Daily Dose Of Jazz…

Ethel Smith was born Ethel Goldsmith on November 22, 1902 in Pittsburgh, Pennsylvania and began performing from a fairly young age. Traveling widely, after studying both music and several languages at Carnegie Institute of Technology, she became proficient in Latin music while staying in South America.

Smith performed in several Hollywood films such as George White’s Scandals and Melody Time. Her appearance in these films brought notoriety to her colorful, elaborate costumes, especially her hats.

Her rendition of Tico Tico became her best-known hit. She performed it in the MGM film Bathing Beauty in 1944, after which her recording reached the U.S. pop charts that November, peaking at #14 and selling nearly two million copies worldwide. Her other well known hits were Down Yonder and Monkey on a String.

Smith was a guitarist as well as an organist, and in her later years occasionally played the guitar live for audiences, but all her recordings were on the organ. She recorded dozens of albums, mostly for Decca Records.

Organist Ethel Smith, who became widely known as associated with Latin music, transitioned on May 10, 1996, at age 93 in Palm Beach, Florida.

More Posts: bandleader,history,instrumental,jazz,music,organ

Jazz Poems

POEM Little brown boy, Slim, dark, big-eyed, Crooning love songs to your banjo Down at Lafayette– Gee, boy, I love the way you hold your head, High sort of and a bit to one side, Like a prince, a jazz prince, And I love Your eyes flashing, and your hands, And your patent-leathered feet And your shoulders jerking the jig-wa. And I love your teeth flashing, And the way your hair shines in the spotlight Like it was the real stuff. Gee, brown boy, I loves you all I’m glad I’m a jig. I’m glad I can Understand your dancin’ and your Singin’ and feel all the happiness And joy and don’t-care in you. Gee, boy, when you sing, I can close my ears And hear tom-toms just as plain. Listen to me, will you, what do I know About tom-toms? But I like the word, sort of, Don’t you? It belongs to us. Gee, boy, I love the way you hold your head, And the way you sing and dance, And everything. Say, I think you’re wonderful. You’re All right with me. You are. HELENE JOHNSON

from Jazz Poems ~ Selected and Edited by Kevin Young

More Posts: book,classic,collectible,history,jazz,library,poet

Daily Dose Of Jazz…

Sal Salvador was born Silvio Smiraglia on November 21, 1925 in Monson, Massachusetts and began his professional career in New York City, New York. He eventually moved to Stamford, Connecticut.

In addition to recordings with Stan Kenton and with his own groups, Salvador can be heard in the film Blackboard Jungle, during a scene in a bar where a recording on which he is featured is played on the jukebox. He is also featured playing with Sonny Stitt in the film, Jazz on a Summer’s Day, at the Newport Jazz Festival.

He taught guitar at the University of Bridgeport in Bridgeport, Connecticut as well as at Western Connecticut State University in Danbury, Connecticut. He wrote several instruction books for beginning to advanced guitarists.

Guitarist and educator Sal Salvador transitioned on September 22, 1999 following a fight with cancer at the age of 73.

More Posts: bandleader,guitar,history,instrumental,jazz,music

Daily Dose Of Jazz…

John Bianculli was born on November 20, 1956 in New York City, New York and grew up in Greenwich Village across from the Village Vanguard. A self taught pianist, he received much of his training playing the jazz circuit from New York to Washington D.C.

A versatile musician and composer, his original music is a unique blend of jazz, Latin, Brazilian, rhythm and blues, and world music. John’s song Bittersweet made the Contemporary Jazz Charts top-ten list. He composed the score for the film Lit’l Boy Grown.

Bianculli has held the piano seat in the rhythm section for both Steve Nelson and Jeanie Bryson for over 10 years. He has enjoyed residencies at the Hyatt Regency for 19 years, the New York Hilton for 2 years, as well as numerous clubs, concerts, festivals, television and radio performances.

