The Jazz Voyager
The Jazz Voyager is flying out of Detroit and heading to where the home of country music is located, Tennessee. However, most don’t know that the very same city is vibrant with jazz. To that end, the venue to be visited this week is Rudy’s Jazz Room. The club, intimate and eclectic, is a listening room built with great attention to acoustics, combined with a beautiful Steinway Model B grand piano.
On tap for the entertainment is Cliff Richmond and the CliffNotes will be performing his unique blend of soulful, swinging & funky jazz. He incorporates a wide range of styles from mainstream jazz, to rhythm & blues, Latin to reggae. Founded by the guitarist & vocalist, the CliffNotes always features some of Nashville’s most accomplished and versatile musicians and vocalists.
Rudy’s Jazz Room is located at 809 Gleaves Street, Nashville, 37203. For more information visit https://www.rudysjazzroom.com.
More Posts: adventure,club,genius,jazz,music,preserving,saxophone,travel,vocal
Requisites
The Final Tour: Copenhagen, March 24, 1960 ~ Miles Davis and John Coltrane | By Eddie Carter
In this morning’s discussion, I’m presenting an album by Miles Davis and John Coltrane from the library for your consideration. The Miles Davis Quintet performed at the distinguished Denmark venue, Tivolis Koncertsal, for the first time as part of The Spring 1960 Jazz at The Philharmonic European Tour. However, changes were on the way, as the album’s title suggests, The Final Tour: Copenhagen, March 24, 1960 (Columbia Legacy 88985498741). It would mark the end of an era as tenor saxophonist John Coltrane was looking to leave and start his group. The rhythm section, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums, would also leave to become The Wynton Kelly Trio.
Despite the underlying questions facing the trumpeter, the quintet’s three performances for the capacity audience that evening were brilliant and a highlight of the tour. To kick things off, Norman Granz, the master of ceremonies, introduced each man individually, with the crowd’s largest ovations reserved for Paul, John, and Miles. My copy is the 2018 European Mono Limited Edition reissue. With a few snaps of the leader’s fingers, the trio kicks off So What by Miles Davis with a short introduction segueing into Miles’ and John’s infectious melody, a captivating tune that immediately draws you in. Davis ignites the first solo with intense heat. John comes in next to dispense a bit of rhythmic fury, and then Wynton infuses the finale with jubilant enthusiasm ahead of the closing chorus and climax.
The pace slows to mid-tempo as the ensemble begins On Green Dolphin Street by Bronislaw Kaper and Ned Washington from the 1947 film Green Dolphin Street. The first part of this standard opens with the theme unfolding at a leisurely pace and Miles, on the muted horn, leading the way into a delightful opening statement. John soars cheerfully into a captivating, well-behaved performance. Part Two of On Green Dolphin Street starts on the second side, with Wynton cruising at a comfortable speed behind both horns in the following interpretation, as smooth as silk. Paul takes his first opportunity to solo with a brisk footnote on the closing statement that swings masterfully into the theme’s return and finale.
All Blues by Miles Davis affords the leader, John, and Wynton ample solo space. Paul gets things off to a good start with a concise introduction, leading to Miles’s carefree theme back on the muted horn. He removes it to begin the opening statement. John follows him with a relaxing interpretation that is as enjoyable as a day at the beach. Wynton sustains the easygoing pace with a gorgeous performance into the ending theme and soft summation. The closer is an incomplete take of Miles’ The Theme, a deliberate choice that signals the end of the set and album, lasting only thirty seconds until it fades to nothingness. The mastering of The Final Tour: Copenhagen, March 24, 1960, by Mark Wilder is a demonstration class and a great way to show off a mid-level or high-end audio system.
The vinyl is exceptionally quiet until the music starts, and the instruments have outstanding detail. This reveals an incredible soundstage with superbly presented music, thanks to jazz producer George Wein, Danish Radio and the Danish Programming Company, who originally recorded the shows for broadcast. This is my first LP from the We Are Vinyl series from Columbia-Legacy, and judging by its superb sound quality, it won’t be the last. If you’re a fan of either of these giants and are looking for a live jazz album where each musician is at the peak of their creativity. In that case, I enthusiastically invite you to check out The Final Tour: Copenhagen, March 24, 1960, by Miles Davis and John Coltrane. It’s an LP that merits serious consideration for any jazz fan’s library, and I am sure you’ll enjoy it!
