Daily Dose Of Jazz…
John Lee was born June 28, 1952, in Boston, Massachusetts. He is the son of a minister and a social worker. Growing up in Greenwich, Connecticut, Amityville, New York, and Philadelphia, Pennsylvania he began string bass lessons at 10 with Carolyn Lush. At Philadelphia’s Overbrook High School he met drummer Gerry Brown, who together studied at the Philadelphia Musical Academy for two years.
In 1971 Lee began performing with Carlos Garnett and Joe Henderson, and toured with Max Roach thru the spring of 1972 while still a student in Philadelphia. The same year he and Brown relocated to Europe with Den Haag, Holland as their base. Together they toured Europe and recorded in bands led by Chris Hinze, Charlie Mariano, Philip Catherine, Joachim Kühn, and Jasper Van’t Hof.
Moving to New York City in 1974, John played with Joe Henderson, Lonnie Liston Smith, and Norman Connors before joining The Eleventh House with Larry Coryell. The following year he and Gerry Brown signed a recording contract with Blue Note Records and formed a working band. In 1977 they moved over to Columbia Records and began producing records the same year.
From 1982 to 1984, Lee worked with McCoy Tyner, then became Dizzy Gillespie’s bassist, touring and recording with Dizzy’s Quintet, his Big Band, his Grammy winning United Nation Orchestra and the Back to the Future Band that Dizzy co-lead with Miriam Makeba until 1993 when Makeba died.
Lee has performed in over 100 countries around the world and has toured in the bands of Sonny Rollins, James Moody, Jimmy Heath, Pharoah Sanders, Jackie McLean, Gary Bartz, Hank Jones, Walter Davis Jr., Wolfgang Lackerschmid, Alphonse Mouzon, Claudio Roditi, Jon Faddis, Slide Hampton, Roy Hargrove, and Roberta Gambarini, as well as Aretha Franklin and Gregory Hines.
He is a founding member of The Fantasy Band with Chuck Loeb, Marion Meadows, and Dave Samuels. In 1996, at the bequest of Dizzy’s wife Lorraine Gillespie and the Dizzy Gillespie Estate, he became the director and bassist of the Dizzy Gillespie Alumni All-Stars as well as the Dizzy Gillespie All-Star Big Band, and the Dizzy Gillespie Afro-Cuban Experience. They have recorded five albums and toured extensively around the world.
In 2009 he co-founded the jazz recording label JLP (Jazz Legacy Productions), with partner Lisa Broderick. As a producer he has produced over 60 albums and CDs, and as a recording engineer he has recorded and mixed over 100 albums and CDs.
Bassist John Lee, who is a Grammy winning record producer and audio engineer, continues to explore the boundaries of music.
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Three Wishes
Baroness Pannonica asked Ben Riley if granted what would be his three wishes and this is what he responded:
- “Just one wish, and I can do the rest. I want to do something I like to do. Not anything with money, like everyone else is doing. I would really like to feel good and not have to pay for it.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Eugen Cicero was born Eugen Ciceu on June 27, 1940 in Vad, Romania, to Teodor and Livia Ciceu, an Orthodox priest and professional singer respectively. He began to play the piano at the age of four and by age six performed a Mozart piano concerto with the symphony orchestra of Cluj. Although he graduated from the National Conservatory in Bucharest, Romania he abandoned a career as a conventional concert pianist. He established his style merging classical and jazz piano, introducing swing harmonies into baroque, classical and romantic compositions, often as spontaneous improvisations.
In 1962, while touring East Berlin, Germany he fled to West Berlin. This allowed him to spend the next two years in Switzerland where he joined the Kindli orchestra of Joe Schmid. After returning to Germany, Cicero produced more than 70 recordings, some of them with the Berlin and Munich Philharmonic orchestras. He appeared on German TV several times and enjoyed much success while touring Japan.
In 1976 he was awarded the Deutscher Schallplattenpreis for his interpretations of Franz Schubert. Returning to Switzerland in 1982, pianist Eugen Cicero, nicknamed Mister Golden Hands, transitioned in Zürich on December 5, 1997 from a cerebral apoplexy at the age of 57.
Daily Dose Of Jazz…
Kenneth John Moule was born on June 26, 1925 in Barking, Essex, England and was the only child of Frederick and Ethal Moule. Surviving an early childhood illness, left him with a cadaverous look which went well with his ridiculous sense of humor.
