Daily Dose Of Jazz…

Orbert Davis was born on March 8, 1960 in Chicago and raised in Momence, Illinois. He began playing trumpet around the age of ten, but was not formally instructed until Charles Danish, an elementary school teacher, found him a trumpet teacher and drove him to lessons. He eventually graduated with a degree in trumpet performance from DePaul University and then received a master’s degree in jazz pedagogy from Northwestern University.

Davis has recorded over 3000 television and radio commercials, released three studio albums, very active in music education, particularly with at-risk students, is co-founder and director of MusicAlive!, an initiative associated with the Chicago Jazz Philharmonic, which he also founded and directs.

Winner of the 1995 Cognac Hennessy National Jazz Search, Orbert was chosen as one of Chicago Tribune’s “1995 Arts People of the Year” and Chicago Magazine named him “Y2k Best Trumpeter in Chicago”.

One of Chicago’s busiest and most sought after musician, the jazz trumpeter has performed and/or recorded many projects for such notable artists as Ramsey Lewis, Charles Earland, Kurt Elling, Bob Mamet and William Russo’s Chicago Jazz Ensemble, Wynton Marsalis, TS Monk, Stevie Wonder, Dr. John, Kurt Elling, Ernie Watts, Ramsey Lewis, Grover Washington Jr. and The Smithsonian Masterworks Jazz Orchestra. Davis performs regularly with various groups under his own name, including his critically acclaimed ensemble “Orbert Davis with Strings Attached”.

He was featured soloist at the 1996 Chicago Jazz Festival, performing Miles Davis and Gil Evans’ “Sketches of Spain”. In October 1999, along with Jon Faddis and Lester Bowie, Orbert was a featured performer for the Jazz Institute of Chicago’s “Tribute to Louis Armstrong: Legacy for the Millennium” where he performed compositions from Armstrong’s Hot 5 and Hot 7 recordings.

Along with his partner/manager Mark Ingram, Davis owns and operates Orbark Productions, whose credits include projects for Atlantic, Capitol, CBS, Epic, MCA and the Warner Brothers record labels. He has scored and performed on and off camera for such films as A League Of Their Own, The Babe and Road To Perdition. Trumpeter, composer, bandleader and educator Orbert Davis is currently an Associate Professor of music at the University of Illinois at Chicago and conducts and records the Chicago Jazz Philharmonic in between recording as a leader.


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Bobby Shew was born Robert Shew on March 4, 1941 in Albuquerque, New Mexico. He began playing the guitar at the age of eight but by ten switched to the trumpet. By thirteen he was playing at local dances with various groups and at fifteen put together his own group. This gave him the opportunity to play dances, concerts, jazz coffee houses and dinner clubs.

After leaving college in 1960 he was drafted into the U.S. Army and played trumpet with the NORAD band in Colorado Springs and on tour. After leaving the Army he joined the big bands of Tommy Dorsey and Woody Herman, Della Reese and followed by the Buddy Rich Big Band in the mid to late 1960s.

By 1972 Bobby had moved from Las Vegas to Los Angeles where he became a top shelf studio musician. He also played with some of the top big bands of the era through the end of the 1970s: Toshiko Akiyoshi, Lew Tabackin, Louis Bellson, Maynard Ferguson and numerous others. In addition to playing on several notable Big Band recordings starting in the 1960s, he recorded several albums as leader starting with his 1978 debut recording Telepathy.

Shew has held the position of Trumpet chairman of the International Association of Jazz Educators, has authored numerous books on trumpet performance and technique, andis on the Board of Directors of the International Trumpet Guild.

Trumpeter and flugelhorn player Bobby Shew, now living near his hometown of Albuquerque, spends time mentoring jazz musicians in the area and leading the local Albuquerque Jazz Orchestra. As an educator he is a member of the faculty at the Skidmore Summer Jazz Institute, a two-week residential jazz workshop primarily for high school students, located in Saratoga Springs, New York. He continues to perform, record and tour.


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Daily Dose Of jazz…

Ralph Towner was born on March 1, 1940 in Chehalis, Washington. Born into a musical family, his mother a piano teacher and his father a trumpet player, Towner learned to improvise on the piano at the age of three. He started trumpet lessons at the age of five, but did not take up guitar until attending the University of Oregon.

