Daily Dose Of Jazz…

Ove Johansson was born on December 3, 1936 and didn’t start playing the tenor saxophone until the age of 13. However, he gave the clarinet a chance for a couple of years. Very early in his career he got into a professional jazz group playing before starting his own groups where he spent most of the time as a band leader.

For a short period Ove was a sideman with Swedish saxophonist Lars Gullin. From 1972 to 1994 he was a teacher of saxophone, improvisation, ensemble and harmony at the School of Music, Gothenburg University. He went on to start his own small record label LJ Records in 1989 and recorded his own and new Scandinavian jazz music internationally.

The end of the Fifties saw Johansson leading his own groups and a driving force of the Swedish jazz scene. He was musical director of Mwendo Dawa. His musical work stretched from straight ahead, free form and electronic jazz to the acoustic and electro acoustical mix of today.

He toured Europe, North and South America, and China, with Mwendo Dawa. He toured with the trio Natural Artefacts with performances both in the world of improvisation music as well as the world of electro acoustic music.

Tenor saxophonist and composer Ove Johansson, who  produced 35 albums with his own material and with the group, died on ​​December 25, 2015.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Raymond Court was born on December 2, 1932 in Lausanne, Switzerland. He began playing trumpet in his late teens, but by age 20 was playing in Raymond Droz’s band from 1952 to 1956.

Later in the 1950s he played with Flavio Ambrosetti and Kurt Weil, and the early 1960s saw him with Daniel Humair, Martial Solal, and Rene Urtreger.

Starting in the mid-Sixties, he began concentrating on a new career in woodworking and cabinetry, but returned to music after about a decade. He recorded as a leader in the 1980s and with Weil again and Charly Antolini in the 1990s.

Trumpeter Raymond Court died March 03, 2012.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Jimmy Lyons was born on December 1, 1931 in Jersey City, New Jersey and raised there until the age of nine, when his mother moved the family to Harlem and then the Bronx in New York City. In the mid-1940s he got his first saxophone and took lessons from Buster Bailey.

After high school he was drafted into the United States Army and spent 21 months on infantry duty in Korea before spending a year playing in army bands. Once discharged he enrolled at New York University but by the end of the Fifties, Lyons was supporting his music by working for the United States Postal Service.

1960 saw Jimmy followed Archie Shepp into the saxophone role in the Cecil Taylor Unit. His post-Parker sound and strong melodic sense became a defining part of the sound of that group, from the 1962 Cafe Montmartre sessions onwards. During the 1970s, he ran his own ensemble, with bassoonist Karen Borca and percussionist Paul Murphy and was part of the loft jazz movement.

Lyons’ group and Cecil Taylor Unit continued a parallel development throughout the 1970s and 1980s, often involving the same musicians, including trumpeter Raphe Malik, bassist William Parker and percussionist Murphy.

In 1976, Lyons performed in a production of Adrienne Kennedy’s A Rat’s Mass directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan.

Alto saxophonist Jimmy Lyons, who recorded eight albums as a leader, twenty-nine as a sideman and performed in the free jazz genre, died from lung cancer at the age of 54.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Alan Plachta was born on November 30, 1981 and raised in Buenos Aires, Argentina. Recently recorded in NYC his last album “Un viaje” in collaboration with Richard Nant, featuring Luis Perdomo on piano, Sam Sadigursky on reeds, Satoshi Takeishi on drums and Matt Pavolka on bass.

As a composer, arranger and conductor he has worked with the Boris Big Band, Orquesta Sudamericana, Kai de Raiz, and Orquesta de Cuerdas Elvino Vardado  in collaboration with Juan Pollo Raffo.

Alan has played and/or recorded with numerous South American musicians such as Roberto Taufic, Hugo Fattoruso, Urbano Moraes, Daniel Maza, Robert Vincs, Alex & Nilusha, Alexandre Ribeiro, Ana Luiza and Luis Felipe Gama, Nicolás Ospina, Celeste Carballo, Ligia Piro, Liliana Herrero, and Cecilia Pahl among others.

A leader or co-leader, he has recorded five albums, the first in 2005. A prolific arranger and producer Nussbaum has collaborated as guitarist and guest arranger for Cambrio de Estacion, Roma, Soy Una Tarada, Desmesura, Este Tiempo, Ensamble Real Book Argentina, and Y De Amor No Supe Nada.

As a guitarist he has recorded ninetten albums and his compositions are included in Real Book Argentina. His educator role has Adam teaching ear training, arrangement, harmony and guitar. He is in charge of the Musical Language´s Technichs at the Tecnólogo en Jazz y Música Creativa career at UTEC.

Guitarist, composer, arranger and educator Alan Plachta continues to explore his music and his teaching.

GRIOTS GALLERY

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Daily Dose Of Jazz…

Adam Nussbaum was born in New York City on November 29, 1955 and grew up in Norwalk, Connecticut. He first played the drums at the age of four, however, it wasn’t until after five years of piano study that he got his first drum set when he was around twelve. He went on to study music at the City College of New York, during which time he also played in local clubs.

1978 saw Adam joining Dave Liebman’s quintet and did his first European tour with John Scofield. He played with saxophonist Stan Getz for a year in 1982. The following year he became a member of the Gil Evans Orchestra, and toured Europe and Japan two years later.

Joining the Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans, by 1987 he began touring with Michael Brecker’s band. He was a member of Brecker’s Grammy award-winning album. Don’t Try This At Home. In 1991 John Abercrombie hired Nussbaum to complete his organ trio and during 1992 Nussbaum was part of the Carla Bley Big Band.

He has kept active in a wide variety of groups and as a freelancer. His quartet recording debut as leader in 2018 was The Lead Belly Project, released on Sunnyside Records.

Drummer Adam Nussbaum continues to perform and record.

GRIOTS GALLERY

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