Daily Dose Of Jazz…

Samuel Koontz Donahue was born on March 18, 1918 in Detroit, Michigan and put together his first band when he was only 15 years old. He played in the bands of Gene Krupa, Harry James, and Benny Goodman. During World War II, he took over the US Navy band of Artie Shaw. After the war, he assembled and led a group that recorded extensively for Capitol Records.

He went on to create a new band enlisting trumpeters Harry Gozzard, Doc Severinsen, Wayne Herdell, arranger Leo Reisman, vocalists Frances Wayne, Jo Stafford and where Frank Sinatra Jr. spent time learning how to sing before it was dissolved in 1951. Then he re-enlisted in the Navy to serve in the Korean War.

His compositions included Quiet and Roll ‘Em with Gene Krupa, Convoy, LST Party, Scuttlin’, Love Scene, Please Get Us Out, Root Toot, Constellation, Conversation at Lindy’s, Saxa-Boogie, and Saxophone Sam. He went on to record with RCA Victor, Acrobat, Arista record labels.

Saxophonist Sam Donahue died from pancreatic cancer on March 22, 1974.

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Requisites

Epistrophy: The Last Concert ~ Charlie Rouse | By Eddie Carter

Charlie Rouse was one of jazz’s great musicians, but he is best known as the tenor saxophonist in The Thelonious Monk Quartet for eleven years. He enters this morning’s spotlight with Epistrophy–The Last Concert (Landmark Records LLP-1521). The album honors the pianist and was recorded live at The Thelonious Monk Birthday Tribute during the Jazz in The City Festival. His bandmates for this exceptional performance are Don Cherry (tracks: B1, B2) on trumpet, Buddy Montgomery (B1, B2) on vibes, George Cables (A2, A3, B1, B2), and Jessica Williams (A4) on piano, Jeff Chambers on bass, and Ralph Penland on drums. Orrin Keepnews is the host. My copy is the 1989 U.S. Stereo release.

Orrin opens with a few words about Charlie Rouse before introducing him; then, the two men share Some Words About Monk that are just as entertaining as the music that follows. Nutty is taken at a medium tempo, and Charlie swings easily on the theme and the first solo. George picks up the groove and gets into something interesting; then Ralph shares the finale with Rouse and Cables preceding the ending. Ruby, My Dear is named after Monk’s first love, Rubie Richardson and is one of his most beautiful tunes. Charlie and the trio tenderly begin the melody. Rouse continues delivering the opening solo with sultry notes from his tenor sax. George compliments him with elegant execution in a short statement. Charlie adds a few final gentle touches before the closing chorus and the delight of the crowd.

Blue Monk was Monk’s personal favorite of all his compositions. Jessica takes over on piano and opens with a quirky introduction to the foursome’s bluesy melody. Charlie takes the lead solo with a relaxing informality that flows naturally. Jessica takes a comfortable ride in the second reading, and Jeff has an enjoyable moment in the closer, preceding the theme’s restatement and close. ‘Round Midnight by Thelonious Monk, Cootie Williams and Bernie Hanighen is Monk’s best-known and most recorded creation. George starts with a lengthy introduction, segueing into the trio’s gorgeous melody and the pianist’s opening solo. Buddy comes in next for a touching interpretation, and then Don expresses his thoughts in a haunting, muted performance. Charlie provides the pretty exclamation point ahead of the climax.

Epistrophy by Thelonious Monk and Kenny Clarke was the pianist’s closing number at each live set. George sets everything in motion for the ensemble’s lively melody. Don opens with a few twists and turns; then Charlie wails with ease next. Buddy answers with a spirited performance. George adds to the excitement, and Don, Charlie, and Buddy swap notes with Ralph ahead of the reprise and close, which receives abundant applause from the audience. Orrin Keepnews produced the album, and Ron Davis was the recording engineer. David Luke was the digital engineer, and the mastering was by George Horn. The album’s sound quality is stunning with an excellent soundstage that takes the listener to the club to enjoy the musicians as they are performing.

