Daily Dose Of Jazz…
Robert William Troup Jr. was born on October 18, 1918 in Harrisburg, Pennsylvania. Graduating from The Hill School in 1937, he went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. His earliest musical success came in 1941 with the song Daddy and Sammy Kaye and His Orchestra recorded it sending it to #1 for eight weeks on the Billboard chart and #5 record of 1941.
After graduating from college in 1941, he enlisted in the United States Marine Corps, completed officer training, and was assigned to recruit the first Black Marines at Montford Point. While there, he organized the first Negro band of U.S. Marines. During this time he composed Take Me Away From Jacksonville, which became an anthem of sorts for the Marines at Montford Point and other areas of Camp Lejeune. In 1942, his song Snootie Little Cutie was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.
In 1946, Nat King Cole had a hit with Troup’s most popular song, Route 66. Troup’s fifteen albums in the 1950s and 1960s were not commercially successful, recording for Liberty and Capitol. He composed the music for the instrumental version of his song The Meaning of the Blues that appeared on the Miles Davis album Miles Ahead.
While relying on songwriting royalties, Bobby worked as an actor, appearing in Bop Girl Goes Calypso, The High Cost of Loving, The Five Pennies, and playing musician Tommy Dorsey in the film The Gene Krupa Story. He also appeared on several television shows in the Sixties. It was during this time that he met Julie London, encouraged her to pursue her singing career, and in 1955 produced her million-selling hit record Cry Me a River. Four years later, London married Troup. On February 7, 1999, pianist, singer, songwriter and actor Bobby Troup passed away of a heart attack in the Los Angeles, California neighborhood of Sherman Oaks.
More Posts: actor,history,instrumental,jazz,music,piano,songwriter,vocal
The Quarantined Jazz Voyager
We have not yet recognized when or how we will emerge from this pandemic, but as we collectively continue to navigate our way maintaining social distancing it is the perfect time to put on some headphones, earbuds, or just turn up the volume and listen to some big band. So today, this Quarantined Jazz Voyager is not going to the big band standards of yesteryear, nor is he choosing to feature one of the many led by men but is selecting the perfect album released this year by vocalist Lenora Zenzalai Helm & Tribe Jazz Orchestra. It is titled For The Love Of Big Band.
The album was recorded over a two day period in March 26th ~ 27th in front of a live audience and employed 20 musicians, a dozen music and music business professionals, four generations of renowned veteran musicians, as well as emerging and student musicians. It has been released under the Zenzalai Music label.
Track Listing | 76:00- Blues For Mama (N. Simone) ~ 4:42
- Bebop (d. Gillespie/D. Brown) ~ 6:22
- Chega de Saudade/No More Blues (A. Jobim, J. Cavanaugh, V. de Moraes, J. Hendricks) ~ 6:39
- It Could Happen To You (J. Van Huesen, J. Burke) ~ 5:26
- Soul Eyes (M. Waldron) ~ 5:24
- Everything But You (D. Ellington, H. James) ~ 4:30
- I Didn’t Know About You (D. Ellington, B. Russell) ~ 5:50
- Sandu (C. Brown, D. Townsend) – 9:00
- But Not For Me (G. Gershwin, I. Gershwin) ~ 5:26
- A Conversation With God (Dear Lord) (J. Coltrane, L. Helm, M. Myers) ~ 7:25
- Mississippi Goddam (N. Simone) ~ 6:06
- Stella By Starlight (V. Young, N. Washington) ~ 8:23
- Lenora Zenzalai Helm ~ Voice
- Ernest Turner, Lydia Salett Dudley, Ed Paolantonio ~ Piano
- Baron Tymas ~ Guitar
- Ginnae Koon ~ Bass
- Thoma Taylor, Dorien Dotson, ~ Drums
- James “Saxmo” Gates, Sam King, Brian Miller, Matt York, Ariel Kopelove, Shaena Ryan Martin ~ Reeds
- Lynn Grissett, Al Strong, Zoe Smith, Tyler Perske ~ Trumpets
- Robert Trowers, Isrea Butler, Tenay Harrell, Reggie Greenlee, Cameron MacManus ~ Trombones
- Brian Horton ~ Conductor, Composer, Arranger, Saxophone
- Lenora Zenzalai Helm ~ Conductor, Voice
- Ed Paolantonio ~ Piano
- Baron Tymas ~ Guitar
- Timothy Holley ~ Cello
- Salome Serena Wiley ~ Tenor Saxophone
- Lance E. Scott, Jr. ~ Acoustic Bass
- Thoma Taylor ~ Drums
- NCCU Vocal Jazz Ensemble ~ Guest Artist
- Joey Calderazzo ~ Piano
- Ameen Saleem ~ Acoustic Bass
- Maurice Myers ~ Special Guest Vocal Soloist | A Conversation With God
As you listen and enjoy this wonderful addition to the jazz catalog, continue to social distance and stay healthy. During this sabbatical from flying and investigating jazz around the globe, enjoy the listen and know that the world and I will be back.
