Daily Dose Of Jazz…

Barbara Jordan was born on July 13, 1951 in Montreal, Canada and when she was in her last year of high school she realized her singing ability. Her high school music teacher, Iwan Edwards, encouraged her to audition for the lead role of Laurie in the musical Oklahoma. Getting the part she received her first lessons in stage presence and delivering a song. She joined the high school choir, and took a vocal music class in her last year of high school.

Joining an acapella choir outside of school, she also spent five years in this choir performing around Montreal and touring Western Canada and competed in the Eisteddfod in Wales. Her professional musical career began as a folk singer prior to becoming a multi-lingual vocalist with several leading disco, pop and country/western bands in and around the Montreal area.

Settling in Toronto, Canada she has acquired a reputation over the years singing traditional and swing. She has continuously performed in clubs around the Toronto area, New York, and New Orleans, as well as at various jazz festivals in Ontario, Montana, St. Petersburg and Sarasota, Florida; Newcastle, England and Paris, France.

Trad jazz, dixieland and swing vocalist Barbara Jordan, whose influences were Mildred Bailey, Peggy Lee and Lee Wiley, continues to lead her quartet and appear regularly.

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Daily Dose Of Jazz…

LyleRustyDedrick was born on July 12, 1918 in Delevan, New York. His first call to jazz  came when he was in a music store in Buffalo, New York and heard a Louis Armstrong record. So taken was he that he bought the record, then returned home to save money for a record player. After brief studies at Fredonia State Teachers College, he spent a two-year jazz apprenticeship working with the band known as “Mr. And Mrs. Swing,” the Red Norvo/Mildred Bailey Orchestra, featuring the arrangements of a young Eddie Sauter.

He followed this with two stints with Claude Thornhill (1941-42 and 1946-47) and the chance to play a book by Gil Evans. This experience, plus private studies with Paul Creston and Stefan Wolpe, were good preparation for a long career in the New York City jazz commercial music field.

His credits included writing and/or playing with Maxine Sullivan, Lee Wiley, Lionel Hampton and others, along with radio and television studio work with Arthur Godfrey, Ed Sullivan, Sid Ceasar and more. At the same time, Rusty was recording his own LPs.

In 1971 Dedrick joined the faculty of the Manhattan School of Music as Director of Jazz Studies. He guest conducted many all-county high school jazz bands, as well as the prestigious American Jazz Orchestra. Swing and bebop jazz trumpeter, arranger, composer and educator Rusty Dedrick, who recorded three albums as a leader, transitioned on December 25, 2009 in Summitville, New York

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Daily Dose Of Jazz…

Hector Rodriguez was born on July 11, 1965 in Mexico City, Mexico. He began playing guitar at 14, which led to him playing rock covers in high school bands. By 18 he started privately studying with renowned Mexio City musicians  and immersing himself in jazz and other genres.

After several years of studying and playing professionally in his hometown, he ventured to Berklee College of Music in Boston, Massachusetts, majoring in performance. With financial assistance from the World Scholarship Tour award, there he studied with a host of the faculty, graduating Summa Cum Laude with a Bachelor’s degree in performance in 2008.

Another scholarship led him to the New Egland Conservatory of Music in Harford, Connecticut studying with the likes of Jerry Bergonzi, Danilo Perez and Jason Moran among others. He graduated in 2011with a Masters in Jazz Performance.

Since then has performed at festivals in Central America, Mexico and the United States. Guitarist Hector Rodriguez continues to perform and conduct workshops and masterclasses.

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Daily Dose Of Jazz…

Milton Brent Buckner was born July 10, 1915 in St. Louis, Missouri to parents who encouraged him to learn to play piano, but they both died when he was nine years old. Milt and his younger brother Ted were sent to Detroit where they were adopted by members of the Earl Walton band, trombonist John Tobias, drummer George Robinson fostered Milt and reedplayer Fred Kewley fostered Ted. He studied piano for three years from the age 10, then at 15 began writing arrangements for the band. He and his brother went on to become active in the Detroit jazz world in the 1930s.

He first played in Detroit with the McKinney’s Cotton Pickers and then with Cab Calloway. In 1941, he joined Lionel Hampton’s big band, and for the next seven years served as its pianist and staff arranger. Buckner was part of a Variety Revue of 1950 organized by Lionel Hampton at the Cavalcade of Jazz concert held at Wrigley Field in Los Angeles, California. He led a short-lived big band of his own for two years, but then returned to Hampton’s in 1950.

In 1952, Milt formed his own trio and pioneered the use of the electric Hammond organ. He often played in Europe in the late 1960s. His last studio session took place in Paris. France on July 4, 1977. He is also known for the use of his song The Beast in the title menu of the video game, Battlefield: Bad Company.

Pianist and Hammond B3 organist Milt Buckner, who pioneered the parallel chords style that influenced Red Garland, George Shearing, Bill Evans, and Oscar Peterson, transitioned from a heart attack on July 27, 1977, in Chicago, Illinois, at the age of 62.

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Daily Dose Of Jazz…

Douglas Anthony Munro was born July 9, 1953 in Yonkers, New York. He started his musical studies at age seven, taking drum lessons and by age fourteen, he was playing dances in Yonkers and New York City. At 20, he broke his back in a gymnastics accident, which ended his career as a drummer. However, in 1977 the 24 year old underwent a successful back surgery, and began playing guitar to pass the time during recovery

After his recovery he became a guitarist, performed locally and taught guitar lessons. In 1986 he released the LP Courageous Cats. and towards the end of the decade Doug met record producer Joe Ferry, and began a 25 year professional relationship. He would go on to divide his career into arranging, performing, teaching, and producing with Ferry. In 2004 he started a series of four Boogaloo recordings for Scufflin’ Records. The first, Boogaloo to Beck, featured Lonnie Smith, David “Fathead” Newman, and Lafrae Olivia Sci. He would go on to release to Brazilian jazz albums under the Big Boss Bossa Nova title.

The early Nineties saw Doug arranging and producing with Joe Ferry. Their first album, We Remember Pastorius, was a tribute to jazz bassist Jaco Pastorius. He would go on to co-produce and arrange a series of recordings for Shanachie Records. This period saw him delving into ska, receiving two Grammy nominations. In 1997 Munro added orchestrations to the original motion picture soundtrack for the Muhammad Ali documentary When We Were Kings which won the Academy Award for Best Documentary Film.

Munro continued to work on over 40 recording albums into the new millennium with Vitamin Records. He has produced lessons for Just Jazz Guitar, Premier Guitar, and TrueFire.com. He founded the jazz studies program in the Conservatory of Music at Purchase College in 1993, and served as the director of the program from 1993-2002. He retired in 2019 as Professor Emeritus and Director Emeritus of the Jazz Studies program at the Conservatory of Music at Purchase College.

Guitarist, arranger, producer, composer, author, and educator Doug Munro specializes in jazz, bebop, Brazilian jazz, jazz fusion, and gypsy swing. Since 1986 he has released over fifteen albums as a band leader and has appeared on over 75 recordings as a guitarist, sideman, producer, and arranger. He has been nominated for two Grammy Awards and was the recipient of two NAIRD Awards by the American Association of Independent Music.

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