Epistrophy-The Last Concert is dedicated to Charlie Rouse’s memory and is the last album he recorded before his death from lung cancer seven weeks later on November 30, 1988. He was only sixty-four but leaves behind a legacy of thirteen albums as a leader. He also co-founded and recorded six albums with the group Sphere (Thelonious’ middle name). He also made quite a few titles as a sideman, including twenty-four with Thelonious Monk during his lifetime. Palo Alto was recorded in 1968 but not released until 2020. If you’re a fan of Monk’s music or Post Bop, I offer for your consideration, Epistrophy–The Last Concert by Charlie Rouse the next time you visit your favorite record shop. It’s one of the most enjoyable albums I’ve heard and is a title I’m sure you won’t regret adding to your library!

~ Palo Alto (Impulse B0032181-01) – Source: Discogs.com ~ Blue Monk, ‘Round Midnight – Source:JazzStandards.com ~ Epistrophy, Ruby, My Dear – Source: Wikipedia.org © 2024 by Edward Thomas Carter

***In Like Bud which is included in the YouTube version of the album, is only available on compact disc and not on the original wax recording.

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JOHN SHAPELY OCTET & TONI BYRD

John Shapely ~ Saxophone, Justin Golding ~ Alto Saxophone, Frank Briscoe ~ Trumpet, Timmy Markey ~ Trombone, Jordan Thorne ~ Baritone Saxophone, Dallas McCorkendale ~ Keys, Chris Enghauser ~ Bass, Lee Roberts ~ Drums, Toni Byrd ~ Vocals

Since its inception in South Florida in 1994, the John Shapley Octet has grown in popularity among mainstream jazz listeners. The band plays swinging classic jazz arrangements and compositions by Shapley, Bill Dobbins, Rob Lussier, Marty Paich, Bill Holman, Quincy Jones, Gerry Mulligan, Dave Pell, Oliver Nelson, Wayne Shorter, Jaco Pastorius, Yellowjackets and others. With it’s beautiful solos and horn section passages, the band has been featured in South Florida at the 1995 Hollywood Jazz Festival, 1996 Riverwalk Sunday Jazz Brunch series, the 2001 Greater Florida Jazz and Swing Club and maintains an active performing schedule in jazz clubs and concert venues in Atlanta, Georgia and throughout the southeast. It is well known for the production of the show  The Essence of Ellington featuring classic transcriptions of genius jazz composer Duke Ellington. In 2003 the John Shapley Octet released two CD’s entitled John Shapley Octet:Essence of Ellington and John Shapley: Jazz Ensembles which attracted attention and  has been sold to listeners all over the United States, Canada, Europe and South America. In 2006 the band relocated it’s home base to Atlanta, Georgia where it continues an active performing and touring schedule. The John Shapley Octet is currently available for bookings in public and private concert venues.

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DONALD HARRISON

The Art Of Passion

Saxophonist and NEA Jazz Master “Big Chief” Donald Harrison is a musician/composer who is considered a master of every era of jazz, soul, and funk. Born in New Orleans, Harrison honed his experience playing with uncountable legends, including Art Blakey, Terence Blanchard, McCoy Tyner, Miles Davis, Ron Carter, The Headhunters, and The Notorious BIG. At the age of nineteen, Harrison created a modern jazz take on the New Orleans second-line tradition and introduced his composition “New York Second-Line” to the jazz world in 1979.

By the mid-’80s, he created Nouveau Swing, a distinctive sound that blended the swing beat of modern jazz with hip-hop, funk, and soul music. In the ’90s, Harrison recorded hits in the smooth jazz genre. He began exploring music through the lens of quantum physics in 2000.

Harrison’s new recording “The Art of Passion” is a multi-genre exploration of a single tune, showcasing Harrison’s versatility and creativity all at once. He will be joined at the Moss Theater by his band: pianist Dan Kaufman, drummer Brian Richberg, and bassist Nori Naroaka.

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Daily Dose Of Jazz…

Quin Davis was born Quinn Hall Davis on March 12, 1944 in Artesia, California. He toured and recorded with Buddy Rich in 19966 to 1967 and again from 1969 to 1970.

Leaving Rich in 1970, Quin was the solo alto saxophonist with Stan Kenton for three years followed by another three year residency with Harry James until 1976.

Little is known or written about alto saxophonist and flutist Quin Davis after this point in his life.

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