More Posts: adventure,club,conductor,genius,jazz,museum,music,preserving,restaurant,travel,vocal,voyager
Daily Dose Of Jazz…
Fred Norman was born on October 5, 1910 in Leesburg, Florida and started out playing trombone when he was 14. After working with local bands in Florida, until moving to Washington, D.C. in 1930. There he worked with Duke Eglin’s Bell Hops, Booker Coleman, and Elmer Calloway (Cab’s younger brother). When he joined Claude Hopkins’ Orchestra in 1932, he doubled as a singer and contributed many arrangements.
Norman was with the Hopkins Big Band during its key years (1932-37), and when he departed, gave up the trombone and stuck exclusively to writing. Norman wrote arrangements for many big bands including those of Benny Goodman (1938), Bunny Berigan, Gene Krupa, Lionel Hampton, Jack Teagarden, Glenn Miller, Harry James, Artie Shaw, and Tommy Dorsey.
Landing the position of staff arranger for Krupa from 1940 to 1943, he spent periods writing exclusively for Dorsey and Charlie Spivak. In the 1950s, Fred started working closely with MGM and Carlton record labels, among others, and often as a musical director for singers such as Dinah Washington, Sarah Vaughan, and Brook Benton.
Although his orchestra backed numerous singers, he led his own orchestra record date, producing Norman Plays Novello. Trombonist, vocalist, and arranger Fred Norman, who spent most of the swing era as a busy arranger, passed away on February 19, 1993 in New York City, New York.
More Posts: arranger,bandleader,history,instrumental,jazz,music,trombone,vocal
Daily Dose Of Jazz…
Ford Leary was born on September 5, 1908 in Lockport, New York. He married early, had a son, and left both wife and child for a music career. During the thirties he performed as part of the Frank Trumbaur band and with the Bunny Berigan band, the latter being one of his better positions while scuffling to make ends meet freelancing in New York City.
Ford would go on to work with Larry Clinton in the late Thirties and in the early 1940s with Charlie Barnet, Mike Riley, and Muggsy Spanier. As he was readying to begin a new career path as a replacement performer in the Broadway show Follow The Girls, he suffered a back injury from which he never fully recovered.
His short career ended in the late ‘40s when trombonist and vocalist Ford Leary, the only trombonist of note to die institutionalized at Bellevue Hospital, passed away on June 4, 1949 at age 40.
Daily Dose Of Jazz…
Stephanie Crawford was born on August 30, 1942 in Detroit, Michigan and divided her childhood between living with her mother in Detroit’s Black Bottom, called that due to its dark soil, and with an aunt in Chattanooga, Tennessee. She grew up surrounded by jazz, blues, R&B, and gospel music, from which she draws from.
Although singing was her first love from childhood she did not sing in public until she was 36, after working on a Chrysler assembly line and as a short-order cook, and earning a bachelor’s degree in painting from Wayne State University.
Her first live performance in front of an audience was accidental while taking in a rather bad pianist/vocalist in a local dive. Whe she would forget the words, Stephanie would call out the lyrics. Fed up, the woman challenged her to come up and sing and the rest is history. The invite to come back was given and she found her home.
A move to New York City, while working on her master’s in fine arts, Crawford became so immersed in the Manhattan jazz scene that she dropped out of school in order to devote more time to sitting in at jam sessions. She found herself seeking out and studying with Frank Foster and Barry Harris.
Her next stop was Paris, France where she won the prestigious Django d’Or award for Best International Jazz Vocalist in 1993. Singing did not pay the bills, so to support herself Stephanie taught jazz singing at two music schools. Returning to New York City she found work with a Portuguese wine importer.
Vocalist Stephanie Crawford, is clear that talent and fame are not synonymous, and though she continues to sing, helping to keep the fading local jazz scene alive, and continues with her passion for art. Just prior to the pandemic she performed in New York City at the Laurie Beechman Theater.
More Posts: bandleader,history,instrumental,jazz,music,vocal