Requisites

Sonny Stitt Blows The Blues | By Eddie Carter

It happened like this; after listening to Bud Powell ’57, I wanted something else to hear while reading. So, I chose another of my mom’s favorite albums that she loved playing while cooking dinner. Sonny Stitt Blows The Blues (Verve Records MG V-8374/MG V6-8374) is an excellent 1960 date culled from two 1959 December sessions. Sonny Stitt was equally fluent on the tenor and baritone sax but is exclusively heard here on the alto sax. He assembled an exceptional rhythm section to join him, Lou Levy on piano, Leroy Vinnegar on bass, and Mel Lewis on drums. My copy is the 1995 Classic Records US Stereo audiophile reissue (Verve Records MG VS-6149).

The opener, Blue Devil Blues, is the first of five tunes by Mr. Stitt. It starts with Mel’s brief introduction; next, Sonny emerges to establish the easygoing melody, then gives an exquisite opening statement. Lou follows with a few flowing lines, and Leroy punctuates the solos with a brief comment. Home Free Blues picks up the pace to a medium beat for Stitt’s alto to lead the quartet in the melody of this happy swinger. He continues laying down strong lines in the first solo that pack a lot of punch. Levy delivers a splendid statement next, then Vinnegar takes a soulful walk ahead of the reprise and ending.

Blue Prelude is a pretty song by Isham Jones that Lou sets in motion with a concise introduction segueing into Sonny’s lightly swinging opening chorus and the song’s only interpretation. The rhythm section lays a lush foundation behind him into the song’s exit. Frankie and Johnny is the story of a couple’s relationship that ends tragically because of the young man’s infidelity. The quartet brings out the best in this old chestnut, with Stitt stating the melody. He then gives an impressive lead solo. In the second statement, Levy gets to the song’s heart; then, Vinnegar has a delightfully light reading ahead of Stitt’s final thoughts.

Side Two starts with Birth of The Blues by Ray Henderson, Lew Brown, and Buddy DeSylva. The quartet opens the song with a mellow theme, then steps aside for Sonny to show off his impeccable chops in the opening statement. Lou is up next with a fine outing, then Leroy has a delightful reading before the climax. A Blues Offering is Sonny’s slow-tempo invitation for the group to relax and take it easy from the start of the melody. Stitt sets the scene thoughtfully and with care first, then Levy responds with tenderness and sincerity in the subsequent interpretation preceding the ensemble’s graceful finale.

Sonny Stitt’s Hymnal Blues is unlike any song I heard when I attended church as a youngster. The foursome starts with a vibrant opening chorus; then, Sonny takes flight and wails in the opening presentation. Lou matches the altoist in the following statement. Leroy wraps it up with a neat finale before the quartet’s closing chorus disappears into nothingness. Vinnegar’s bass introduces After Morning Blues, segueing into Stitt’s sultry theme. The saxophonist has the song’s only reading and turns in a sensuously warm interpretation closely shadowed by the rhythm section’s gorgeous groundwork into the culmination.

The initial producer and the recording engineer of Sonny Stitt Blows The Blues are unknown. However, the sound quality of this Classic Records reissue is fantastic. Bernie Grundman mastered the album, and the instruments emerge from your speakers as if the quartet is playing right before you. The record is pressed on 180 grams of audiophile vinyl and silent until the music starts. If you’re not already a fan of Sonny Stitt, this is an excellent choice to begin your journey into his extensive discography. Every time I hear it, I’m taken back to my childhood and a pleasant memory of my mom. Sonny Stitt Blows The Blues is an enjoyable album from first note to last with a superb supporting cast that highlights the leader’s capabilities as a composer. If you love jazz, I can’t recommend it enough for a spot in your library!

~ Birth of The Blues, Frankie and Johnny – Source: Wikipedia.org © 2023 by Edward Thomas Carter

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Daily Dose Of Jazz…

Skeets Herfut was born Arthur Relsmond Herfut on May 28, 1911 in Cincinnati, Ohio and raised in Denver, Colorado. While attending the University of Colorado he played in different bands. By 1934 he was performing with Smith Ballew, and through the decade with Jimmy and Tommy Dorsey, and Ray Noble.

After moving to California, Herfut worked with Alvino Rey, then served in the Army from 1944 to 1945. After the war, he flourished as a studio musician in Hollywood, California and led his own band. Between 1946 and 1947 he performed with Benny Goodman and Earle Spencer.

Into the 1960s Skeets’ studio sessions were with Billy May, Louis Armstrong, Georgie Auld, Jack Teagarden, Stan Kenton and again with Goodman. By the end of the 1960s he joined the Ray Conniff orchestra for several tours of Japan and Germany as well as recording sessions during the 1970s.

Herfurt bacme a member of Lawrence Welk’s orchestra and weekly television show from 1979 to 1982, performing on lead alto saxophone. During his career he recorded with Glen Gray, Ray Anthony, Joe “Fingers” Carr, Frankie Carle, Larry Clinton, Bob Eberly, Helen O’Connell, The Four Freshmen, Bob Keene and Pete Rugolo.

