Daily Dose Of Jazz…

Helen Forrest was born Helen Fogel in Atlantic City, New Jersey on April 12, 1917. Raised in a single parent household with three older brothers, the family relocated to Brooklyn while she was in her teens. Her mother remarried and with the new husband turned the family home into a brothel, which nearly saw her raped by her stepfather. This resulted in her living with her piano teacher who recognized her singing potential. Soon she dropped out of high school and pursued a singing career.

Returning to Atlantic City she began singing with her brother Ed’s band, soon after returning to New York City. By the age of 17 she was singing for WNEW and WCBS where she was known as Bonnie Blue and The Blue Lady of Song. Eventually she found a  two year gig singing at the Madrillon Club, in Washington, D.C. This led to her joining Artie Shaw in 1938 and shared vocal duties with Billie Holiday. Two of Helen’s biggest hits with Shaw were They Say and All the Things You Are. With Shaw she became a national favorite until the band broke up in 1939

Forrest then joined Benny Goodman in December 1939 and recorded, among other hit songs The Man I Love, just one of 55 studio recordings with Goodman. But being a difficult man to work with in August 1941, she quit the orchestra to avoid having a nervous breakdown. Her departure led her to briefly recorded with Nat King Cole and Lionel Hampton.

In 1941, she approached Harry James, auditioned and was voted in by the band. It was with this band that she got the opportunity to sing verses as opposed to choruses in the middle of an instrumental.  Her most popular numbers, 1941’s I Don’t Want to Walk Without You and I Had the Craziest Dream in 1942, preceded her appearance with the James Band in the Hollywood film Springtime in the Rockies, starring Betty Grable. In 1942 and 1943, Helen Forrest was voted the best female vocalist in the United States in the Down Beat poll.

Forrest left Harry James in late 1943 and embarked on a solo career, signed a recording contract with Decca and co-starred with Dick Haymes on a CBS radio show from 1944 to 1947. She recorded with Haymes and 10 songs reached the Top Ten including Long Ago and Far Away, It Had To Be You and I’m Always Chasing Rainbows. By the end of the Forties she was headlining theaters and clubs.

The Fifties saw Helen rejoining Harry james and recording a new swing album titled Harry James in Hi-Fi, which became a bestseller. By the end of the 1950s, her solo career waned as rock’n’roll became increasingly popular. She would go on to have a stint with the startup Bell Records, sang with Tommy Dorsey’s orchestra, in the early 1960s and continue to make occasional records and perform in concerts.  By the 1970s and 1980s, she was  performing in supper clubs on big band nostalgia tours, doing a television reunion of herself, James, and Haymes on The Merv Griffin Show.

In 1980 she suffered a stroke, but recovered to resume performing and recording. She wrote an autobiography, I Had the Craziest Dream, and in 1983, Helen released her final album, entitled Now and Forever. She continued singing until the early 1990s when rheumatoid arthritis began to affect her vocal chords and forced her into retirement. Swing vocalist Helen Forrest, who sang with three of the most popular bands of the era and earned the reputation as the voice of the name bands, passed away on July 11, 1999, from congestive heart failure in Los Angeles, California at the age of 82.

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Daily Dose Of Jazz…

Matt Lavelle was born on April 11, born 1970 in Paterson, New Jersey and began his music career with a high school big band tour of the Soviet Union in 1988. He followed this with a five-year period of study with Hildred Humphries, a Swing era veteran who played with Count Basie, Billie Holiday and others.

During this period of study he played trumpet in Hildred’s band, then made his move on New York City and played straight-ahead jazz until 1995 when he relocated to Kingston, New York and studied the bass clarinet. Four years later Lavelle returned to New York seeking out what is known as the Downtown community. He has studied with Ornette Coleman adding alto clarinet to his instrumental arsenal.

Lavelle has played and toured with William Parker, Sabir Mateen, as well as with his own trio, an improvisation collective known as Eye Contact. He was key in the resurgence and return of avant jazz man Giuseppi Logan, helping him return to playing after a 45-year absence, and recording a new record released in spring 2010.

trumpet, flugelhorn and bass clarinet player Matt Lavelle, who has released a dozen albums as a leader or in duo and has recorded another ten as a sideman, continues to perform, record and tour.

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Daily Dose Of Jazz…

George Freeman was born on April 10, 1927 in Chicago, Illinois. By mid-1947, the guitarist was a member of the sextet led by Johnny Griffin and Joe Morris. He supported touring musicians such as Lester Young and Charlie Parker, recording with the latter on the Savoy Records label.

The mid-1950s,saw George beginning a long association with organist Richard “Groove” Holmes, recording as a sideman and song contributor on Holmes’ World Pacific and Prestige.

After touring with Gene Ammons and Shirley Scott,

Freeman decided against any more road work and based himself in his home city. He often collaborated with his brothers, tenor saxophonists Chico and Von Freeman throughout their careers.

