The Jazz Voyager

From the City by the Bay to the Big Apple to Greenwich Village that is home to some of the best jazz clubs in the city. And this week the Jazz Voyager is heading to this part of the city that never sleeps to catch a set at the Blue Note. The intimate 250 seat venue has been hosting the biggest names in jazz since its humble beginnings in 1981.

Alto saxophonist Gary Bartz, NEA Jazz Master and professor of saxophone and jazz performance at Oberlin Conservatory takes off a few days from teaching to hit the stage this week for four nights, Thursday through Sunday. Since the 1960s he has held tenure with Max Roach, Charles Mingus, Art Blakey, and Miles Davis. What he will bring to this engagement is something this Jazz Voyager is anticipating.

The venue is located at 131 W 3rd St, New York, NY 10012. For more information visit https://www.bluenotejazz.com/nyc.

CALIFORNIA JAZZ FOUNDATION

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GARY BARTZ

NEA Jazz Master Gary Bartz has been one of the best purveyors of what he calls “informal composition” (as opposed to improvisation) on alto saxophone since the 1960s, working with such luminaries as Max Roach, Charles Mingus, Art Blakey, and Miles Davis. He has released more than 45 solo albums and appears on more than 200 as a guest artist, as well as working with some of the up-and-coming artists in jazz today, such as Ali Shaheed Muhammad and Adrian Younge for their Jazz Is Dead series and the jazz-funk band Maisha.

Bartz was born in Baltimore, Maryland, to nightclub-owning parents and was exposed to many great jazz artists who played at their club. He was 6 when he was inspired by the sound of Charlie Parker, and received his first alto saxophone at the age of 11. He attended the Juilliard School in New York City in 1958. He joined the Charles Mingus Jazz Workshop from 1962 to 1964, meeting jazz giants Eric Dolphy and Rahsaan Roland Kirk. He also began working with the Max Roach/Abbey Lincoln group in 1964. In 1965, Bartz was recruited into Art Blakey’s Jazz Messengers while they played at his parents’ club, taking John Gilmore’s position in the band. He made his recording debut with Blakey on Soulfingerthat same year.

In 1970, Miles Davis asked Bartz to join his band and perform at the historic Isle of Wight Festival and his subsequent tour. Bartz is featured on Davis’ Live/Evil recording. Bartz also formed his own group, NTU Troop, named for the Bantu word for “essence.” The group blended soul, funk, African folk music, hard bop, and avant-garde jazz and recorded one of Bartz’s first classics, I’ve Known Rivers and Other Bodies, based on the poetry of Langston Hughes. His NTU Troop recordings are often sampled by hip-hop artists.

In 1997, he was awarded a Grammy Award for Best Latin Jazz Performance for his work on Roy Hargrove’s Habana album, and, in 2005, he received a Grammy Award for his work as a sideman on McCoy Tyner’s recording Illuminations. In 2015, Bartz received the BNY Mellon Jazz Living Legacy Award that honors jazz musicians from the mid-Atlantic region who have achieved distinction in performance and education.

Since 2001, Bartz has been a professor of saxophone and jazz performance at Oberlin Conservatory in Ohio. Bartz focuses his teaching on finding new ways for his students to “open their ears” and presses his Oberlin students to truly hear the music they think they know so well.

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The Jazz Voyager

Leaving the Bay and wanting to drive down the PCH to Los Angeles but not sure I want to take that twelve hour drive over an hour and a half flight. What to do, what to do. I do have four days to enjoy the sights along the way like Big Sur, Japantown, Winchester Mystery House or catch some whale watching. So with beautiful weather ahead, it’s off to pick up the rental car. A drop top I believe is in the order.

Twelve hours and three days later I am pulling up to the front door of The Baked Potato, a very low key spot, intimate and cozy by design, So don’t be put off by the waitress staff dressed in yoga pants and running sneakers. They say for the best sound it’s best to sit in the center of the room. As the name states, the menu is complete with numerous combinations to put on their specialty potatoes.