Saxophonist and clarinetist Skeets Herfut, who appeared as a saxophonist in the 1956 film The Nightmare, playing clarinet on the soundtrack, and performed on the soundtrack to the 1974 film The Fortune, transitioned in New Orleans, Louisiana at the age of 80 on April 17, 1992.

BRONZE LENS

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DEVIN PHILLIPS QUARTET

Devin Phillips, Saxophones
Kiran Raphael, Piano
Eric Gruber, Bass
Tyson Stubelek, Drums
Born and reared in New Orleans, Devin Phillips’s intense affair with the saxophone began at the age of eight. At 14, he was accepted into the prestigious New Orleans Center for Creative Arts, whose alumni include Wynton and Branford Marsalis, Harry Connick, Jr. and Nicholas Payton. There, trained in music theory and multi-styles composition, he graduated in 2000 with top honors. He has also tutored under clarinetist and educator Alvin Batiste. Like many budding young horn players form the Big Easy, he put his time in playing with the local brass bands in a traditional process of initiation in the musical process. Devin Phillips has paid his dues performing, touring and recording with top jazz artists such as Wynton Marsalis, Eddie Palmieri, The Headhunters, the New Orleans Jazz Orchestra, musician Lenny Kravitz, and Los Hombres Caliente, with whom he recorded two award-winning albums.
His reputation as a sax man with intricate and rhythmically innovative sounds made him a popular feature at jazz festivals: France’s Jazz de Vien Festival; Tokyo’s JVC Jazz Festival; Itanbul’s The Ruins; Spain’s Barcelona Jazz Festival; the Netherlands’ North Sea Jazz and the New Orleans Jazz Festival. In 2005, Phillips formed New Orleans Straight Ahead. But in August, Hurricane Katrina muted the music. With all gone, save his sax, and his family scattered throughout the U.S., Phillips evacuated to Portland and reformed New Orleans Straight Ahead with other musician evacuees. Phillips and took advantage of a program created by the PDXJazz Festival in partnership with Azumano Travel, which invited jazz musicians affected by the hurricane to come to Portland with their families, either for temporary shelter or for good. The invitation included free transportation to Portland, temporary housing, and access to an active jazz network with performance and workshop opportunities.
Over the course of six months, more than 50 New Orleans musicians traveled to Oregon, a dozen musicians, including Phillips, have decided to remain in Portland. Since arriving, Phillips has performed at a number of local clubs and appreciated the opportunity to be part of the Portland Jazz Festival. Phillips says that opening the festival with “Amazing Grace,” talking with McCoy Tyner and being asked to stand in for one of Eddie Palmieri’s frontline players were high points for him.
Showtimes: 7:00pm & 9:00pm
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LAKECIA BENJAMIN & PHOENIX

Lakecia Benjamin, Saxophone
Zaccai Curtis, Piano
Ivan Taylor, Bass
EJ Strickland, Drums
PHOENIX, released in January 2023 on Whirlwind Records and was masterfully produced by Terri Lyne Carrington alongside an incredible cast of soon-to-be-announced iconic special guests. The live tour will feature Benjamin’s quartet. The new album is a deeply personal outing for Lakecia and presents mostly all original compositions and arrangements, solidifying her standing as not just an amazing player but as a formidable composer and arranger. The record continues Lakecia’s legacy work with artists that she respects and has been mentored by and was heavily influenced by her experiences over the past two years, and all that she has learned since the release of Pursuance at the cusp of the pandemic.
Lakecia says: “This album is a bit of a rebirth for me; it continues the inter-generational legacy work I’ve been doing in the past by featuring guests that have inspired me musically, spiritually and as a human being. I am painting the picture of reinventing and recreating oneself from ‘the ashes’, so to speak, although this time using my own compositions as the vehicle. I am excited to be starting a new journey and partnering with Whirlwind Recordings to introduce this album to the world.” One of the most sought-after and revered saxophonists in the world, Lakecia was voted 2020 Downbeat Critics Poll Rising Star Alto Saxophonist and Up and Coming Artist of the Year by the Jazz Journalists Association. Known for her charisma and dynamism as a player, as a composer she has an inimitable skill of fusing traditional conceptions of jazz, hiphop and soul. She’s performed alongside Stevie Wonder, Alicia Keys, The Roots, Macy Gray and many more.
Showtimes: 5:30pm & 7:30pm
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RAVI COLTRANE

In the course of his three decade career, critically acclaimed, GRAMMY® nominated saxophonist, bandleader, and composer Ravi Coltrane has performed and recorded with jazz legends Elvin Jones, Terence Blanchard, Kenny Barron, Steve Coleman, McCoy Tyner, Jack DeJohnette, and many more. Born in Long Island, Ravi is the second son of jazz icons John Coltrane and Alice Coltrane. Alice Coltrane, was a significant influence on Ravi’s spiritually-tinged style of jazz and it was Ravi who encouraged Alice, after a long hiatus, to return to performing and recording with “Translinear Light” (Impulse!, 2004), before her passing in 2007. Ravi has released six albums as a leader. His latest, Spirit Fiction, is on the Blue Note Record label.

Showtimes: 7:00pm | 8:30pm | 10:30pm

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