As a sideman he has worked with Cassandra Wilson, Terence Blanchard, Regina Belle, Christy Baron, Charlie Rouse, Bobby Watson, James Spaulding, Jimmy Ponder, Bill Hardman and Earl May.

Pianist and composer John Bianculli continues to pursue his musical endeavors.

More Posts: bandleader,composer,history,instrumental,jazz,music,piano

Requisites

Blowin’ The Blues Away ~ The Horace Silver Quintet and Trio | By Eddie Carter 

It’s always a pleasure listening to Horace Silver, and one of my favorite albums by the arranger, composer, and pianist became the inspiration for this morning’s discussion. Blowin’ The Blues Away (Blue Note BLP 4017/BST 84017) by The Horace Silver Quintet and Trio is Horace’s ninth album as a leader and one of the best in his extensive discography. He composed all the selections, and his supporting cast on this date are Blue Mitchell on trumpet (tracks: A1, A3, A4, B1, B2), Junior Cook on tenor sax (A1, A3, A4, B1, B2), Eugene Taylor on bass, and Louis Hayes on drums. My copy is the 2008 Classic Records U.S. deep groove Mono audiophile reissue sharing the original catalog number.

Side One is off to the races with the title tune, Blowin’ The Blues Away. The quintet is firing on all cylinders from the start of their lively theme. Junior takes the first solo in high gear. Blue keeps the velocity up in the following reading, and then Horace delivers an exhilarating statement. Both horns add the exclamation point in a vigorous exchange, leading to the ensemble’s closing chorus and quick stop. The trio makes the first of two appearances in The St. Vitus Dance and establishes a happy beat in the melody. Horace radiates an infectious enthusiasm as the song’s only soloist into the reprise and exit.

The quintet takes a quick trip to Break City next, beginning with their swift melody. Junior gets the solos underway with a speedy interpretation. Blue accelerates with riveting urgency in the second statement. Horace rips through the third reading, and Hayes travels toward the song’s brisk conclusion in a conversation with the front line. Peace is a very pretty ballad that opens with the ensemble’s soft, sultry melody. Blue begins with a beautifully tasteful lead statement. Horace completes the solos with a tenderly passionate performance ahead of the group’s gentle theme restatement and climax.

Side Two starts with the ensemble taking us to church to meet Sister Sadie, starting with an infectious theme. Blue gets into a funky groove on the lead solo, followed by Junior, who wails with authority next. Horace captures the song’s pure goodness in the third statement, and the front line’s final sermon leads us out of the church into the closing chorus. Baghdad Blues begins with a Middle Eastern flavor in the introduction before the quintet changes gears for the bluesy melody. Junior has the first say and gives a marvelous interpretation. Blue shares a few thoughts of his own in the second solo, and Horace feels right at home, leading to the reprise and exit.

Melancholy Mood is the album’s second trio number and was first heard on Further Explorations by The Horace Silver Quintet. Like its predecessor, this rendition expresses the pianist’s softer emotions in the gentle melody. Horace gives a poignantly beautiful performance enhanced by the rhythm section’s tender accompaniment ahead of the close. Alfred Lion produced Blowin’ The Blues Away, and Rudy Van Gelder was the recording engineer. Bernie Grundman remastered the Classic Records audiophile reissue, and the record was pressed on 200 grams of Quiex SV-P Handmade Super Vinyl.

The reissue’s sound quality is excellent, with a superb soundstage that brings the musicians to your listening room with stunning definition. Horace Silver spent twenty-five years at Blue Note from 1955 to 1980, and some of his greatest work appears on the label. If you’re a fan of Mr. Silver or are just discovering his music, I offer for your consideration Blowin’ The Blues Away by The Horace Silver Quintet and Trio. It’s a wonderful hard bop album you can enjoy anytime that gets better with repeated listening. I am happy to have it in my library, and I highly recommend it for yours!

~ Further Explorations by The Horace Silver Quintet (Blue Note BLP 1589/BST 81589) – Source: Discogs.com © 2023 by Edward Thomas Carter

More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,piano