This week’s entertainment is Danny Janklow + Elevation Band ft. Katherine Ella Wood and Dennis Hamm. Danny at 20 was the youngest 1st place winner of the North American Saxophone Alliance Competition and subbed for Dick Oates regularly at the Village Vanguard. He has won or placed in several competitions and now this jazz voyager will be introduced to him live.

The venue is located at 3787 Cahuenga Boulevard, Studio City, 91604. For more information visit https://www.thebakedpotato.com.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

David William Sanborn was born July 30, 1945 in Tampa, Florida where his father was stationed in the US Air Force, and grew up in Kirkwood, a suburb of St. Louis, Missouri. Contracting polio at the age of three and confined to an iron lung for a year, the polio left him with impaired respiration and his left arm shorter than the right.

While confined to bed he was inspired by the saxophone breaks in songs he heard on the radio by Fats Domino’s Ain’t That a Shame and Little Richard’s Tutti Frutti. At the age of eleven David changed to saxophone from piano lessons when doctors recommended that he take up a wind instrument to improve his breathing and strengthen his chest muscles. By 14 he was good enough to play with blues Albert King and Little Milton in local clubs. Alto saxophonist Hank Crawford was an early and lasting influence.

Sanborn studied free jazz in his youth with saxophonists Roscoe Mitchell and Julius Hemphill. He continued his education at Northwestern University and transferred to the University of Iowa, where he played and studied with saxophonist J.R. Monterose. In 1967 he took a Greyhound bus to San Francisco, California to join the Summer of Love, and was invited to sit in on a session with The Paul Butterfield Blues Band and stayed with the band for five years. He went on to play with the Brecker Brothers, Al Jarreau, and Tim Berne.

Finding life on the road increasingly difficult he continued to tour, was active as a session musician, and played on numerous albums by artists including Stevie Wonder, Bruce Springsteen, Aretha Franklin, Sting, the Eagles, Rickie Lee Jones, James Brown, George Benson, Carly Simon, Elton John, Bryan Ferry and the Rolling Stones.

As a leader he recorded twenty-five albums and his discography as composer and sideman is extensive and includes videos, television and film. Sanborn won six Grammy Awards and had eight gold albums and one platinum album and was inducted into the St. Louis Walk of Fame.

Alto saxophonist David Sanborn, who was known primarily as a smooth jazz musician, died of complications from prostate cancer in Tarrytown, New York on May 12, 2024.

GRIOTS GALLERY

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DANNY JANKLOW & ELEVATION BAND

Danny Janklow continues to be an exciting musical voice, and one of the most in-demand saxophonists and composers, of his generation. He not only has a deep connection to the music and its legacy, he has something profound to contribute to its future. Danny performs with uncompromising courage, experimental innovation, and provocative imagination while lending the language of Jazz to the grooves of R&B, Funk, and Indie Soul. Danny’s music is searingly personal, and grounded in calls for equal rights, justice, and love.
Recognized at age 20, he was the youngest 1st place winner of the North American Saxophone Alliance Competition. Janklow began regularly subbing at the Village Vanguard for his mentor Dick Oatts in Vanguard Jazz Orchestra. In 2012, Janklow was awarded 1st place at the Detroit Jazz Festival Saxophone Competition and headlined the festival. As an accomplished composer, he was selected to participate in the Betty Carter Jazz Ahead program in 2013. Later that year, Danny was selected as a semi-finalist in the 2013 International Thelonious Monk Saxophone Competition.

Dennis Hamm ~ Keys
Luca Alemann0 ~ Bass
Anthony Fung ~ Drums
Danny Janklow ~ Saxophone, Flute

$25.00 1st Set | $20.00 2nd Set ~ Inside Seating
$15.00 Patio Seating  is a live video concert, not inside the club

 

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