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Javon Anthony Jackson was born June 16, 1965 in Carthage, Mississippi and raised in Denver, Colorado by parents who were musicians. His mother played the piano, and his father played trumpet, but he didn’t begin playing alto saxophone until age 10. By 16 he changed to the tenor saxophone and was taught by pianist Billy Wallace.
He briefly enrolled at the University of Denver prior to spending part of 1985-86 at Berklee College of Music, which he abandoned to become a Messenger with Art Blakey. Jackson would later finish his undergraduate degree and obtained a master’s degree from the State University of New York at Purchase where he later taught.
The hard bop, soul and mainstream tenor saxophonist has played with the Harper Brothers, Benny Green, Freddie Hubbard and Elvin Jones among others. He has fourteen albums as a leader, mainly on the Criss Cross and Blue Note labels. In between performing, touring or recording, he heads the Jackie McLean Institute of Jazz at the Hartt School at the University of Hartford and has been doing so since 2013.
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Daily Dose Of Jazz…
Gail Thompson was born on June 15, 1958 in London, England. Coming from a musical family as a child she learned to play the clarinet. At 16 she was playing baritone saxophone as a member of the National Youth Jazz Orchestra and founded her own bands.
She went on to become a founding member alongside with Courtney Pine of the British band Jazz Warriors. She played briefly with Art Blakey becoming the second female member of the Jazz Messengers along with Joanne Brackeen.
In 1986, she led the big band of Charlie Watts and then founded her first big band Formation Gail Force, for which she also composed music. Thompson’s music is inspired by Africa rhythms and hard bop bringing her stylistically close to the big band sounds of Abdullah Ibrahim and Quincy Jones.
In 1994, her debut recording session and album as a leader came with Gail Force. One year later as a product of a journey through the African continent, she recorded live in Duisburg the album Jazz Africa for Enja Records with Harry Beckett, Claude Deppa, Jerry Underwood and Patrick Hartley. After a stay in the Australian Queensland in 1999 she recorded the album Jadu, referencing Jazz Africa Down Under with bassist Mario Castronari.
For health reasons, flutist, saxophonist, composer and arranger of modern jazz Gail Thompson had to quit playing the saxophone but she put her energies towards focusing on music education activities. In 2003 she organized the Afro-European Women’s Big Band Femmes Noires , who performs her compositions.
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Daily Dose Of Jazz…
Pepsi Auer was born Josef Auer on June 14, 1928 in Munich, Germany. He first played accordion in a youth orchestra, then he taught himself to play the vibraphone in 1936. A move to America in 1945 saw him performing in jazz clubs and by 1949 he moved to the piano. He would go on to work in the combo of Freddy Christmann in 1954, ultimately taking leadership two years later.
Pepsi worked with Freddie Brocksieper in 1958, the German All Stars in ’58, worked and toured from 1958 to 1960 with Albert Mangelsdorff jazz ensemble and then with Kurt Edelhagen. By the Sixties his style of approach mimicked Bud Powel and Horace Silver and in 1962 he worked in the Bayerischen Rundfunks.
Auer accompanied Stan Getz, Eric Dolphy and Benny Bailey on their tours of Germany, as well as with Miriam Klein. He would team up once again with Freddie Brocksieper from 1955-1964 and participate in recording sessions as well as with the German All Stars. From the mid-1960s he worked as a studio musician and increasingly composed music for television such as “A Summer With Nicole”.
In 1967 he took part in the Montreux Jazz Festival as a member of the Jazz Orchestra of the Bayerischer Rundfunk, where he and Don Manza were co-leaders. Pianist, vibraphonist and composer Pepsi Auer passed away on March 29, 2013.
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Hollywood On 52nd Street
I’m Getting Sentimental Over You lyrics were written by Ned Washington and the music by George Bassman and surfaced to become a jazz classic out of the 1947 fictionalized biographical film The Fabulous Dorseys.
The Story: The rise and rise of the Fabulous Dorsey brothers is charted from their humble beginnings of boyhood in Shenandoah, Pennsylvania in this whimsical step down memory lane, Tommy and Jimmy Dorsey play themselves in this vehicle for their excellent music. From being raised by their father who insists on them learning music, to the split that just saw their careers rise even further, to their personal reunion.
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Daily Dose Of Jazz…
Eddie Beal was born June 13, 1910 in Redlands, California. He started on drums but switched to piano in his teens. Early in the 1930s he worked in the orchestras of Earl Dancer and Charlie Echols and 1933 to 1936 he toured China with Buck Clayton. Following that stint he freelanced in California with Maxine Sullivan and others until 1941.
After military service from 1941–43, Beal accompanied Ivie Anderson and then led his own trio accompanying Billie Holiday at one point. He also worked in the Spirits of Rhythm. As a composer, he penned the tunes “Softly” (covered by Holliday) and “Bye and Bye”, a hit for The Turbans. He plays on the soundtrack to the 1951 film The Strip, he also makes an appearance in the film.
His later recording credits included but not limited to work with Toni Harper, Jimmy Mundy, Herb Jeffries, Helen Humes and Red Callender. He led his own group in Las Vegas, Nevada in 1973-74, and in 1974-75 he played with Tommy Dorsey.
Pianist Eddie Beal passed away on December 15, 1984 in Los Angeles, California.
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