Daily Dose Of Jazz…

Peter Perfido‘was born on July 21, 1956 in Hartford, Connecticut.  He started his drumming musical journey in the early Sixties being influenced by the British Wave of the Beatles, the Kinks, the Animals, and the Who. By the mid 70’s Peter had begun to discover jazz and improvised music. While predominantly self-taught, he studied privately with Kit McDermott, Bob Moses and Jerry Granelli. His career has involved playing jazz, improvised music, rock and blues with scores of lauded musicians from diverse styles and backgrounds.

Peter has performed and/or recorded with Chet Baker, Gary Peacock, Lee Konitz, Jimmy Woode, Bill Barron, Art Lande, Julian Priester, David Friedman, Tomasz Stanko, Sal Nistico, Kent Carter, Rasul Siddik, Bob Degen, Heinz Sauer, Bob Mover, Ed Schuller, Anthony Braxton, Joe Lee Wilson, Lou Bennett, Bobby Few, Barney Wilen, Bobby Few, Liz McComb, Michelle Hendricks, Ferenc Snetberger, Rinde Eckert, Lonnie Plaxico , Stephen Haynes, Michel Pilz, Lonnie Plaxico, and the list goes on.

He has toured across the USA, Western Canada, Europe, Asia, the USSR and the Pacific islands. Currently living in Hohrod, Alsace, France, drummer Peter Perfido performs mostly in Europe these days with groups spanning a wide spectrum of influences from mainstream modern jazz to open ended explorations with free improvisation, as well as shuffling and rocking the blues.

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Requisites

Dedicated to Tadd ~ The Charles Davis Sextet | By Eddie Carter

The Charles Davis Sextet steps into this morning’s spotlight, showcasing the multi-instrumentalist on his second outing as a bandleader with Dedicated to Tadd (West 54 WLW 8006). My introduction to Davis came through three standout albums: “Breakthrough,” “Illumination,” and “Manhattan Project.” Davis has contributed as a sideman to more than 100 recordings, with some of jazz’s brightest talents; however, he is best known for his work with Archie Shepp and Sun Ra. This date features a stellar lineup: Tex Allen on trumpet; Clifford Adams, Jr. on trombone; Charles Davis alternates between baritone sax (A2, B3), soprano sax (A1, B2), and tenor sax (A3, B1); Kenny Barron on piano; Walter Booker, Jr. on bass; and Billy Hart on drums. My copy of the album is the 1979 U.S. stereo release.

Monking, the first of four originals by Charles Davis, gets off to a good start with the sextet’s engaging melody in unison. The fun begins as Tex leads with a lively opening solo. Clifford comes in next, laying down an infectious groove. Kenny takes over to deliver a performance executed with thoughtful, nuanced articulation. Charles glides effortlessly through the closing statement on soprano into the climax. Eastern Vibrations comes to life with the ensemble’s collective theme at medium speed. Allen steps forward first with a bright and captivating solo. Adams is especially impressive in the following reading. Barron tackles the third reading incisively, and then Booker seizes the moment in his first statement. Davis’s baritone brings it all home with unmistakable authority, leading to the theme’s reprise.

The group ventures onto Mexico Street next, beginning with Billy’s concise introduction ahead of the sextet’s rapid-fire theme. Tex sets the bar with a brisk and agile solo, paving the way for Clifford’s energetic interpretation. Charles’s tenor sax brings a thrilling intensity to the following statement. Kenny keeps things rolling in an electrifying performance, then Walter and Billy both make a brief comment preceding the ensemble’s robust exit. The title tune, Dedicated to Tadd, unfolds as a graceful ballad, opening with a soft piano prelude that ushers in the group’s beautiful melody. Davis draws out the song’s tenderness in the opening tenor sax statement. Barron infuses the following solo with sensitivity and finesse, before the ensemble’s gentle reprise of the theme and a touching ending.

The last two tracks come from the pen of Tex Allen, starting with the sextet’s introduction and medium melody to Love Gods. Charles gets the opening solo underway with a laid-back soprano interpretation. A brief piano interlude leads to Tex, who hits his target in the following interpretation. A second short piano break leads to the sextet’s closing chorus and finale. Sir Charles, the trumpeter’s tribute to Charles Davis, turns the beat upward one final time for the ensemble’s introduction and theme. Davis gets right to work on the baritone sax and turns in an opening solo that’s a sheer delight. Allen shines in a flawless performance, which in turn leads to Barron’s final statement preceding the sextet’s return to the theme, affording Adams a concise comment as the music gracefully fades away.

