Three Wishes
When the Baroness asked Jerome Richardson what three things he would wish for he responded by saying:- “To play this horn.”
- “To be a first-class citizen.”
- “To make money.”
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Daily Dose Of Jazz…
Alejandro Santos was born on April 11, 1956 in Buenos Aires, Argentina. He is widely-recognized both in his home country of Argentina and internationally as an extraordinary flutist and multi-instrumentalist playing the piccolo, bass flute, native wood-flutes, tenor and soprano sax, piano, and synthesizers.
He has developed a career as a composer with a unique style, which fuses modern jazz with traditional Argentinean rhythms like candombe, tango, and folk music. He has collaborated on recording and performing projects with Dino Saluzzi, Gonzalo Rubalcaba, Anthony Jackson, Bob Moses, Claudio Roditi, Toquinho, Maria Creuza, Fito Paez and others. Since 2001 he has steadily worked with Al Di Meola’s World Symphony and has recorded on De Meola’s latest album “Flesh on Flesh”.
Alejandro released three solo albums with RCA and GNA/Invasion Records, one of them: 5 Carnavales 4, released in the States, received excellent reviews and reached into the top 30 jazz playlist of the Gavin Report magazine. Alejandro Santos currently performs with his quartet that includes bandoneon, bass and drums.
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Daily Dose Of Jazz…
Jerome Richardson was born November 15, 1920 in Oakland, California and started on alto saxophone at the age of eight. In his teens Benny Carter, Johnny Hodges and Willie Smith were his idols. He became a professional musician at the age of fourteen, and had a brief stint with Lionel Hampton, and worked with Bay Area bands until 1941, during which time he also studied music at San Francisco State College. The flute was added to his working compliment in 1940. Both this and his alto sax were used to advantage in a Navy band, under the direction of Marshall Royal, at St. Mary’s Pre-Flight from 1942 to 1945. He joined the Lionel Hampton band again in 1949, with whom he recorded what is widely regarded as the first modern jazz solo played on flute on “Kingfish”, and was also a member of the Earl Hines big band.
Settling in New York in 1954 he began a very active session career, but continued to make his mark in a purely jazz context. He worked with bands led by Lucky Millinder and Cootie Williams, led his own quartet at Minton’s Playhouse in Harlem in 1955 and was part of Oscar Pettiford’s group that summer.
Over the next decade Jerome continued to lead his quartet, work the Roxy pit orchestra, regularly worked with Quincy Jones, toured Europe with Harold Arlen’s blues opera, was a founder member of the Thad Jones-Mel Lewis Orchestra, organizing and performing many Thad Jones tribute concerts. He played with a number of other notable big bands during his long career, including bands led by Jimmy Lunceford, Gerald Wilson, Gil Evans and Charles Mingus.
His standing as a superbly accomplished soloist on a range of reed and wind instruments was complemented by an equally strong reputation as an accompanist of singers, including the likes of Ella Fitzgerald, Frank Sinatra, Sarah Vaughan, Billie Holiday, Peggy Lee, Nancy Wilson, Billy Eckstine, and Lena Horne. Richardson performed with practically every significant post-war jazz artist, including Miles Davis, Dizzy Gillespie, Duke Ellington, Louis Armstrong, John Coltrane, Cannonball Adderley, Lionel Hampton, Herbie Hancock, Milt Jackson, Oliver Nelson, Art Farmer, Clifford Jordan, Slide Hampton, Horace Silver, Gerry Mulligan, Jimmy Smith, Wes Montgomery, Cal Tjader, and Antonio Carlos Jobim, as well as a whole range of blues, soul and pop artists.
Jerome Richardson played tenor, alto, baritone saxophone, clarinet, piccolo, and flute passed away in Englewood, New Jersey on June 23, 2000 recorded sparingly as a leader but was one of the most sought after session musicians for more than half a century was probably the most recorded saxophonist of his generation.
Daily Dose Of Jazz…
Eddie Daniels was born on October 19, 1941 in New York City and grew up in the Brighton Beach neighborhood of Brooklyn. He became interested in jazz as a teenager when impressed by listening to the recordings of the musicians accompanying singers, such as Frank Sinatra. Eddie’s first instrument was the alto saxophone, started on clarinet at 13 and later received his Masters in Clarinet from Julliard. By 15 he would add the Newport Jazz Festival Youth Competition to what would become a long list of credits. By the time he entered college, he was playing alto, clarinet and adding tenor saxophone to his arsenal.
Daniels has led a variety of bands from small combos to orchestras and has toured worldwide, recorded and appeared on television. Since the 1980s he has focused mainly on the clarinet and in 1989 he won one of many Grammy awards for playing on the Roger Kellaway arrangement of “Memos From Paradise”.
Over the course of his career he has captured Down Beat Magazine’s International Critics New Star on Clarinet Award, played and recorded with the Thad Jones/Mel Lewis Orchestra at the Village Vanguard, George Benson, Joe Farrell, Johnny Hammond, Richard Davis, Yusef Lateef, Airto Moreira and Don Patterson Gordon Goodwin’s Big Phat Band. Clarinetist Eddie Daniels, who also plays saxophone, flute and piccolo, performs commissioned classical compositions, has revolutionized the blend of classical and jazz and continues to tour and record.