Daily Dose Of Jazz…

Eldon Payne was born in Morristown, Tennessee on April 25, 1957. He graduated cum laude from the University of Tennessee in Knoxville with a B.S. in Business Administration in 1979. Then he moved to Tampa, Florida in the spring of 1980.

Retiring from Delta Air Lines with twenty five years of service in 2008, Eldon performed during that period with the University of Tennessee Campus Band, Tampa Bay Buccaneer Band, Shades of Blue, Boulevard Jazz Orchestra, The Mostly Pops Orchestra, Helios Jazz Orchestra, Cigar City Big Band, Swing Sound Orchestra, Frankie D. New York Orchestra, Clearwater Community Jazz Band, Sun City Center Big Band, George Carroll Big Band, Gulf Bay Big Band, Ten O’clock Big Band, Frank Parsons Band, Ed Geimer Big Band, Encore IV Big Band, and The Sarasota Jazz Project.

Over the course of his career Payne has performed at several Florida clubs and festivals as well as backing the likes of Margo Rey, Denise Moore, Kathy Kosins, Michael Lynche, Bryan Hughes, Lorri Hafer, Chuck Wansley, Whitney James, Alexis Cole and the late Kevin Mahagony.

Trombonist Eldon Payne, who never recorded as a leader, continues to perform and record as a sideman and studio musician.

More Posts: history,instrumental,jazz,music,trombone

Daily Dose Of Jazz…

Peter Curtis was born on April 24, 1970. His formal education bestowed a Bachelor of Music from Berklee College of Music, a Masters of Music from Yale University, and a Doctor of Music in Classical Guitar Performance and Literature with minor fields in Ethnomusicology and Music History from Indiana University.

He has performed or recorded with Claudia Acuna, Lynn Arriale, Seamus Blake, Don Braden, James Carter, Freddy Cole, Barbra Morrison, Eldad Tarmu and Ron Westray of the Jazz at Lincoln Center Orchestra. Peter has played the top jazz clubs in Los Angeles, California, New York’s Carnegie Hall, and on Black Entertainment Television.

Having been to Europe, Curtis has been on club stages in Berlin, Brussels, Budapest, Florence, the Hague, Milan, Paris, Prague and Zurich. With his group, the Peter Curtis Quartet, he recently released his debut album Swing State. His classical chops have sent the guitarist recitals throughout the U.S. and Canada and was awarded the Andres Segovia memorial scholarship from the Banff Centre for the Arts.

Guitarist and composer Peter Curtis, a tenured professor of music at Riverside Community College in Riverside, California, continues to compose, perform and record.

More Posts: bandleader,guitar,history,instrumental,jazz,music

Jazz Poems

FILLING THE GAP When Bird died, I didn’t mind I had things to do— polish some shoes, practive a high school cha-cha-cha. I didn’t even know Clifford was dead: I must have been lobbing an oblong ball beside the gymnasium. I saw the Lady right before she died— dried, brittle as last year’s gardenia. I let her scratch an autograph. But not Pres. Too bugged to boo, I left as Basie’s brass booted him off the stand in a sick reunion— tottering , saxophone dragging himmlike a stage-hook. When I read Dr. Williams’ poem, “Stormy,” I wrote a letter of love and praise and didn’t mail it. After he died, it burned my desk like a delinquent prescription… I don’t like to mourn the dead: what didn’t, never will. And I sometimes feel foolish staying up late, trying to squeeze some life out of books and records, filling the gaps between words and notes. That is why I rush into our room to find you mumbling and moaning in your incoherent performance. That is why I rub and squeeze you and love to hear your live, alterable cry against my breast Lawson Fusao Inada

from Jazz Poems ~ Selected and Edited by Kevin Young

More Posts: book,classic,collectible,history,jazz,library,poet

Daily Dose Of Jazz…

Mike John Brett Daniels was born April 23, 1928 in Norbiton, Kingston-upon-Thames, Surrey, London, England. He had an early interest in jazz at a very young age while studying at Aldenham School from the age of 13 in 1941 as a pupil until 1945. Taking up the trumpet at 16, his family moved to Stanmore, Middlesex, where he organized a new group called the Stanmore Stompers in 1947.

He is probably best known for his work with his own seven piece group, The Delta Jazzmen. He led this group from 1948 to 1974 and again in the 1990s. He moved to Spain briefly in the mid-1960s. He had very little recorded output during his lifetime but he recorded two albums worth of material, one of which was titled Mike on Mike from 1960.

There exists some well recorded performances by the Delta Jazzmen which featured Daniels from 1958 to 1963, along with additional input from trombone player Gordon Blundy and John Barnes on reed instruments. The rhythm section is accompanied on these works by banjo-tuba-drums.

Mike was regarded as an ensemble-orientated player who provided a solid lead combined with laid-back solos. Some of his other bands have featured talents such as Keith Nichols and John Chilton. The British Lake Label produced ‘Limited Edition’ recordings of Daniels’ work.

Trumpeter Mike Daniels, who aspired to reproduce the original styles of King Oliver, Jelly Roll Morton, Louis Armstrong, died on October 18, 2016 at the age of 88

More Posts: bandleader,history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…

Avery “Kid“ Howard was born on April 22, 1908 in New Orleans, Louisiana and began on drums at about age fourteen, but switched to cornet and then trumpet after playing with Chris Kelly.

In 1920s New Orleans, Howard played with the Eureka Brass Band, Allen’s Brass Band, and the Tuxedo Brass Band. He led his own bands late in the 1920s and early in the 1930s and it was his band which played at the jazz funeral for Buddy Petit. He played in the Palace Theatre pit orchestra from 1938 to 1943.

In 1943, he recorded with George Lewis, considered to be among his best recordings. In 1946, he led the Original Zenith Brass Band, but played only locally for the next few years. 1952 saw the trumpeter returning to playing with Lewis, where he would remain until 1961. Kid’s later recordings with Lewis are uneven because of his battle with alcoholism, which interfered with his abilities as a soloist.

Howard fell ill in 1961 and left Lewis’s band, and upon his recovery he led his own band from 1961 to 1965, and recorded sessions, several of them highly praised.

Trumpeter and bandleader Kid Howard, who was a mainstay on the New Orleans jazz scene, continued to play in New Orleans at Preservation Hall and other venues up until his death of a brain hemorrhage on March 28, 1966 in his hometown.

More Posts: bandleader,history,instrumental,jazz,music,trumpet