The Jazz Voyager
Austin, Texas is the next stop for the Jazz Voyager where I’ll be visiting a jazz spot called Parker Jazz Club. A world-class basement lounge designed by a musician, for musicians nestled in the heart of downtown Austin’s Warehouse district, where the best dining and entertainment venues reside. Within the walls every microphone, cable, speaker, wire, baffle, table, and chair was meticulously hand chosen for the purpose of serving the music.
This week taking the stage is vocalist Kenny Williams whose 25 year career has lit up stages with a tornado of talent and charisma. The Austin native studied voice at the University of Texas, and cut his teeth as an actor and an entertainer in clubs on the city’s famed 6th Street. Born to entertain, and his star shines brightly. He is a truly gifted vocalist, while his spirit, energy, and passion will bring you back for more.
The venue is located at 117 W 4th Street, #107b, 78701. For those requiring more information go to https://notoriousjazz.com/event/kenny-williams.
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Daily Dose Of Jazz…
Ron Kobayashi was born February 8, 1962 in Southern California. He has worked with Kenny Burrell, Tom Scott, Margaret Whiting, Peter Frampton, the Modernaires, Peter White, Mel Tormé, and Tim Weisberg.
He has led the Ron Kobayashi Trio since its formation in 1994. They have recorded Live at Steamers for DVD and four compact discs and received global airplay. In 1996 the trio was voted Best Jazz Group in Orange County by Orange County Weekly readers. In 2012, the trio was nominated for Best Jazz at the Orange County Music Awards.
He served as music director of the Hollywood Diversity Awards for five years. Pianist Ron Kobayashi is a faculty member at The Orange County School of the Arts and Biola University and continues to perform.
Daily Dose Of Jazz…
David Joseph Shepherd was born February 7, 1929 in Walthamstow, London, England to Joseph Shepherd, a semi-professional piano player and gas company employee. He began on piano before switching to clarinet at age 16 in 1945. He studied under a clarinetist from the Hamburg State Opera Orchestra while stationed in Hamburg, Germany after World War II. Upon his return to England in 1950 he played with Reg Rigden, Joe Daniels and his Hotshots, and Freddy Randall to the middle of the decade.
He played with Billie Holiday and Gerry Mulligan on their British tours. He played in New York City in 1956 with Ted Kotick, then returned to England to play with the Jazz Today Unit and with the Jazz at the Philharmonic. He also played with Mary Lou Williams several times during the 1950s.
The 1960s and 1970s saw Dave playing with Randall again and with Teddy Wilson, at the Montreux Jazz Festival and in South Africa. During this period he was heard a lot more with his quartet on BBC Radio 2’s Jimmy Young programme as well as Round Midnight, Breakfast Special, and Music While You Work.
Centered in the UK found him working regularly with trombone player Roy Williams, Len Skeat and many more. He was a frequent guest with his line up called The Dave Shepherd Quintet on BBC Radio 1’s Sounds of Jazz. He based his style on Benny Goodman and was praised for his accuracy and unfailing swing and a quality of musical elegance.
He performed with Peter Boizot’s Pizza Express All Stars Band at the Pizza Express Jazz Club from 1980 to 1999. He led several of his own bands and has done extensive work producing music for film and television. Shepherd continued to solo and make guest appearances until shortly before his death.
Clarinetist Dave Shepherd, who was described by fellow jazz musician Digby Fairweather as Britain’s greatest swing clarinettist since 1948, on December 15, 2016 in Hampshire, England.
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Jazz Poems
MOOD INDIGO it hasn’t always been this way ellington was not a street robeson no mere memory du bois walked up my father’s stairs hummed some time over me sleeping in the company of men who changed the world it wasn’t always like this why ray barretto used to be a side-man & dizzy’s hair was not always grey i remember i was there i listened in the company of men politics as necessary as collards music even in our dreams our house was filled with all kinds of folks our windows were not cement or steel our doors opened like our daddy’s arms held us safe & loved children growing in the company of men old southern men & young slick ones sonny til was not a boy the clovers no rag-tag orphans our crooners/ we belonged to a whole world nkrumah was no foreigner virgil aikens was not the only fighter it hasn’t always been this way ellington was not a street NTOZAKE SHANGEfrom Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Donald Alton Fagerquist, born February 6, 1927 in Worcester, Massachusetts and studied trumpet privately under Ms. Marion Twiss at Roosevelt Elementary and lessons at Carl Seder’s Music as well as classes at North High School. He began playing around his hometown in 1940 with Paul rhode, Paul Gervais, Bud Boyce and the Ambassadors/Crusaders. By 1942 he had played a year each with the Dol Brissette Orchestra and the Bob Pooley Band.
At 16 Fagerquist was making a name for himself through the decade as a featured soloist with several major bands, including Mal Hallett, Gene Krupa, Artie Shaw, and Artie Shaw’s Gramercy Five. In the Fifties he was performing with Woody Herman, Les Brown, and the Dave Pell Octet. He played on the Ella Fitzgerald Sings the Jerome Kern Songbook album in 1963 under the baton of Nelson Riddle.
Despite high demand for his services as a lyrical soloist, Donald only recorded twice as a leader, a half-date for Capitol Records in 1955 that was reissued as part of the Dave Pell Octet compact disc, I Had the Craziest Dream, and a complete project for Mode in 1957 titled Music to Fill a Void. During the 1950s he recorded more than two dozen albums with Chet Baker, Louis Bellson, Hoagy Carmichael, Bob Cooper, Fred Katz, Shorty Rogers, Stan Kenton, Mel Tormé, Benny Goodman, Skip Martin and Pete Rugolo.
In 1956, Fagerquist signed on as a staff musician for Paramount Films, while still periodically recording with artists such as Shelly Manne, Mel Tormé, and Art Pepper. Throughout the early to mid-1960s, his solos could be heard on the recordings of Pete Rugolo, Frank Comstock, Nelson Riddle, Billy May, Paul Weston, Si Zentner, Dean Martin, Junior Mance, and many others.
However, by 1966 health issues forced him to withdraw from studio recordin. Trumpeter Don Fagerquist, who was a small group, big band, and studio session player, died from kidney disease at his home in Canoga Park, Los Angeles, California at the age of 46 on January 23, 1974.
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