Roger Pola produced the album, and the executive producer was Pierre Bourdain. Allan Tucker was behind the dials as the recording engineer. The album’s sound quality is excellent, featuring a superb soundstage that places the musicians directly in the listener’s sweet spot with impressive fidelity. Dedicated to Tadd is an enjoyable album that showcases each artist at their best. If you’re a sax fan and are looking for something fresh to add to your library, I offer for your consideration Dedicated to Tadd by the Charles Davis Sextet on your next record-shopping trip! It shines a spotlight on a truly talented multi-instrumentalist deserving of wider recognition!

~ Breakthrough (Cobblestone CST 9011), Illumination! (Impulse A-49/AS-49), Manhattan Project (Bee Hive Records BH 7001) – Source: Discogs.com

© 2025 by Edward Thomas Carter

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Daily Dose Of Jazz…

Adrian Tilbrook was born on July 20, 1948 in Hartlepool, Co. Durham, England. The son of a tenor saxophone/clarinet player, he studied drums for two years with Max Abrams. In 1974 he replaced Tony Hicks in the blues-influenced rock trio Back Door and toured extensively in Germany and the UK in the 70s with British blues giant Alexis Korner.

Tilbrook formed Full Circle with trombonist Rick Taylor in 1984 and ventured into jazz. Throughout his freelance career, played with many American musicians, including Eddie ‘Lockjaw’ Davis, Al Grey, James Moody, Jimmy Witherspoon and Al Casey, as well as British artists such as Ian Carr, Allan Holdsworth, Don Weller and Stan Tracey.

A powerful and tasteful technician, he has been influenced by Elvin Jones and Billy Higgins. Drummer Adrian Tilbrook, who has taught percussion for many years and since 1986 has worked with Northern Arts/Yorkshire Arts as Jazz Development Officer based at Jazz Action in Darlington, continues to perform and record.

 

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Daily Dose Of Jazz…

Eduard “Eddie” Brunner was born on July 19, 1912 in Zürich, Switzerland. He learned to play clarinet, piano, and tenor and alto saxophone before beginning to perform professionally. In the early 1930s he worked with Rene Dumont, Jack and Louis de Vries, and Marek Weber.

By 1936 he moved to Paris, France and recorded under his own name as well as with Goldene Sieben and Louis Bacon. He returned to Switzerland once World War II broke out. Brunner joined Teddy Stauffer’s band, and in 1941 took over leadership of the group until 1947, when it dissolved.

He led a new six-piece ensemble in 1948, and recorded for radio and television broadcasts in the 1950s.

Reedist and bandleader Eddie Brunner died on July 18, 1960 in his city of birth.

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Daily Dose Of Jazz…

Nicole Glover was born on July 18, 1991 in Portland, Oregon. Her musical journey began when her father introduced her to improvised music at a young age. She started playing the clarinet at the age of ten, transitioning to tenor saxophone the following year. Her interest and curiosity for music blossomed in high school, becoming involved in a variety of performance groups, both within her school and in the community.

Nicole was chosen to be one of nineteen students from across the nation for the Next Generation Jazz Orchestra, who embarked on a national tour that involved performances with Bobby Watson and Julian Lage, and concluded with a performance at the Monterey Jazz Festival with Wynton Marsalis.

After studying at William Paterson University, in 2011 Nicole returned to Portland where she was invited to record on Esperanza Spaulding’s Grammy-award winning album Radio Music Society. She now performs in multiple groups with multi-instrumentalist George Colligan, as well as her own jazz trio and several other improvisational ensembles, such as, the Alan Jones Storyline Sextet, Thomas Barber’s Spiral Road, and the Kerry Politzer Quintet.

2015 saw Glover releasing her debut album First Record, featuring pianist and trumpeter George Colligan, bassist Jonathan Lakey and drummer Alan Jones. She leads her own trio with bassist Tyrone Allen II and drummer Kayvon Gordon. This was followed with the release of Plays, and HighNote-Savant Records Memories, Dreams, Reflections.

Throughout her musical career, Nicole has performed with Mulgrew Miller, Esperanza Spalding, Kenny Garrett, George Colligan, Geoffrey Keezer, Bennie Maupin, Bobby Watson, Mike Clark, Carl Allen, Kenny Washington, Al Foster, Victor Lewis, Lenny White, Joe Farnsworth, Reggie Workman, Dee Dee Bridgewater, Ben Wolfe, Bill Stewart, Essiet Essiet, Mel Brown, Julian Lage, Obo Addy, Rob Scheps, Red Holloway, Terell Stafford, Helen Sung, Dana Hall, Scotty Barnhart, and Thara Memory, to name a few.

Glover is a member of Ural Thomas and Pain, Artemis led by Renee Rosnes, Ursa Major led by Christian McBride, and has toured with Jazz at Lincoln Center Orchestra.

Tenor saxophonist, bandleader, composer, and educator Nicole Glover, who is on faculty at the Manhattan School of Music and has taught masterclasses and private lessons to students around the world, continues to fit performance in her busy schedule.

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