
Daily Dose Of Jazz…
Oscar Valdambrini was born on May 11, 1924 in Turin, Italy and his professional career didn’t begin until the late 1940s when he played with Rex Stewart. Soon afterward he co-led a small ensemble with Gianni Basso and his association with Basso would continue through the early 1960s.
He also arranged and played as a sideman for Armando Trovajoli toward the end of the Fifties. During the 1960s he played with Gil Cuppini, Duke Ellington, and Giorgio Gaslini, and by the early Seventies, he was working with Maynard Ferguson.
Joining forces once again with Basso the two performed together from 1972 to 1974. He went on to also play with Franco Ambrosetti, Conte Candoli, Dusko Goykovich, Freddie Hubbard, Mel Lewis, Frank Rosolino, Ernie Wilkins, and Kai Winding in the 1970s.
Growing increasingly sick from the middle of the 1980s, trumpeter and flugelhornist Oscar Valdambrini, had a central role in the emergence of a modern jazz movement in Italy, receded from active performance and passed away on December 26, 1996 in Rome, Italy.
More Posts: arranger,bandleader,flugelhorn,history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…
Richard Gene Williams was born in Galveston, Texas on May 4, 1931 and played tenor saxophone early in his life before picking up the trumpet as a teenager. While playing in local Texas bands, he attended Wiley College, majoring in music.
After serving in the Air Force from 1952–56, Williams toured Europe with Lionel Hampton. He returned to America and received a master’s degree at the Manhattan School of Music. In 1959, he played with Charles Mingus at the Newport Jazz Festival and recorded with MIngus that same year. The following year he recorded his only session as a leader, New Horn in Town on the Candid Records label featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas.
During the 1960s Richard was a sideman on numerous releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic working with Oliver Nelson, Grant Green, Booker Ervin, Sam Jones, Rahsaan Roland Kirk, Les McCann, Lou Donaldson, Yusef Lateef, Gigi Gryce, Carmen McRae, Randy Weston, Charles Tolliver, Mose Allison, Eddie “Lockjaw” Davis, and Duke Jordan, among numerous others.
He also played with the big bands of Duke Ellington, Gil Evans, Thad Jones and Mel Lewis, Sam Rivers, and Clark Terry. Finding work on Broadway in pit orchestra productions of The Me Nobody Knows and The Wiz, and appeared on the original Broadway cast recordings of both musicals. Williams led his own bands in New York jazz clubs and in addition to jazz trumpet, he performed with classical orchestras, playing piccolo trumpet and flugelhorn. Trumpeter Richard Williams passed away on November 4, 1985 from kidney cancer in his Jamaica, New York home, at the age of 54.
More Posts: bandleader,history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…
Sam Noto was born on April 17, 1930 in Buffalo, New York, where he learned to play the trumpet. While still in his early twenties he was invited to join Stan Kenton’s band as the lead trumpeter, playing with him full-time until 1958. He returned to the Kenton band in 1960 after a year-long stint touring Europe with Louie Bellson and Pearl Bailey in 1959.
Between 1964 and 1967 for two separate periods, Sam was also a member of the Count Basie Orchestra. He worked primarily in Las Vegas, Nevada after 1969. It was while living and working in Vegas, he became acquainted with trumpeter Red Rodney who was influential in Noto’s prolific recording career with Xanadu.
Relocating to Toronto in 1975 he quickly became a first-call studio player and member of Rob McConnell’s “The Boss Brass” for a number of years in the ‘80s. Noto established his own successful groups including the Sam Noto Quintet, performing frequently throughout Toronto in the ‘90s and early 2000s.
He recorded six albums as a leader and another eighteen as a sideman working with Count Basie, Stan Kenton, Rob McConnell, Frank Rosolino, Red Rodney, Don Menza, Buddy Rich, Joe Romano, Charlie Parker, Mel Lewis, Dizzy Gillespie, Louie Bellson, and Kenny Drew. He has had recording associations with Xanadu, Muse, Capitol, Sea Breeze, Dot, Coliseum, Reprise, Supermono, and Unisson record labels.
Now residing in Fort Erie, Ontario, trumpeter and bop soloist Sam Noto continues to play in and around the Toronto area, as well as closer to home in Buffalo, New York jazz clubs.
More Posts: bandleader,history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…
Ike Morgan, born Isaiah Morgan, came into the world on April 7, 1897 in Bertrandville, Louisiana into a musical family. He played in Plaquemines Parish in the early 1910s and then moved to New Orleans.
He led his brothers Al, Sam and Andrew in the Young Morgan Band beginning in 1922, which was later led by Sam and this ensemble recorded for Columbia Records. After Sam suffered a stroke in 1932, Ike resumed the leadership of the group, but it disassembled in 1933.
In the Thirties and Forties, Morgan was a bandleader in the Biloxi, Mississippi area, and played with Andrew there as well. Isaiah recorded in 1955 on an album called Dance Hall Days, Vol. 1, his group at this time featured Freddie Land on piano.
Retiring from music the following year, trumpeter Ike Morgan passed away on May 11, 1966 in New Orleans, Louisiana.
More Posts: bandleader,history,instrumental,jazz,trumpet

Daily Dose Of Jazz…
Bill Hardman was born William Franklin Hardman, Jr. on April 6, 1933 in Cleveland, Ohio. Growing up he worked with local players like Bobby Few and Bob Cunningham and while in high school he appeared with Tadd Dameron. After graduating he joined Tiny Bradshaw’s band.
Hardman’s first recording was with Jackie McLean in 1956, later playing with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson. He led a group with Junior Cook and recorded as a leader: Saying Something on the Savoy label. The album received critical acclaim in jazz circles but was little notoriety with the general public. He had three periods in as many decades with Art Blakey’s Jazz Messengers, though his misfortune was not to be with the Messengers at the time of their popular Blue Note recordings. Blakey occasionally featured him playing several extended choruses unaccompanied.
Though he was a crackling hard bop player with blazing technique, crisp articulations, and a no-frills sound, he never received commercial success like his colleagues Donald Byrd, Freddie Hubbard, and Lee Morgan.
Bill later incorporated into his sound the fuller, more extroverted romantic passion of a Clifford Brown – a direction he would take increasingly throughout the late-1960s and 1970s. As a leader, he recorded six albums, as a sideman he recorded more than three dozen with Dave Bailey, Walter Bishop Jr., Charles Earland, Curtis Fuller, Benny Golson, Eddie Jefferson, Ronnie Mathews, Jimmy McGriff, Hank Mobley, Houston Person, Mickey Tucker, Steve Turre, Mal Waldron, and Reuben Wilson.
Hard bop trumpeter and flugelhornist Bill Hardman passed away on December 5, 1990 in Paris, France.
More Posts: bandleader,flugelhorn,history,instrumental,jazz,music,trumpet