In the Forties Moule played piano with the Johnny Dankworth Quartet before leaving to join Oscar Rabin in 1945. He would go on to perform with Remo Cavalotti for a summer season and Joe Daniels before working on the Queen Mary in Bobby Kevin’s Band, with Ronnie Scott and Johnny Dankworth. He closed out the decade working with several bands including Jiver Hutchinson, Bert Ambrose, Frank Weir and Ken Mackintosh.
During the early 1950s Ken worked with Raymonde’s Orchestra, again with Ambrose and then with Frank Weir on several occasions. 1954 saw him form under his own name a septet, which was comprised of two-tenor, baritone, trumpet and three rhythm group. He resigned from the septet in 1955 and from 1956–1959 he arranged for Ted Heath’s orchestra. During this time he composed the suite Jazz at Toad Hall, and was released on Decca Records in 1958. He worked in Sweden and toured Europe with Kurt Weill’s Band until 1960.
The 1960s saw his return to England and worked freelance as an arranger, especially with Lionel Bart. He was the musical director for the shows Fings Ain’t Wot They Used T’Be and Twang!!. From 1962 he broadcast regularly with his 15 piece orchestra, and later broadcasted and recorded with a larger band called The Full Score. His Adam’s Rib Suite was recorded by the London Jazz Chamber Group in 1970 with Kenny Wheeler on the recording issued on Ember Records.
He scored Cole Porter songs for the musical Cole! performed at the Mermaid Theatre in 1974, and worked with Dankworth again around that time with his London Symphony Orchestra collaborations. He worked out of Germany for part of the 1970s before ill health caused him to move to the warmer climate of Spain.
Pianist, composer and arranger Ken Moule transitioned in Marbella in January 27, 1986, aged 60.
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Requisites
The Boss ~ Jimmy Smith | By Eddie Carter
Jimmy Smith‘s impact on jazz in the sixties was immense, influencing every other organist that followed him. In 1968, he came to Atlanta, Georgia and performed at Paschal’s La Carousel, the only nightclub where blacks and whites were welcome. The Boss (Verve Records V6-8770) is a little gem that’s sadly overlooked because of Root Down, Jimmy’s funkier live album recorded four years later. It’s still an enjoyable album that steps into the blues with the assistance of George Benson (tracks: A1 to A3, B2), Nathan Page (B1) on guitar, and Donald Bailey on drums. My copy is the original 1969 US Stereo release.
The set opens with Some of My Best Friends Are Blues, the first of three by Jimmy Smith, which he introduces with soulful charm. George and Donald join in to complete the soulful melody, then George offers the first course of this delectable dish. Jimmy delivers the main course with the succulent support of the rhythm section into a delicious ending. The trio glides into The Boss next, with Smith dispensing the opening chorus. Benson leads off with an extremely welcome solo. Smith takes an adventurous turn in a vibrant, unrestrained display before settling down to reprise the melody and fade gently into silence.
This Guy’s In Love With You by Burt Bacharach and Hal David begins with the trio’s beautiful introduction and melody. George starts the opening solo tenderly; then Jimmy holds the audience spellbound in the following statement preceding the ending theme and George’s slow dissolve. Side Two starts with Nathan Page taking over the guitar duties for Jimmy’s third original, Fingers. Smith states the melody rather simply, then proceeds into a marvelous interpretation with authority. Page is up next and delivers an inspired performance with a fine flow of ideas. Smith adds the exclamation point with a few final comments into the ending theme and graceful fadeout.
George Benson returns for the set’s finale, Tuxedo Junction, by Buddy Feyne, Erskine Hawkins, Bill Johnson, and Julian Dash. This popular song from the swing era is taken at a medium groove for the ensemble’s melody. George’s opening solo is as mellow as a fine wine, and Jimmy closes with a captivating improvisation ahead of the reprise and graceful fade out. Esmond Edwards produced The Boss, and Val Valentin was the man behind the dials of the recording. The sound quality is good, with a “you are there” feeling, placing the listener among the La Carousel audience as the group performs.
If you’re a jazz organ fan like me, I invite you to check out The Boss by Jimmy Smith on your next shopping trip. Jimmy, George Benson, Nathan Page, and Donald Bailey take a splendid ride through a bluesy, laid-back landscape in a live album that, though overlooked and underrated, is delightful to listen to and should be considered for a spot in your library! ~ Root Down (Verve Records V6-8806) – Source: Discogs.com ~ This Guy’s In Love With You, Tuxedo Junction – Source: Wikipedia.org © 2023 by Edward Thomas Carter
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