~ On Green Dolphin Street – Source: JazzStandards.com
© 2024 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone,trumpet
Daily Dose Of Jazz…
Sol Schlinger was born on September 6, 1926 in the Bronx, New York. His father was an unsuccessful entrepreneur who booked concerts in Europe, his mother a successful cook who earned the family money. He grew up with Stan Getz, Bernie Glow and Lenny Hambro. His first instrument was the tenor saxophone and took lessons from the saxophonist in the band at a small resort in the Catskill Mountains north of New York City. His dedication did not go unnoticed and his father got him a C-melody saxophone and began lessons with Bill Sheiner on a tenor that he sold him for $75.
He began his professional career at the age of sixteen with Henry Jerome & His Stepping Stones at the Pelham Heath Inn. World War II saw Sol touring wit.h Shep Fields, including a trip to Europe to play for the troops. After the war ended he took up the baritone saxophone and went out on the road with Charlie Barnett’s band. He then joined Buddy Rich’s outfit.
The late Forties saw Schlinger with Tommy Dorsey, recording with Sauter-Finegan, and became a member of the East Coast sax section with Hal McKusick, Gene Quill, Zoot Sims, Al Cohn and sometimes Phil Woods. He often recorded with trombonist-arranger Billy Byers, who was also a ghostwriter for Quincy Jones. Following this he joined Benny Goodman for a period. He would go on to work with Tony Bennett, Carmen McRae and others.
Baritone saxophonist Sol Schlinger, who was a first call and solid anchor in the reed section, died at 91 years old on November 1, 2017.
More Posts: history,instrumental,jazz,music,saxophone
The Jazz Voyager
The Jazz Voyager is leaving on a jet plane and heading to the Motor City this week to hang out at the swanky, restored art deco club known to the locals as Cliff Bell’s. The jazz club opened its doors in 1935 and has hosted some of the biggest names in the industry all while serving up nightly a creative, eclectic fare with live jazz on stage. Two shows nightly and of course, this voyager will be at the 9:30pm seating which accommodates between 100 and 150 patrons.
On the marquee is Detroit native, vocalist Kimmie Horne, who comes from the legendary family that gave rise to singing stars before her, Lena and Cleveland. She hosts her self-titled jazz festival annually, tours internationally and is gracious enough to spend a few gigs in her home city to perform for her fans.
Cliff Bell’s is located at 2030 Park Avenue, Detroit, Michigan 48226. For more information visit https://cliffbells.com.
More Posts: adventure,club,genius,jazz,music,preserving,saxophone,travel,vocal
Daily Dose Of Jazz…
Joe Rigby was born on September 3, 1940 in Harlem, New York and grew up in the Sugar Hill neighborhood where his neighbors included Johnny Hodges, Sonny Rollins, Jackie McLean, and Kenny Burrell. He started playing piano when he was six and began playing flute and clarinet in high school. His focus eventually switched to the saxophone after hearing John Coltrane and Charlie Parker.
Graduating from the College of Staten Island he earned a bachelor’s degree in Music and a minor in Music Education. Rigby would go on to study privately with Joe Allard, Garvin Bushell, and Anders Paulsson. He taught instrumental music with the New York City Board of Education from 1989 until he retired in 2004, and was named New York’s Music Teacher of the Year in 1996.
Performing on alto, soprano, baritone and sopranino saxophone, Joe began performing professionally with Milton Graves, Johnny Copeland, and Steve Reid, with whom he led the Master Brotherhood. In the late 1970s, he formed and led his own group, Dynasty.
Establishing his Homeboy record label, he released a record with trumpeter Ted Daniel, and the album Music as a solo artist in 2009. The same year he recorded on French label Improvising Beings, releasing For Harriet with a quartet which included bagpiper player Calum MacCrimmon.
Tenor, alto, baritone, soprano and sopranino saxophonist Joe Rigby, who also plays flute and piccolo, died on July 16, 2019 at the age of 78.
More Posts: bandleader,flute,history,instrumental,jazz,music,piccolo,saxophone