Daily Dose Of Jazz…

Marshall Brown was born on December 21, 1920 in Framingham, Massachusetts. Little recorded, he devoted most of his career to education, earning a music degree from New York University, as a member of the Zeta Psi Fraternity.

He was also a high school band director leading the Farmingdale New York Daler Band from the early 1950s through 1957. Brown was the first high school band director to initiate a jazz education program, which he did in his tenure at Farmingdale High. By 1956 his stage band, the Daler Dance Band, a jazz big band with an average age of 14 years old, was so formidable and impressive, boasted future jazz stars pianist Michael Abene, saxophonist Andrew Marsala, and whiz drummer Larry Ramsden.  One night at the 1957 Newport Jazz Festival, Count Basie, who was late for his appearance as he entered the festival grounds heard the Daler Band performing their set and exclaimed, “Damn, they started already”, mistaking the Dalers for his band.

Marshall received some attention for performing and recording in a quartet with Pee Wee Russell in the early 1960s. While Russell was most often associated with Dixieland or swing, their quartet performed more adventurous, free jazz-oriented pieces, including pieces by Ornette Coleman and John Coltrane.

During the Sixties he was the resident trombonist at Jimmy Ryan’s, a noted dixieland venue. He also club dated with Luke O’Malley’s Irish band during this time. Brown also performed or recorded at one time or another with Ruby Braff, Beaver Harris, Lee Konitz, George Wein and Basie.

Conductor, arranger and educator Marshall Brown, who also played the valve trombone, trumpet, euphonium, electric bass and the banjo, passed away on December 13, 1983 in New York City.


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Jimmy Nottingham  was born December 15, 1925  in New York City. His first professional job was with Cecil Payne in 1943 prior to serving in the Navy from 1944 to 45 and playing in Willie Smith’s band. Following his discharge from the service he worked with Lionel Hampton for two years and then with Charlie Barnet, Lucky Millinder, Count Basie and Herbie Fields through the rest of the decade.

He played Latin jazz from 1951–53, then was hired by CBS as a staff musician in 1954, working for the network for more than 20 years. In his spare time he played jazz with Budd Johnson, Dizzy Gillespie, Oliver Nelson, Benny Goodman, Thad Jones/Mel Lewis and Clark Terry. He recorded with Mose Allison, Joe Cain, Coleman Hawkins, Billy Byers, Seldon Powell, Charlie Mariano, Kenny Burrell, Tony Scott, Maynard Ferguson, Jimmy McGriff, Chico O’Farrill, Shirley Scott and Sonny Stitt among numerous others.

Trumpeter Jimmy Nottingham was such a valuable big band and studio musician that he spent most of his life playing anonymously in the background and had limited chances to solo. He never released an album as a leader, but did, record four songs for Seeco Records in 1957. He passed away at the age of 52 on November 16, 1978 in his home city.

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Daily Dose Of Jazz…

Franco Ambrosetti was born December 10, 1941 in Lugano, Switzerland and received classical piano training, but is a self-taught trumpeter. He matriculated through school and holds a Masters Degree in economics from the University of Basel. He frequently worked professionally with his father, a saxophonist who once played sax opposite Charlie Parker, in a group that also included George Gruntz, among others.

Ambrosetti has recorded with both American and European musicians and performed at jazz festivals and concerts with Kenny Clarke, Dexter Gordon, Phil Woods, Cannonball Adderley, Joe Henderson, Michael Brecker, Mike Stern, Hal Galper and Romano Mussolini, among others.

He has recorded some two-dozen albums as a leader most notably on the Enja Record label and another eighteen as a sideman. Trumpeter, flugelhornist and composer Franco Ambrosetti continues to perform, record and tour.

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Robert Alexander Scobey, Jr. was born on December 9, 1916 in Tucumcari, New Mexico. He began his career playing in dance orchestras and nightclubs in the 1930s and by 1938 was working as second trumpeter for Lu Watters in the Yerba Buena Jazz Band. 1949 saw him leading his own band under the name Bob Scobey’s Frisco Band and the following year secured a three-year residency at the Victor & Roxie’s, which expanded their popularity.

Clancy Hayes joined the band to sing, play banjo bringing his own compositions such as Huggin’ and a Chalkin‘. The collaboration recorded over two hundred tracks until he left in 1959 to follow a solo career. The Frisco Band broadcasted in 1952 and 1953 on Rusty Draper’s television show. In 1953 Louis Armstrong sang with the band and the following year  blues singer Lizzie Miles began recording and touring with the band, a relationship that lasted three years.

Beginning in 1955 Scobey and his band played San Quentin Prison, the roadhouse Rancho Grande, recorded for Verve Records and RCA Victor,. and toured colleges and universities, recorded many student favorites on the album College Classics.

Bob opened the Club Bourbon Street in Chicago, Illinois in 1959, and began suffering with stomach issues while touring in 1960. Trumpeter Bob Scobey passed away of cancer on June 12, 1963. His wife produced a biography titled He Rambled!, arranged for his band to form again and record some blues songs, and saw to the reissuing of his albums.



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Russell Jacquet was born on December 4, 1917 in Saint Martinville, Louisiana, the elder brother of tenor saxophonist Illinois Jacquet. He had stints with Floyd Ray and Milt Larkin before he studying music at Wiley College and Texas Southern University.

Moving west he played with his brother’s band for a time, later forming his own group, that became the house band at the Cotton Club from 1945 to 1949. After that residency ended Russell rejoined his brother’s group. He would later play with several small groups in Oakland, California, as well as in Houston, Texas with Arnett Cobb. He also performed with his brother on a few dates in New York City.

Trumpeter Russell Jacquet passed away on February 28, 1990 in Los Angeles, California. He left a small catalogue of recordings as a leader during his Cotton Club years and four as a sideman with his brother, recorded between 1951 and 1969 on Clef, Argo and Prestige record labels.


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