TIERNEY SUTTON & RANDY BRECKER
“Ms. Sutton is a pure jazz spirit who respects a song. Even when going out on an improvisatory limb, she never lets its essence slip away.” – The New York Times “Brecker has the chops to play it cool or hot, laid-back or virtuosic.” – Downbeat
9-time Grammy-nominated vocalist Tierney Sutton and legendary multi-Grammy-winning trumpet master Randy Brecker share a stage for the very first time in an evening of spontaneous music-making. This special Tuesday night performance will also feature the illuminating pianist Christian Jacob.
Tierney Sutton – vocals | Randy Brecker – trumpet | Christian Jacob – piano
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EDDIE HENDERSON QUINTET
“His musical wisdom, gleaned during decades spent on the best jazz bandstands, informs every unerring note.” – Downbeat. Eddie Henderson – trumpet Donald Harrison – alto saxophone George Cables – piano Gerald Cannon – bass Lenny White – drums Trumpeter Eddie Henderson celebrates the release of a highly anticipated new recording, Witness to History, that reflects on his incredible life in music and whose arrival coincides with the 50th anniversary of his 1973 recording debut as a leader, Realization.
Joining Henderson for these release performances is the spectacular quintet of his closest collaborators that he convened for the recording, including alto saxophonist Donald Harrison, pianist George Cables, bassist Gerald Cannon, and drummer Lenny White. Henderson’s “deft feel and plush sound made him a central figure in the worlds of jazz-funk and hard-bop in the 1970s,” according to The New York Times. The Chicago Reader adds, “His progressive, assured, and imaginative improvisations roll out in a glorious sun-splashed tone… he seems to dance through his solos, balancing his quick clockwork technique with bursts of bluesy soul.” The eternally youthful Henderson has proven again that he is still making some of the most important music of his career into his 80s.
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PABLO RIVAROLA QUARTET
A true visionary. Trumpeter and composer, Pablo Rivarola is bringing his band back to The 1905 for an evening of all new original music featuring Portland’s most forward-thinking musicians at his side. True improvisation is at the core of his ethos in this unique experience.
Pablo Rivarola, Trumpet | Kerry Politzer, Piano | Garrett Baxter, Bass | Alan Jones, Drums
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THE JAZZ SYMBIOSIS QUINTET
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Daily Dose Of Jazz…
Clyde Lanham Hurley, Jr. was born on September 3, 1916 in Fort Worth, Texas. Self-taught, he learned to play the trumpet by playing along with Louis Armstrong records. He studied music at the Texas Christian University in Fort Worth from 1932 to 1936 where he participated in the school’s jazz band. He began his career working with territory bands.
In 1937, while drummer/band-leader Ben Pollack was touring through Texas he heard Hurley and invited him to join his orchestra where he soloed on So Unexpectedly. While on a touring stop with the band in Los Angeles, California he left to become a studio musician. He played with Paul Whiteman then with Glenn Miller. While with Miller he was one of the key soloists appearing on the band’s studio recordings and live performances throughout America.
Hurley played the trumpet solo on Miller’s In The Mood, Slip Horn Jive and Tuxedo Junction. Leaving Miller in 1940 he went on to work with Tommy Dorsey before joining Artie Shaw in 1941.After his stint with Shaw, he freelanced for the movie studios. In 1941, he played the trumpet track for the classic Walter Lantz cartoon Boogie Woogie Bugle Boy of Company B.
He worked for MGM from the mid-Forties to the end of the decade and for NBC from 1950 to 1955. During the late 1950s, Hurley played in Dixieland groups, recording with Matty Matlock’s Rampart Street Paraders. In 1954, he recorded live with Ralph Sutton and Edmond Hall at the Club Hangover. His studio work in the 1950s included sessions with Paul Weston. He soloed on Memories of You on Weston’s Solo Flight album.
Trumpeter Clyde Hurley, who was prominent during the big band era, transitioned on August 14, 1963 from coronary occlusion in Fort Worth.
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