Daily Dose Of Jazz…
Harold Jones was born on February 27, 1940 in Richmond, Indiana. His early professional years were spent drumming with the Count Basie Orchestra and over a five year span recorded fifteen albums before moving on to work with Sarah Vaughan. He toured the world with her, playing the White House five time. Natalie Cole enlisted him on her landmark album “Unforgettable” and subsequent tour.
He has played with such luminaries as Frank Sinatra, Sammy Davis Jr., Roger Williams, Nancy Wilson and Tony Bennett to Herbie Hancock, Jimmy Smith, Donald Byrd and Benny Goodman to Marlena Shaw, Billy Eckstine, Kay Starr, Carmen McRae and John Lee Hooker on the short list.
As an educator, Jones has held a position on the staff for the Henry Mancini Institute at the University of California in Los Angeles and leads drumming workshops at colleges and universities throughout the country.
He has performed on the Quincy Jones CD, “Count Basie and Beyond,” fronts his own 17-piece big band, The Bossmen, bringing the Basie swing style back by playing for community events and corporate occasions.
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Daily Dose Of Jazz…
Claire Daly was born on February 26, 1959. At the age of 12 she began playing the saxophone and was soon turned onto jazz by way of a live performance by the Buddy Rich Big Band. She went on to attend Berklee College Of Music and upon graduation she became a full-time professional musician.
In the late 70s and early 80s Claire played with various groups in the jazz and rock arenas, and her powerful tenor saxophone suited the latter perfectly. However, playing more jazz than rock, Daly switched to the baritone saxophone and has worked in New York City since the mid-80s.
>A seven-year association with the all-female big band, Diva, was followed with her working with People Like Us. Daly’s versatility moves between jazz, R&B and Latin, releasing two CDs as a leader for Koch Records and three on her own label DalyBread.
Her influences include Rahsaan Roland Kirk and Sonny Rollins and, on baritone, Serge Chaloff, Ronnie Cuber and Leo Parker. She has performed with Aretha Franklin, James Brown, Joe Williams, and Rosemary Clooney among many others, and her first CD Swing Low resides in the William Jefferson Clinton Library in Little Rock, Arkansas.
Claire Daly, a gifted improviser whose rich tone and emotional depth has earned her a place as a respected member of the baritone saxophone family, continues to lead her own jazz groups and to pass the gift of music on to the next generation.
Diagnosed with head and neck cancer in 2023, baritone saxophonist and composer Claire Daly died at the residence of a friend in Longmont, Colorado, on October 22, 2024, at the age of 66.
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Daily Dose Of Jazz…
Tiny Parham was born Hartzell Strathdene Parham on February 25, 1900 in Winnipeg, Canada. The pianist and bandleader grew up in Kansas City and worked at The Eblon Theatre, mentored by ragtime pianist and composer James Scott. He would later tour with territory bands in the Southwest before moving to Chicago in 1926.
He is best remembered for the recordings he made in Chicago between 1927 and 1930 working with Johnny Dodds along with several female blues singers and with his own band. Most of the musicians Parham played with are not well known in their own right, though cornetist Punch Miller, banjoist Papa Charlie Jackson, saxophonist Junie Cobb and bassist Milt Hinton are exceptions.
His entire recorded output for Victor are highly collected and appreciated as prime examples of late 1920’s jazz. Tiny favored the violin and many of his records have a surprisingly sophisticated violin solos, along with the typical upfront tuba, horns and reeds.
After 1930 he found work in theater houses, especially as an organist and his last recordings were made in 1940. The cartoonist R. Crumb included a drawing of Parham in his classic 1982 collection of trading cards and later book “Early Jazz Greats” of which Parham was the only non-American born so included in addition to the book’s bonus cd containing a Parham track.
Tiny Parham passed away on April 4, 1943 in Milwaukee, Wisconsin.
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Daily Dose Of Jazz…
Freddy Robinson was born Fred Leroy Robinson on February 24, 1939 in Memphis, Tennessee but was raised in Arkansas and by 1956 was in Chicago. That year he first recorded backing harmonica player Birmingham Jones. In 1958, he began touring with Little Walter and after seeing a jazz band performance was inspired to formally learn music at the Chicago School of Music.
Freddy soon was working and recording with Howlin’ Wolf, and by the mid-1960s was playing with Jerry Butler and Syl Johnson before joining Ray Charles in Los Angeles. While there, he recorded the instrumental “Black Fox”, which became a minor pop hit. In the early 1970s, he worked with English blues bandleader John Mayall, playing on the album Jazz Blues fusion and recording with trumpeter Blue Mitchell.
As a leader Robinson would record two albums, At The Drive In and Off The Cuff, supported by Joe Sample and Wilton Felder of the Crusaders. Throughout his career he worked with Earl Gaines, Jimmy Rogers, Monk Higgins, Stanley Turrentine and Bobby Bland. In 1975 he converted to Islam changing his name to Abu Talib and recorded solo, re-emerging in 1994 with an album of his own compositions, The Real Thing at Last.
Abu Talib, jazz and blues guitarist, singer and harmonica player, died of cancer in Lancaster, California on October 8, 2009.
Daily Dose Of Jazz…
Hall Franklin Overton was born February 23, 1920 in Bangor, Michigan but grew up in Grand Rapids. As a youngster he found that his few piano lessons were not enough to discover that elusive “something” he was seeking in music. His high school music teacher urged him to study theory and composition at The Chicago Musical College, prior to military service. It was during this overseas duty that he learned to play jazz.
Following his discharge Hall attended the Julliard School of Music, graduated with a Masters and joined the faculty. As an educator he would eventually teach at Yale School of Music and The New School of Social Research. He would receive awards from both The Koussevitzky Foundation and The John Simon Guggenheim Memorial Foundation.
In 1954, his New York City loft at 821 Sixth Avenue, aka the Jazz Loft, provided the perfect setting for the musicians to practice. While composing his classical compositions, he was also deeply immersed in jazz, recording with Stan Getz, Duke Jordan, Jimmy Raney, and Teddy Charles. Thelonious Monk selected him to score his piano works for full orchestra and on February 28, 1959, Thelonious Monk Orchestra At Town Hall was recorded live. Monk later released another live album of Hall’s compositions on Big Band and Quartet in Concert.
Hall’s opera, Huckleberry Finn, commissioned by the Barney Jaffin Foundation, was presented by The Juilliard Opera Company just months before his death on November 24, 1972 from cirrhosis of the liver. Pianist, composer and educator Hall Overton was just 52.
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