The Jazz Voyager

From the ATL to the City of Angels The Jazz Voyager is on a flight cross-country to for a little bit of jazz. It’s been a while since I’ve been in this venue. So jumping into the rental car and heading north on the 101 for twenty minutes is the next leg of the trip. The destination is a small venue called The Baked Potato. The hundred and twenty seat venue is intimate in its wood-paneled walls and autographed posters.

Hitting the bandstand is the Dave Weckl Quartet. Led by the drummer who the band is named, was once an integral member of Chick Corea’s Elektric Band for six years beginning in 1985. He also appeared with Corea’s Akoustic Band. He said he “augmented his work with Corea by continuing his session work and appearing often with the GRP All-Star Big Band.

Filling out his quartet are vocalist Chrissi Poland, guitarist Oz Noy, and bassist Jimmy Haslip.

The Baked Potato is located at 3787 Cahuenga Boulevard, Studio City, CA 91604 For more information visit https://www.thebakedpotato.com.

CALIFORNIA JAZZ FOUNDATION

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Michael Moore was born December 4, 1954 and raised in Eureka, California. He studied music at Humboldt State and in 1977 graduated from the New England Conservatory of Music, where he studied with Jaki Byard and Gunther Schuller, and was a classmate of Marty Ehrlich. He played in a variety of musical contexts, especially those in support of theatre and dance groups.

By 1982 he was a regular member of Misha Mengelberg’s Instant Composers Pool and had moved to Amsterdam. He was also a member of Georg Gräwe’s Grubenklang Orchester. Michael is one-third of the Clusone Trio with cellist Ernst Reijseger and drummer Han Bennink. Originally meant only to play a single date at a festival in Clusone, Italy, the trio toured irregularly for several years and recorded six albums, including one of freely-interpreted Irving Berlin compositions.

His debut recording as a leader was in 1992 but it was with 1994’s Chicoutimi that he began to earn recognition as a composer. The drummerless trio on this album had Fred Herschon piano, and bassist Mark Helias was inspired by the duo recordings of Lee Konitz and Gil Evans.

He put together a jazz quintet in 2005 and the album Osiris. In 2013, he performed with InstanPool, a group of international musicians making improved music and occasionally playing a composition.

Saxophonist and clarinetist Michael Moore, who has recorded twenty-two albums as a leader, continues his journey in performing and recording.

CALIFORNIA JAZZ FOUNDATION

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Ove Johansson was born on December 3, 1936 and didn’t start playing the tenor saxophone until the age of 13. However, he gave the clarinet a chance for a couple of years. Very early in his career he got into a professional jazz group playing before starting his own groups where he spent most of the time as a band leader.

For a short period Ove was a sideman with Swedish saxophonist Lars Gullin. From 1972 to 1994 he was a teacher of saxophone, improvisation, ensemble and harmony at the School of Music, Gothenburg University. He went on to start his own small record label LJ Records in 1989 and recorded his own and new Scandinavian jazz music internationally.

The end of the Fifties saw Johansson leading his own groups and a driving force of the Swedish jazz scene. He was musical director of Mwendo Dawa. His musical work stretched from straight ahead, free form and electronic jazz to the acoustic and electro acoustical mix of today.

He toured Europe, North and South America, and China, with Mwendo Dawa. He toured with the trio Natural Artefacts with performances both in the world of improvisation music as well as the world of electro acoustic music.

Tenor saxophonist and composer Ove Johansson, who  produced 35 albums with his own material and with the group, died on ​​December 25, 2015.

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On The Bookshelf

A Pictorial History Of Jazz | Orrin Keepnews & Bill Grauer Jr.

A classic photographic collection documenting jazz history, particularly up to the mid-1960s, though some note its coverage of later styles is limited. Praised for its extensive and captivating black-and-white photographs, the text may be less substantial than the images and the coverage of later jazz movements is not as thorough.

The book is often described as a valuable visual reference for jazz enthusiasts, and some consider it an essential purchase, though older editions may be harder to find in good condition.

A Pictorial History Of Jazz: 1966 Crown Publishers, Inc.

SUITE TABU 200

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Raymond Court was born on December 2, 1932 in Lausanne, Switzerland. He began playing trumpet in his late teens, but by age 20 was playing in Raymond Droz’s band from 1952 to 1956.

Later in the 1950s he played with Flavio Ambrosetti and Kurt Weil, and the early 1960s saw him with Daniel Humair, Martial Solal, and Rene Urtreger.

Starting in the mid-Sixties, he began concentrating on a new career in woodworking and cabinetry, but returned to music after about a decade. He recorded as a leader in the 1980s and with Weil again and Charly Antolini in the 1990s.

Trumpeter Raymond Court died March 03, 2012.

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