mainly became a leader. It was in this role he inadvertently discovered Cannonball Adderley after one of his musicians tricked him into letting Adderley, an unknown music teacher, onto the stand, he had Adderley solo on a demanding piece, on which Adderley performed impressively.
Pettiford is considered the pioneer of the cello as a solo instrument in jazz music, first played the cello as a practical joke on Woody Herman. However, in 1949, after breaking his arm and finding it impossible to play his bass, he started playing the cello allowing him to perform during his rehabilitation. He made his first recordings with the instrument in 1950. The cello thus became his secondary instrument, and he continued to perform and record with it throughout the remainder of his career.
He recorded extensively during the 1950s for the Debut, Bethlehem and ABC Paramount labels among others, and for European companies after his move to Copenhagen, Denmark in 1958. Oscar Pettiford passed away from a virus associated with polio on September 8, 1960 in Copenhagen and along with his contemporary, Charles Mingus, he stands out as one of the most-recorded bassist and bandleader/composers in jazz
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Daily Dose Of Jazz…
Samuel Carthorne Rivers was born September 25, 1923 in Enid, Oklahoma, the son of a gospel musician who sung with the Fisk Jubilee Singers and the Silverstone Quartet which exposed a young Sam to music at an early age. By 1947 he was in Boston studying Alan Hovhaness at the Boston Conservatory.
Active in jazz since the early 1950s, by the end of the decade he was performing with then 13 year-old drummer Tony Williams. In the mid Sixties he held a short-lived tenure with Miles Davis, producing the album Miles In Tokyo. He went on to sign with Blue Note leading four dates, his first being Fuschia Swing Song and contributing many more as a sideman.
A multi-instrumentalist, Rivers who plays soprano and tenor saxophones, bass clarinet, flute, harmonica and piano, is also a composer. Rooted in bebop and equally adept at free jazz he has performed and recorded with the likes of Quincy Jones, Herb Pomeroy, Tadd Dameron, Jaki Byard, Freddie Hubbard, Herbie Hancock, Andrew Hill, Larry Young and many others.
The 70s saw the rise of the loft era and Rivers ran RivBea in New York’s NoHo district where numerous performance lofts emerged. He continued to perform and record for a variety of labels including several albums for Impulse Records, two big band albums for RCA Victor, and joined Dizzy Gillespie’s band near the end of the trumpeter’s life.
With a thorough command of music theory, orchestration and composition, Rivers has been an influential and prominent artist in jazz music. He performs regularly with his RivBea Orchestra and Trio and is currently recording new works. Sam Rivers, who played soprano and tenor saxophones, bass clarinet, flute, harmonica and piano in the avant-garde and free jazz arenas, passed away on December 26, 2011 in Orlando, Florida at age 88.
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