PABLO RIVAROLA QUARTET

A true visionary. Trumpeter and composer, Pablo Rivarola is bringing his band back to The 1905 for an evening of all new original music featuring Portland’s most forward-thinking musicians at his side. True improvisation is at the core of his ethos in this unique experience.

Pablo Rivarola, Trumpet | Kerry Politzer, Piano | Garrett Baxter, Bass | Alan Jones, Drums

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THE JAZZ SYMBIOSIS QUINTET

The music of Steve Swallow, Clare Fischer, Benny Golson, A.C.Jobim, McCoy Tyner, Kenny Garrett, Roland Kirk, Dizzy Gillespie, Mingus & Coltrane.
Scott FitzGibbon | flute, saxophone
Ken Johnston | trumpet, cornet, flugelhorn
Gus Russell | piano
Robert Lassila | bass
Joe Kelner | drums

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Daily Dose Of Jazz…

Clyde Lanham Hurley, Jr. was born on September 3, 1916 in Fort Worth, Texas. Self-taught, he learned to play the trumpet by playing along with Louis Armstrong records. He studied music at the Texas Christian University in Fort Worth from 1932 to 1936 where he participated in the school’s jazz band. He began his career working with territory bands.

In 1937, while drummer/band-leader Ben Pollack was touring through Texas he heard Hurley and invited him to join his orchestra where he soloed on So Unexpectedly. While on a touring stop with the band in Los Angeles, California he left to become a studio musician. He played with Paul Whiteman then with Glenn Miller. While with Miller he was one of the key soloists appearing on the band’s studio recordings and live performances throughout America.

Hurley played the trumpet solo on Miller’s In The Mood, Slip Horn Jive and Tuxedo Junction. Leaving Miller in 1940 he went on to work with Tommy Dorsey before joining Artie Shaw in 1941.After his stint with Shaw, he freelanced for the movie studios. In 1941, he played the trumpet track for the classic Walter Lantz cartoon Boogie Woogie Bugle Boy of Company B.

He worked for MGM from the mid-Forties to the end of the decade and for NBC from 1950 to 1955. During the late 1950s, Hurley played in Dixieland groups, recording with Matty Matlock’s Rampart Street Paraders. In 1954, he recorded live with Ralph Sutton and Edmond Hall at the Club Hangover. His studio work in the 1950s included sessions with Paul Weston. He soloed on Memories of You on Weston’s Solo Flight album.

Trumpeter Clyde Hurley, who was prominent during the big band era, transitioned on August 14, 1963 from coronary occlusion in Fort Worth.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Hal Russell was born Harold Russell Luttenbacher on August 28, 1926 in Detroit, Michigan. Raised in Chicago, Illinois from the eighth grade, he began playing drums at age four, but majored in trumpet at college. He subsequently drummed in several big bands, including those of Woody Herman and Boyd Raeburn.

As with many young players in the mid-1940s, Russell’s life was irreversibly changed by bebop. In the 1950s he worked with Miles Davis, Billie Holiday, Sonny Rollins, John Coltrane, and Duke Ellington. During this period he succumbed to drugs and was a heroin addict for ten years. In 1959, he joined the Joe Daley Trio, whose Newport’ 1963, which was mostly studio material, was reputedly one of the earliest free jazz records.

The early 1970s saw Hal as the regular percussionist for the band at the suburban Chicago Candlelight Dinner Playhouse. He played mostly drums, but occasionally vibes and keyboards. By the end of the decade he formed the NRG Ensemble, which featured saxophonist Mars Williams, multi-instrumentalist Brian Sandstrom, and percussionist Steve Hunt, among others. During this period he started playing tenor and soprano saxophone and trumpet, in addition to drums and vibes.

Issuing his first album in 1981 for the Nessa label, in the late Eighties the group began playing frequently in Europe, and began recording for ECM with The Finnish/Swiss Tour. In addition to the NRG Ensemble, Russell always maintained several bands, the rock-oriented trio NRG 3 and The Flying Luttenbachers.

Tenor and soprano saxophonist, trumpeter, vibraphonist and drummer Hal Russell, shortly after completing the semi-autobiographical album The Hal Russell Story, transitioned from a heart attack on September 5,1992 in La Grange, Illinois.

SUITE TABU 200

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Daily Dose Of Jazz…

Lou Colombo was born on August 22, 1927 and raised in Brockton, Massachusetts. He began playing trumpet in the 1940s, at age 12. Aftere serving in the Army band in World War II he had hopes of playing professional baseball, saw him signed to the Brooklyn Dodgers, but a broken ankle forced him to curtail that dream. He then formed his own band in the 1950s and toured with Buddy Morrow, Perez Prado, Dick Johnson and the Artie Shaw Orchestra. He also played with Dizzy Gillespie and Louis Armstrong during his career.

So he dove into music and his trumpet. His career included stints with the Charlie Spivak and Perez Prado bands and the Artie Shaw Orchestra. On Cape Cod, Lou’s gigs with Dick Johnson and Dave McKenna were legendary, as is their superb Concord album, I Remember Bobby, a tribute to Bobby Hackett.

Known for his one-handed trumpet style, he was a mainstay in the Cape Cod, Massachusetts jazz scene for more than six decades and maintained a home in Fort Myers, Florida. Trumpeter Lou Columbo, who also played flugelhorn, baritone horn and pocket trumpet, transitioned unexpectedly at 84 on March 4, 2019 in a car crash in Fort Myers after making a turn and his vehicle was struck by another.

SUITE TABU 200

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