THAD JONES LEGACY ORCHESTRA
To mark the 100th birthday of legendary trumpeter Thad Jones, saxophonist Mark Buckingham and the “Thad Jones Legacy Orchestra” will present a variety of tunes to celebrate one of Jazz’s most influential arrangers! Featuring London’s finest Jazz musicians, the band will revisit Thad Jones’s contribution to the Count Basie Orchestra, his own compositions within the Thad Jones / Mel Lewis Orchestra and the Danish Radio Big Band as well as tributes written in memory of the master by other celebrated composers. From “Shiny Stockings” to “Big Dipper” and “A Child is Born”, expect to hear all the classics as well as some obscure gems!
***Cover does not include fees!
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Daily Dose Of Jazz…
Prince Robinson was born in Portsmouth, Virginia on June 7, 1902. He learned to play clarinet as a teenager and after playing locally in Virginia, he moved to New York City, New York in 1923. Once settled Robinson quickly found work both performing and recording, with the Blue Rhythm Orchestra, June Clark, Duke Ellington, Billy Fowler, the Gulf Coast Seven, Fletcher Henderson, Lionel Howard, Clara Smith, and Elmer Snowden. He went on to tour South America with Leon Abbey’s group in 1927, and the following year became a member of McKinney’s Cotton Pickers.
The Thirties saw Prince working with Lil Armstrong, Willie Bryant, Blanche Calloway, Roy Eldridge, and Teddy Wilson accompanying Billie Holiday. His career continued in the 1940s, including work with Louis Armstrong, Lucky Millinder, and Benny Morton. In 1945 he joined Claude Hopkins’s band, remaining until 1952. Later in the decade he worked with Fletcher Henderson again and with Red Allen and Freddie Washington, in addition to leading his own ensemble in 1953.
His last recording was Mainstream Jazz by Andy Gibson and His Orchestra in 1959. He played a tenor saxophone solo on the theme Blueprint. Tenor saxophonist and clarinetist Prince Robinson transitioned on July 23, 1960 in New York City.
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Three Wishes
One night when they were just hanging out Nica asked George Bright what he would wish for if he was given three and he said to her:
- “That fragmentation might be resolved into a kind of unified action in the world.”
- “That men might get into a one-to-one relationship with what they are.”
- “That we realize that the challenge to make sense out of what appears to be nonsense is the only therapy that anyone can have.
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Harry Alexander White was born on June 1, 1898 in Bethlehem, Pennsylvania. As a teenager, he played drums, then switched to trombone after moving to Washington, D.C. around 1919. In the early Twenties he played with Duke Ellington, Elmer Snowden, and Claude Hopkins. Then in 1925 he formed the family band called the White Brothers Orchestra, which played the mid-Atlantic states for several years with regular gigs in New York City and Philadelphia, Pennsylvania.
Late in the 1920s, he played with Luis Russell, then joined the Mills Blue Rhythm Band in 1931. The following year he joined Cab Calloway’s orchestra, working as an arranger and composer in addition to his duties on trombone. One of Calloway’s trumpeters, Edwin Swayze, overheard Harry use the term “jitterbug”, and wrote a tune called The Jitterbug. Calloway’s 1934 recording of the song brought the term into widespread currency.
Returning to play with Russell in 1935 when the band was backing Louis Armstrong, he eventually quit playing for part of the Thirties decade. He would later perform with Manzie Johnson, Hot Lips Page, Edgar Hayes, and Bud Freeman.
Trombonist, pianist, saxophonist, arranger and composer Harry White, who was affectionately known as Father White, transitioned on August 14, 1962 in New York City.
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MELTON MUSTAFA: JUNETEENTH JUKE JOINT
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