His debut solo album, Birth Sign in 1969 featured saxophonist Kalaparusha Maurice McIntyre and organist Sonny Burke. He has worked with Ben Webster, Shirley Scott, Illinois Jacquet, Sonny Stitt, Sonny Criss, Buddy Rich, Charles Earland, Jimmy McGriff, Les McCann, Eldee Young, Harold Mabern, Kenny Barron, Bob Cranshaw, Buddy Williams, Kurt Elling, Red Holloway, Corey Wilkes, and the Deep Blue Organ Trio. Guitarist George Freeman continues to perform and record.

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Atlanta Jazz Festival…2007

The preview party for the 30th Anniversary Celebration of the 2007 Atlanta Jazz Festival took place at the Atlanta Civic Center on April 9th. Nnena Nchege had dubbed the legion of volunteers as Jazzteers two years earlier as noted by Mayor Shirley Franklin in her remarks when thanking them for their hard work. Visual imagery with a 30th Anniversary exhibition curated by Freddie Styles that showcased the rich history of the festival through the eyes of photographers Jim Alexander, Sue Ross, Michael Reece, Sheila Pree Bright, Julie Yarbrough and Eric Waters. The Bureau of Cultural Affairs produced a coffee table book utilizing the photographs of the above photographers with historical timeline by John Holman.

Thirty years was a milestone for the city of Atlanta taking the dream of newly elected first-time Black mayor Maynard Jackson and continuing the legacy that was set by directors before her. Camille Russell-Love had expanded the vision of the festival and incorporated new aspects that highlighted the city’s sustaining musicians and those yet to become professionals. 2007 was a banner year and May 26th – 28th was evidence of that tradition in Piedmont Park.

The Future of Jazz stage hosted Ron James, the 2007 Future of Jazz Winner, who took an honored spot in the programming along Future of Jazz artists Lillie Huddleston Quartet, Ken Ford, the Yonrico Scott Band, Antoine Knight, Toni Redd, Hudson on Bass, Jaspects, Joe Gransden, Joey Summerville, Julie Dexter, Reggie Hines, Squat, Tammy Allen, Bernard Linnette Quartet, William Green and DAYSAHEAD.

On the mainstage jazz fans got to see and hear the national acts of the Bad Plus, Bobby Hutcherson Quartet, Charles Tolliver Big Band, Chieli Minucci and Special EFX, Flora Purim & Airto Moreira, Herbie Hancock Quintet, Laws Family, Lou Donaldson Quartet, Mike Phillips, Monty Alexander, Nefertari Bey, Pete Escovedo Orchestra with Sheila E, Steve Turre, Ray Vega, & Juan Escovedo, Ronny Jordan Trio, Terri Lyne Carrington and Friends, Vijay Iyer Quartet, and.

Over the weekend Eric Essix performed at the Park Tavern, and Gordon Vernick and Robert Irving III ran their respective night of the Late Night Jazz Jam.

The sponsors Delta Airlines, Budweiser Select, Coca-Cola, Winsonic Technologies, Nextwave Entertainment, MARTA, BET J, Steinway Piano Galleries, Epiphone guitars, Mapex Drums, LBD Advertising, Four Spots Digital Media, The Atlanta Livery Company, Bermuda Department of Tourism, Publix Supermarkets, WCLK 91.9FM, WJZZ, Rolling Out, The Atlanta Tribune, Upscale Magazine, JazzTimes Magazine, Atlanta Party Starters, Mundo Hispanico, Transit TV, American Technologies, Georgia State University Rialto Center for The Arts, JW Pepper, Smart Music and the Atlanta Convention and Visitors Bureau. #AJF40

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Daily Dose Of Jazz…

Alexander Gafa was born on April 9, 1941 in New York City and worked as a student in the city from 1964 to 1969, playing guitar with Kai Winding and Sam Donahue . During the late Sixties he was a part of the New York Playboy Club playing with Winding, Earl May and Al Foster.

From 1969 to 1970, he was musical director and accompanist for Carmen McRae and performed as a member of the Sammy Davis Jr. orchestra in 1970 and 1971. During this decade he also did some live dates with Sarah Vaughan, one of which aired on PBS.

In 1971 Al played with Dizzy Gillespie and joined his group and toured with him for a period. Under his own name, he recorded the album Leblon Beach in 1976 for Pablo Records. He has recorded as well with Susannah McCorkle, Paul Simon, The Monkees, Alex Leonard, Duke Pearson, Johnny Hartman, Joe Albany and Sonny Stitt.

Before the fall of the World Trade Centers, he and bassist Dr. Lyn Christie would play in a duo configuration in the restaurant on the top floor. He is also part of Tom Lord’s 34 recording sessions from 1934 to 2011 of acoustic and electric guitar, and banjo. Guitarist Al Gafa currently resides in Brooklyn, New York where he performs occasionally.

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