Daily Dose Of Jazz…
Charles Tolliver was born on March 6, 1942 in Jacksonville, Florida and while still a child received his first trumpet from his grandmother. He attended Howard University in the early Sixties as a pharmacy student, but when he decided to pursue music as a career he moved to New York City.
Coming to prominence in 1964, playing and recording on Jackie McLean’s Blue Note albums, seven years later he and Stanley Cowell founded Strata-East Records. The label was one of the pioneer jazz artist-owned and Tolliver released many albums and collaborations as a leader.
Following a long hiatus, he reemerged in the late 2000 decade, releasing two albums arranged for big band “With Love” that was nominated in 2007 for a Grammy award for Best Large Jazz Ensemble and “Emperor March: Live at the Blue Note” in 2009.
He has recorded with Herbie Hancock, Ron Carter, Paul Chambers, Gary Bartz, Cecil McBee, Jimmy Hopps, Alvin Queen, Jon Faddis, Charles McPherson, Reggie Workman, John Hicks, Billy Harper, Robert Glasper, Max roach, Horace Silver and McCoy Tyner to name a few.
Hard bop, post bop, modern big band, trumpeter Charles Tolliver continues to be a force in the jazz idiom.
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Daily Dose Of Jazz…
Wilbur Little was born on March 5, 1928 in Parmele, North Carolina and originally played piano but switched to bass after his military service. Steeped in the hard bop and post bop idioms, he moved to Washington, D.C. in 1949 and played with Sir Charles Thompson, Leo Parker, Margie Day and others. Little was also a member of a trio that supporting visiting jazz musicians like Miles Davis and John Coltrane.
Little’s wider recognition came when he joined J.J. Johnson’s trio from 1955 to 1958 and led to copious freelancing as a sideman with the Tommy Flanagan Trio, Sonny Stitt, Rahsaan Roland Kirk, Kenny Burrell, And Clark Terry.
Never leading his own sessions, Wilbur recorded albums with Elvin Jones, Archie Shepp, Bobby Jaspar, Tommy Flanagan, Randy Weston, Dave McKenna, Horace Parlan and Al Haig. In his latter years he worked with Charles Tolliver, Clifford Jordan and Barry Harris.
By 1976 he was in Japan with Duke Jordan, then moved to the Netherlands in 1977. He lived there for the rest of his life until his passing on May 4, 1987 in Amsterdam, Netherlands.
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Daily Dose Of Jazz…
Barbara Jean McNair was born on March 4, 1934 in Chicago, Illinois but grew up in Racine, Wisconsin. Studying music at the American Conservatory of Music in Chicago, her big break came with a win on Arthur Godfrey’s TV show Talent Scouts, which led to bookings at San Francisco’s The Purple Onion and the Coconut Grove in Los Angeles.
She soon became one of the country’s most popular headliners and a guest on TV variety shows The Steve Allen Show, Hullabaloo, The Bell Telephone Hours and The Hollywood Palace. Recording for Coral, Signature, Motown and TEC Recording Studios labels, among her hits were “You’re Gonna Love My Baby” and “Bobby”. In the early 1960s, McNair made several musical shorts for Scopitone, a franchise of coin-operated machines that showed what were the forerunners of today’s music videos.
Translating her singing success to acting she appeared on such show as Dr. Kildare, The Eleventh Hour, I Spy, Mission: Impossible, Hogan’s Heroes and McMillan and Wife. He nude 1968 layout in Playboy produced an equally provocative sequence in the crime drama If He Hollers Let Him Go opposite Raymond St., Jacques. She followed this with a nun’s habit alongside Mary Tyler Moore for Change of Habit, and portrayed Sidney Poitiers wife in They Call Me Mr. Tibbs and The Organization.
McNair would also take on Broadway with The Body Beautiful in 1958, No Strings in 1962, and a revival of The Pajama Game in 1973. In 1969 she one of the first black women to host her own variety series The Barbara McNair Show, and for three seasons till 1972 spotlighted Tony Bennett, Sonny and Cher, The Righteous Brothers, Johnny Mathis, Freda Payne and many more.
