Daily Dose Of Jazz…

Billy Bang was born on William Vincent Walker on September 20, 1947 in Mobile, Alabama and while he was still an infant his family moved to the Bronx in New York City. As a child he attended a special school for musicians in Harlem and being small in physical size was assigned a violin instead his first choices, the saxophone or drums. It was around this time that he acquired the nickname of “Billy Bang”, derived from a popular cartoon character.

Billy studied the violin until he earned a hardship scholarship to a private high school in Stockbridge, Massachusetts, at which point he abandoned the instrument due to a lack of a music program. He had difficulty adjusting to school life, encountering racism and developing confusion about his identity, and his later onset of schizophrenia.

Bang left the school after two years, attended a school in the Bronx, dropped out when he was drafted, at 18 joined the Army and arrived in Vietnam in time for the Tet Offensive. Returning from the war he became politically active, fell in with an underground group of revolutionaries, purchased weapons and impulsively bought another violin from the same pawnshop.

He later joined Sun Ra‘s band. In 1977, Bang co-founded the String Trio of New York with guitarist James Emery and double bassist John Lindberg, exploring his experience in Vietnam in two albums: Vietnam: The Aftermath and Vietnam: Reflections.

Free jazz composer and violinist Billy Bang passed away on April 11, 2011 from complications due to lung cancer. He is survived by a legacy of some three-dozen albums.

 

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Daily Dose Of Jazz…

Helen Ward was born September 19, 1913 in New York City and was taught her piano by her father, appeared on WOR and WNYC radio broadcasts and also worked as a staff musician at the latter. Helen started singing in Benny Goodman ’s first band in 1934 and became one of the first popular swing “girl singers”, as they were then called, and among Goodman’s most popular.

Ward and Benny had a brief romance and he came very close to proposing marriage to her in either 1935 or 1936. However, according to Ward in the documentary, Adventures in the Kingdom of Swing, he called it off at the last minute, citing his career. She married financier Albert Marx the following year and left the band. She moonlighted during her time with Goodman with other bands including the Teddy Wilson orchestra in 1936 and Larry Kent and his Orchestra in November of that same year (under the name “Vera Lane”).

In 1938, Marx arranged for Goodman’s Carnegie Hall concert to be recorded for her as an anniversary present. That recording was later released as a dual LP set by Columbia Records in 1950. During the 1940s, Ward worked with the bands of Matty Malneck and Harry James and became a radio show producer for WMGM in 1946-1947. In 1952, she recorded an album of Dixieland tunes with “Wild” Bill Davison and also made several appearances with Larry Clinton and Peanuts Hucko in 1956.

Following her divorce to Marx, Ward later married the audio engineer William Savory, who was part of the team that invented the 33⅓ rpm long-playing record. She sporadically did studio work, occasionally toured with Goodman, worked briefly with Peanuts Hucko but effectively retired in 1960. A brief return in the late 70s and early 80s saw her singing in New York clubs and released her final album The Helen Ward Song Book Vol. I. Vocalist Helen Ward died April 21, 1998 in Arlington, Virginia.

 

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Daily Dose Of Jazz…

John Fedchock was born on September 18, 1957 in Cleveland, Ohio and earned his degree in music education from Ohio State University. He holds a master’s degree in Jazz Studies and Contemporary Media from the Eastman School of Music.

Fedchock began his career as a trombonist in 1980 working for several years in the  Woody Herman  Orchestra, becoming noted for his arrangements. He has worked and toured with T.S. Monk, Gerry Mulligan, Louie Bellson, Bob Belden, Rosemary Clooney, and Susannah McCorkle among others. He has also been a part of the Manhattan Jazz Orchestra and the Carnegie Hall Jazz Band.

An avid educator, he is in demand as a clinician at colleges and universities, was the trombone chair for the IAJE Resource Team, a board member of the International Trombone Association and is a trombone instructor at Purchase College and Temple University. As a leader John recorded his first album in 1992 with the New York Big Band, which remains active to the present.

Trombonist John Fedchock has followed with eight more recordings, his latest being Justifiably J.J.: A Centennial Tribute (Live at the Jazz Kitchen, Indianapolis) and continues to perform, record and tour.

 

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Daily Dose Of Jazz…

Sil Austin was born Sylvester Austin on September 17, 1929 in Dunnelion, Florida and taught himself to play as a 12 year old. He won the Ted Mack Amateur Hour in St. Petersburg, Florida in 1945, playing “Danny Boy”. His performance brought him a record deal with Mercury Records and he moved to New York and studied at the Juilliard School of Music.

Austin played briefly with  Roy Eldridge, Cootie Williams in 1951–52 and Tiny Bradshaw from 1952-54, before setting up his own successful touring group. He recorded over 30 albums for Mercury with a number of Top 40 hits on the pop charts with tunes like “Danny Boy” (his signature), “Slow Walk” and “My Mother’s Eyes”.

Sil Austin, a saxophonist who considered Coleman Hawkins, Lester Young, and Sonny Stitt as his major influences, passed away of prostate cancer on September 1, 2001.

 

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Daily Dose Of Jazz…

Hamiet Bluiett was born on September 16, 1940 in Brooklyn a.k.a. Lovejoy, Illinois, that was founded as a free black refuge community in the 1830s. As a child, he studied piano, trumpet, and clarinet, but was attracted most strongly to the baritone saxophone from the age of ten. He began his musical career by playing the clarinet for barrelhouse dances in Brooklyn, Illinois, before joining the Navy band in 1961. He attended Southern Illinois University Carbondale.

Following his time in the Navy, he returned to the St. Louis area in the mid-1960s. In the late 1960s Bluiett co-founded the Black Artists’ Group (BAG) in St. Louis, Missouri, comprised of a collective dedicated to fostering creative work in theater, visual arts, dance, poetry, film, and music. He led the BAG big band during 1968 and 1969.

Bluiett moved to New York City in 1969 and joined the Charles Mingus Quintet and the Sam Rivers large ensemble. In 1976 he co-founded the World Saxophone Quartet with two other BAG members, Julius Hemphill and Oliver Lake and David Murray. The group would quickly become jazz music’s most renowned saxophone quartet. He has remained a champion of the somewhat unwieldy baritone saxophone, organizing large groups of baritone saxophones.

In the 1980s, he also founded The Clarinet Family, a group of eight clarinetists playing clarinets of various sizes ranging from E-flat soprano to contrabass. Since the 1990s he has led a virtuosic quartet, the Bluiett Baritone Nation, made up entirely of baritone saxophones, with drum set accompaniment. His return to his hometown in 2002 affords him the opportunity to gig, perform with students from Neighborhood Music School in New Haven, Connecticut under the name of “Hamiet Bluiett and the Improvisational Youth Orchestra”.

Baritone saxophonist Hamiet Bluiett recorded over three-dozen albums and continued to perform, record and tour until his passing on October 4, 2018 at the age of 78 in St. Louis, Missouri.

 

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