Ralph first played jazz in New York City in the late 1960s as a pianist and was strongly influenced by the renowned jazz pianist Bill Evans. He began improvising on classical and 12-string guitars in the late 1960s and early 1970s; and formed alliances with musicians who had worked with Evans, including flautist Jeremy Steig, Eddie Gomez, Marc Johnson, Gary Peacock ad Jack DeJohnette.

He began his career as a conservatory-trained classical pianist, who picked up guitar in his senior year in college, then joined world music pioneer Paul Winter’s Consort ensemble in the late 1960s. Leaving Winter along with band mates Paul McCandless, Glen Moore and Colin Walcott, they formed the group Oregon, mixing folk, Indian classical, avant-garde jazz and frr improvisation.

Around the same time, Towner began a longstanding relationship with ECM Records, releasing virtually all of his non-Oregon recordings since his 1972 debut as a leader Trios / Solos.  As a sideman he has ventured int jazz fsion with Weather Report on the 1972 album I Sing The Body Electric.

Unlike most jazz guitarists, Ralph only uses 6-string nylon-string and 12-string steel-string guitars. He tends to avoid high-volume musical environments, preferring small groups of mostly acoustic instruments that emphasize dynamics and group interplay. He make significant use of overdubbing, allowing him to play piano or synthesizer and guitar on the same track. During the Eighties he used more synthesizer but has returned to the guitar in recent years.

Composer, arranger, bandleader and multi-instrumentalist Ralph Towner, who plays 12 string guitar, classical guitar, piano, synthesizer, percussion and trumpet, has an impressive catalogue of some five-dozen recordings spread between his role as a leader, with Oregon, and as a sideman with Paul Winter and Weather Report among others. He continues to perform, record and tour.


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Liam Sillery was born in Northvale, New Jersey, a suburb across the river from New York City on February 28, 1972. Introduced to music and the trumpet at an early age by his uncle, also a trumpet player, he considers himself fortunate to have been surrounded through the years by fine teachers and musicians.

Matriculating through the undergraduate program at the University of South Florida was most significant as he studied with tenor saxophonist Joe Henderson. Before going on to attend the Manhattan School of Music, he performed as a freelance musician. Once in New York at the Manhattan School, he studied with Ccil Bridgewater, Dave Liebman, Phil Markowitz, Joan Stiles, Mark Soskin, and Garry Dial.

In 2004 Liam released his first recording as a leader, Minor Changes, followed by his sophomore project On The Fly with the Dave Sills Quartet in 2006. The next summer he recorded a third CD, Outskirts, in which he moved away from his traditional style to explore freer material. Pursuing his expansion of style and knowledge of his instrument he combines textures, rhythms and sonorities to the details and intricacies of his playing.

Trumpeter and composer Liam Sillery has performed with is quintet at the North Sea Jazz Festival in Rotterdam and continues to play in and around metropolitan New York City.


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Wingy Manone was born Joseph Matthews Manone on February 13, 1900 in New Orleans, Louisiana. He lost an arm in a streetcar accident, which resulted in his nickname of “Wingy”. He used prosthesis so naturally and unnoticeably that his disability was not apparent to the public.

After playing trumpet and cornet professionally with various bands in his hometown, Manone began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, California, St. Louis and other locations; he continued to travel widely throughout the United States and Canada for decades.

Wingy’s was a frequently recruited musician for recording sessions. He played and recorded with Benny Goodman and recorded fronting various pickup groups under pseudonyms like “The Cellar Boys” and “Barbecue Joe and His Hot Dogs.” His hit records included “Tar Paper Stomp” was later used as the basis for Glenn Miller’s “In The Mood” and a hot 1934 version of a sweet ballad of the time “The Isle of Capri”.

In 1943 he recorded several tunes as “Wingy Manone and His Cats”, performed in Soundies movie musicals and his autobiography, Trumpet on the Wing, was published in 1948. From the 1950s he was based mostly in California and Las Vegas, although he also toured through North America and Europe appearing at jazz festivals. In 1957, he attempted to break into the teenage rock-and-roll market with his version of Party Doll but never rose higher than 56 on the Billboard pop charts.

He composed numerous songs and in 2008, “There’ll Come a Time (Wait and See)” was used in the soundtrack to the Academy Award-nominated movie The Curious Case of Benjamin Button. Trumpeter, vocalist, composer and bandleader Wingy Manone remained active until his passing on July 9, 1982 in Las Vegas at the age of 82.


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