Daily Dose Of Jazz…
Keely Smith was born Dorothy Jacqueline Keely on March 9, 1932 in Norfolk, Virginia and showed a natural aptitude for singing at a young age. By 14, she was singing with a naval air station band. At 15, she got her first paying job with the Earl Bennett band.
Smith made her professional debut with Louis Prima in 1949 who later became her husband, playing the ” straight guy” in the duo and making the Mercer/Arlen tune “That Old Black Magic” a standard that won them a Grammy for Best Performance by a Vocal Group.
Keely appeared with Prima in the 1959 film, Hey Boy! Hey Girl! singing Fever, appeared in and sang on the Thunder Road soundtrack, and her first big solo hit was with “I Wish You Love”. Signing with Reprise in 1961 she began working with Nelson Riddle, though those recordings have never been released. Through the 60s she had minor hits but it wasn’t until 1985 that she made a comeback with “I’m In Love Again” and her 2001 album “KeelySings Sinatra” was nominated for a Grammy.
Smith released Vegas ’58 – Today, a compilation album of her best known songs, all recorded live by her own admission, she has never had a singing lesson and cannot read music. In recent years she has been booked at New York’s Café Carlyle, performed “That Old Black Magic” with Kid Rock at the 50th Grammy Awards and continued to work a light-touring schedule until her passing away on December 16, 2017 of heart failure in Palm Springs, California.
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Daily Dose Of Jazz…
Billy Childs was born William Edward Childs on March 8, 1957 in Los Angeles, California and began piano lessons when he was six. By age 16 he started attending the Community School of the Performing Arts, a prestigious music program sponsored by the University of Southern California, in which he ultimately attended in 1975.
Playing professionally as a teenager, he made his recording debut in 1977 with the J. J. Johnson Quintet’s Yokohama Concert during a tour of Japan. He would gain significant attention during his six-year stint playing with trumpeter Freddie Hubbard’s group from 1978 to ’84.
His early playing influences were Herbie Hancock, Keith Emerson and Chick Corea and in his composing came by Paul Hindemith, Maurice Ravel and Igor Stravinsky. Adept in both the jazz and classical idioms, Childs develop his own voice with an original conception near the start of his career. His solo recording career began in 1988 with the release of Take for Example, This… the first of four critically Windham Hill Jazz label. He would go on to record two albums for Stretch/GRP and Shanachie.
In 2000 Childs arranged, orchestrated and conducted for Dianne Reeves’ project The Calling: Celebrating Sarah Vaughan that won a Grammy for Best Jazz Vocal. He has also arranged for Sting, Yo-Yo Ma, Chris Botti, Gladys Knight, Michael Bublé, David Foster, Phil Ramone and Claudia Acuna.
Billy’s 2005 “Lyric, Jazz-Chamber Music, Vol. 1”, a jazz chamber music ensemble recording, influenced by the Laura Nyro-Alice Coltrane collaboration, garnered three Grammy nominations. He has received a Guggenheim Fellowship, and Chamber music grant, and has been commissioned for more than a dozen jazz and classical compositions and arrangements.
Pianist Billy Childs has been nominated for seven Grammys, of which he has won six. He has fifteen albums to his leader roster with his latest album, The Winds Of Change, was released in 2024. He continues to make music on stage and in the studio.
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Daily Dose Of Jazz…
Anthony Ocaña was born in the Dominican Republic on March 7, 1980 and from an early age discovered his love for music. At age 5 he started taking piano and violin lessons and by 12 he began playing the guitar. He studied at the National Conservatory of Music of the Dominican Republic, received a scholarship to study at Manhattanville College New York in 1998.
While in New York he worked with Elliot Magaziner, the Frank Sinatra Orchestra conductor, and received the “Senior Josephine Morgan Award” for his professional and academic achievements. In 1999 and 2001, he opened for Gonzalo Rubalcaba at the National Theater of the Dominican Republic; in 2001 Anthony recorded his first album titled “A Paso de Cebra” (Zebra’s Pace) and 2002 saw him moving to Madrid to further his study of composition and guitar.
By 2003 he was again at the National Theatre opening for Brazilian guitarist and pianist Egberto Gismonti, integrating percussion into his music. Ocaña has received several awards for composition, has performed over 50 concerts at all the major venues in Spain, in 2006 he released his self-titled sophomore project was released. He continues to perform all over the world playing concerts and festivals in conjunction with composing and recording.
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Daily Dose Of Jazz…
Charles Tolliver was born on March 6, 1942 in Jacksonville, Florida and while still a child received his first trumpet from his grandmother. He attended Howard University in the early Sixties as a pharmacy student, but when he decided to pursue music as a career he moved to New York City.
Coming to prominence in 1964, playing and recording on Jackie McLean’s Blue Note albums, seven years later he and Stanley Cowell founded Strata-East Records. The label was one of the pioneer jazz artist-owned and Tolliver released many albums and collaborations as a leader.
Following a long hiatus, he reemerged in the late 2000 decade, releasing two albums arranged for big band “With Love” that was nominated in 2007 for a Grammy award for Best Large Jazz Ensemble and “Emperor March: Live at the Blue Note” in 2009.
He has recorded with Herbie Hancock, Ron Carter, Paul Chambers, Gary Bartz, Cecil McBee, Jimmy Hopps, Alvin Queen, Jon Faddis, Charles McPherson, Reggie Workman, John Hicks, Billy Harper, Robert Glasper, Max roach, Horace Silver and McCoy Tyner to name a few.
Hard bop, post bop, modern big band, trumpeter Charles Tolliver continues to be a force in the jazz idiom.
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Daily Dose Of Jazz…
Wilbur Little was born on March 5, 1928 in Parmele, North Carolina and originally played piano but switched to bass after his military service. Steeped in the hard bop and post bop idioms, he moved to Washington, D.C. in 1949 and played with Sir Charles Thompson, Leo Parker, Margie Day and others. Little was also a member of a trio that supporting visiting jazz musicians like Miles Davis and John Coltrane.
Little’s wider recognition came when he joined J.J. Johnson’s trio from 1955 to 1958 and led to copious freelancing as a sideman with the Tommy Flanagan Trio, Sonny Stitt, Rahsaan Roland Kirk, Kenny Burrell, And Clark Terry.
Never leading his own sessions, Wilbur recorded albums with Elvin Jones, Archie Shepp, Bobby Jaspar, Tommy Flanagan, Randy Weston, Dave McKenna, Horace Parlan and Al Haig. In his latter years he worked with Charles Tolliver, Clifford Jordan and Barry Harris.
By 1976 he was in Japan with Duke Jordan, then moved to the Netherlands in 1977. He lived there for the rest of his life until his passing on May 4, 1987 in Amsterdam, Netherlands.
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