With declining offers for acting, McNair continued singing into her seventies, touring occasionally until her passing on February 4, 2007 of throat cancer.
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Daily Dose Of Jazz…
Bheki Mseleku was born Bhekumuzi Hyacinth Mseleku on March 3, 1955 in South Africa. Entirely self-taught, though his father was a musician and teacher, his religious belief denied musical access to his children. Growing up in Apartheid he was subjected to restricted healthcare and lost the upper joints of two fingers in a go-karting accident.
His musical career began in Johannesburg in 1975 as an electric organ player for the R&B band Spirits Rejoice. After performing at the Newport Jazz Festival in 1977, Mseleku settled in Botswana for a time, then moved to London in the late 1970s. He attempted to settle into the jazz scene in Stockholm from 1980 to 1983, but returned to London. It was not until 1987 that Bheki made his debut at Ronnie Scott’s Jazz Club, playing piano unaccompanied by other musicians, with a saxophone in his lap that a wider audience became familiar.
With the release and notoriety of his 1991 debut album Celebration, and subsequent nomination for a Mercury Music Prize that Verve Records signed him for several albums. The first of these featured Joe Henderson, Abbey Lincoln, and Elvin Jones.
Twelve years and five albums later Bheki recorded his final session “Home at Last” in 2003, having spent most of his last years in South Africa. He never found an outlet for his skills and established a new band in London that was very well received by fans. Over the course of his life Bheki Mseleku lived with diabetes and on September 9, 2008 the pianist, saxophonist, guitarist, composer and arranger passed away in his London flat at age 53.
Daily Dose Of Jazz…
Orrin Keepnews born March 2, 1923 in Bronx borough of New York City and graduated from Columbia University with a degree in English in 1943. And was subsequently involved in bombing raids over Japan in the final months of World War II before returning for graduate studies at Columbia in 1946.
While working as an editor for the book publishers Simon & Schuster he moonlighted as editor of The Record Changer magazine in 1948 and by 1952 along with the magazine’s owner Bill Grauer, produced a series of reissues on RCA Victor’s Label “X”. The following year they founded Riverside Records, which was originally devoted to reissue projects in the traditional and swing jazz idioms.
Signing pianist Randy Weston was the label’s first modern jazz artist, who helped them to begin paying attention to the current jazz scene. Their most significant early move came in 1955, when they were made aware of the availability of Thelonious Monk, who was leaving Prestige and from this point, the label concentrated on the burgeoning modern jazz scene.
Keepnews produced significant young artists as Bill Evans, Cannonball Adderley, Wes Montgomery, Johnny Griffin, Jimmy Heath and was soon rivaling Blue Note and Prestige as a New York independent jazz label. In 1961, Keepnews produced what many regard as one of the greatest live jazz recordings of all time with the Bill Evans Trio, Sunday At The Village Vanguard and Waltz For Debby. However, in 1963 Grauer died of a heart attack and a year later the company was bankrupt, closing the Riverside doors. Not to be trumped, Keepnews founded Milestone Records in ’66 and released albums by McCoy Tyner, Joe Henderson, Lee Konitz and Gary Bartz. 1972 saw him in San Francisco as jazz A&R for Fantasy Records who bought both Riverside and Milestone masters.
Returning to freelancing he opened the doors of Landmark Records in 1985 that eventually passed to Muse Records in 1993. Over the course of his career he has won several Grammy Awards, including Best Album Notes and Best Historical Album; was given the Trustees Award for Lifetime Achievement, received an NEA Jazz Masters Lifetime Achievement Award in 2011 in the field of jazz.
He continued to be responsible for extensive reissue compilations, including the Duke Ellington 24CD RCA Centennial set in 1999 and Riverside’s Keepnews Editions series. Orrin Keepnews, writer and record producer, passed away on March 1, 2015 in El Cerrito, California.
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