KENNETH WHALUM

From his poignant tracks like “Might Not Be OK” to the reflective “Prayer” from Broken Land 2, Kenneth’s music is a beautiful exploration of love, longing, and self-discovery. His raw, unguarded performances bring a sense of intimacy and honesty that speaks directly to the heart, making each song feel like a personal conversation. This residency offers the perfect setting to experience the full range of Whalum’s artistry, from the soulful ballads to the thought-provoking moments of reckoning.

Whether you’re celebrating love with someone special or embracing your own journey, Kenneth’s music will create a space for reflection, connection, and pure emotional release. Don’t miss this special Valentine’s Day residency—a night where music transcends the ordinary, and vulnerability becomes the most powerful form of connection.

Band Lineup: Kenneth Whalum~vocals/saxophones, Micah Collier~bass, Frank Morrison~drums, and  Julius Tucker~ piano/keyboards

Tickets:

Thursday: $25.50 – $55.50

Friday: $125.00~$145.00 | Valentine Day: Songs for Lovers” With a Tribute to Marvin Gaye & John Coltrane

Saturday: $25.50 – $55.50

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MARCUS ANDERSON & THE GERALD VEASLEY BAND

The two time Grammy and Stellar Award nominated artist is an incredible act and one worth watching, saxophonist Marcus Anderson is the golden child shining among stars. With 15 studio albums on his list of accomplishments and 5 Billboard #1s , the fusion Jazz artist brings R&B, Pop, Rock and Funk together to make music that puts listeners in another atmosphere.

Cover: $39.00

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Daily Dose Of Jazz…

Vlady Bas was born Wladimiro Bas Zabache on February 2, 1929 in Bilbao, País Vasco, Spain. He moved to Madrid in 1952 and represented Spain at the 1958 Newport Jazz Festival. He was one of the first Spanish jazz musicians to play free jazz.

He has been associated with The International Youth Band, Jazztet de Madrid, Juan Carlos Calderon y Su Orquesta De Jazz, Louis Armstrong Newport International Jazz Band, Manolo Gas & The Tinto Band Bang, Orquesta Blue Stars, and Pepe Nieto Y Su Orquesta.

He founded the Vlady Bas Quartet, still on the road, now with his daughter Paula Bas as singer. The quartet members are Carlos Villa, guitar; Fernando Sobrino, piano; Antonio Domínguez, string bass and Antonio Calero, drums.

Saxophonist, clarinetist and flutist Vlady Bas is still on the road.

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Requisites

Generation ~ Dexter Gordon | By Eddie Carter

Dexter Gordon, a tenor saxophonist who has always held a special place in my heart growing up, is the focus of this morning’s spotlight with his album Generation (Prestige P-10069). As a teenager, I was fortunate to witness his live performance at the 1972 Newport Jazz Festival in a fantastic jam session. This 1973 release, his eleventh with Prestige, is a reunion with Freddie Hubbard, who previously collaborated with Dexter on Doin’ Allright and Clubhouse. Freddie plays flugelhorn (tracks: A2, B1) and trumpet (A1, B2) on the album. The rhythm section, consisting of Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums, is equally impressive. My copy is the original U.S. Stereo release.

The album opens with the first version of Milestones by Miles Davis, setting the tone with a slightly slower groove for the theme. Dexter’s opening solo is immediately captivating, and then Freddie takes over the spotlight for an inspired improvisation. Cedar follows with a well-crafted statement, and Buster contributes a final shining moment before the theme’s reprise and climax. Scared To Be Alone by André Previn is up next. Dexter and the trio initiate the first chorus of the melody, then are accompanied by Freddie to complete the theme. Dexter’s tender and gentle solo paves the way, and Freddie’s luxuriously elegant flugelhorn conveys deep emotion. Buster’s brief reading before the theme concludes touchingly provides the perfect ending to this beautiful ballad.

We See by Thelonious Monk changes the pace with a lively start to the second side. Billy’s rhythmic introduction sets the stage for the quintet’s medium-tempo melody. Dexter demonstrates his skill and precision in a delightful opening solo, followed by Freddie, whose performance displays a dazzling tone. Cedar shines in a well-crafted statement next, while Buster comfortably strolls into the ensemble’s ending theme. The Group by Dexter Gordon wraps up the session with a lively melody led by the front line. Dexter opens the solos buoyantly; then Freddie takes over with a marvelously executed statement. Cedar moves efficiently and effectively next, with Billy adding a final comment during the closing chorus.

Generation was produced by Ozzie Cadena and recorded by Rudy Van Gelder, whose expertise behind the dials ensures an exceptional soundstage. The record’s sound quality is superb; the instruments are incredibly clear, emerging from your speakers with remarkable fidelity. For tenor sax enthusiasts, this hard-bop album certainly deserves a spot in any jazz library. The next time you’re at your favorite record store, be sure to check out Generation by Dexter Gordon. It’s a hidden gem from one of jazz’s most significant musicians, and despite being lesser known in his discography, acquiring it won’t break the bank!

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Daily Dose Of Jazz…

Andy Sheppard was born on January 20, 1957 in Warminster, Wiltshire, England. In the late Seventies at the age of 19 he emerged as a musician in the Salisbury-based contemporary quartet Sphere, gigging only three weeks after picking up the saxophone. He honed his skills in the wine bars and jazz clubs of the United Kingdom (UK) and Europe in the early 1980s.

He also played with world music groups and with more established improvisers such as Keith Tippett. While still with Sphere, he moved to Paris, France working with French bands Lumière and Urban Sax. The mid-1980s saw Sheppard returning to the UK, playing often on Ki Longfellow-Stanshall and Vivian Stanshall’s Bristol, England-based Old Profanity Showboat. He released his self-titled debut solo album, featuring trumpeter Randy Brecker and bassist/producer Steve Swallow in 1987 and was awarded the Best Newcomer prize at the 1987 British Jazz Awards, followed by the Best Instrumentalist Award in 1988.

Andy would go on to join George Russell’s Living Time Orchestra and tour with Gil Evans. His sophomore solo album, Introductions in the Dark, also received Best Album and Best Instrumentalist at the 1989 British Jazz Awards. He toured the world and became the first to bring a Western jazz group to play in Outer Mongolia.

The Soft on the Inside Band was Sheppard’s first big band in 1990 for an album of the same name. This band turned into In Co-Motion, and after this he signed a deal with Blue Note Records, who issued Rhythm Method in 1993. That band expanded to Big Co-Motion and recorded a live album Delivery Suite at London jazz club Ronnie Scott’s which was released by Blue Note in 1994.

Saxophonist and composer Andy Sheppard, who has had the television movie The Music Practice, based on his music, continues to perform and compose.

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