Daily Dose Of Jazz…

Charles Redland was born Carl Gustaf Mauritz Nilsson, on July 7, 1911 in Södertälje, Sweden. The son of a musician, he learned several instruments when he was young. By the 1930s he was a member of bands in which he played alto saxophone, clarinet, trumpet, and trombone.

During that decade he doubled as a leader. On clarinet he recorded with Benny Carter in Sweden in 1936. He composed and arranged jazz and popular music, as well as more than eighty films, in addition for radio and television programs.

Saxophonist, composer and bandleader Charles Redland passed away on August 18, 1994 in Stockholm, Sweden.

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Daily Dose Of Jazz…

Born on July 6, 1920  in Abany, New York, Dick Kenney was one of a circle of big-band trombonists influenced by Bill Harris. Anxious to get to the jazz center once his chops were together, cello had been his initial introduction to music, but it was as a trombonist that he got into the Toots Mondello band in the early ’40s.

It was a bandleader named Paul Villepigue who took the budding trombonist from Albany to New York City. From 1946 there ensued two years of education with Johnny Bothwell, then Kenney headed for the West Coast and a return to college studies prior to seriously hitting the big band circuit. His first outing was with Charlie Barnet, then moved to Les Brown in 1957, migrating to Brown’s New England stomping or rather fox-trotting.

The trombonist’s big band work is well documented having recorded as a featured artist on more than one hundred sides, many in the  late ’60s. The list includes Stan Kenton’s visionary City of Glass as well as addresses from forgotten artists, a good example being the Bothwell collection entitled Street of Dreams. Tromonist Dick Kenney, who played in the jazz and pop genres as well as on soundtracks, retired from music.

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Daily Dose Of Jazz…

Bruce Turner was born on July 5, 1922 in Saltburn, North Yorkshire, England and educated at Dulwich College. He learned to play the clarinet as a schoolboy and began playing alto saxophone while serving in the Royal Air Force in 1943 during World War II. He played with Freddy Randall from 1948~53 and then worked on the Queen Mary in a dance band and in a quartet with Dill Jones and Peter Ind.

In 1950 he briefly studied under Lee Konitz in New York City. His first period with Humphrey Lyttelton ran from 1953 to 1957. After leaving Lyttelton he led his Jump Band from 1957~65, which was featured along with his arrangements in the 1961 film Living Jazz. In 1961, Turner recorded Jumpin’ at the NFT (National Film Theatre) and the album was issued later that year on Doug Dobell’s 77 Records label, coinciding with the film’s release.

In January 1963, the British music magazine New Musical Express reported that the biggest trad jazz event to be staged in Britain had taken place at Alexandra Palace. The event included George Melly, Diz Disley, Acker Bilk, Chris Barber, Kenny Ball, Ken Colyer, Monty Sunshine, Bob Wallis, Alex Welsh, Mick Mulligan and Turner.

Returning to Randall’s group from 1964 to 1966, he then played with Don Byas and Acker Bilk till 1970. He went on to work with Wally Fawkes, John Chilton, Stan Greig), Alex Welsh, and Dave Green. He led small ensembles in the 1990s until his death. His autobiography Hot Air, Cool Music, published by Quartet Books, appeared in 1984. He wrote a column on jazz for the Daily Worker. Saxophonist, clarinetist, and bandleader Bruce Turner passed away on November 28, 1993 in Newport Pagnell.

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Daily Dose Of Jazz…

Duncan Lamont was born on July 4, 1931 in Greenock, Scotland and started out as a trumpet player, leading his own band in Scotland, which won recognition in Melody Maker in 1951. Spending time in London, England he played with Kenny Graham’s Afro-Cubists. During the early 1950s he continued to be active in Scotland and when he switched to tenor saxophone and became a jazz studio player.

He worked with numerous popular British dance bands and jazz groups led by Basil and Ivor Kirchin, Ken Mackintosh, Jack Parnell, Geraldo, Eric Delaney and Vic Lewis, with whom he toured the US. During the 1960s he played with Pat Smythe, Kenny Baker and freelanced extensively. Over the years Lamont led his own small bands and played in big bands and studio orchestras led by Kenny Wheeler, Gil Evans, Bobby Lamb and Raymond Premru, Nelson Riddle, Henry Mancini, Benny Carter and Bill Holman.

Lamont has accompanied on tour or studio orchestras with Frank Sinatra, Rosemary Clooney and Paul McCartney. He composed many songs that were  recorded by  Trudy Kerr, Nancy Marano, Cleo Laine, Joyce Breach and Norma Winstone. He wrote music for children’s television, was nominated for a Grammy, won the John Dankworth Jazz Award, and for more than a decade led a big band to raise money for cancer research. His activities as a composer have long been greatly respected by his professional peers and, at the start of the new century, are starting to receive the wider recognition they so richly deserve.

Tenor saxophonist Duncan Lamont, who gave masterclasses in improvisation and big band sessions at Brunel University, passed away on July 2, 2019 just two day shy of his 88th birthday.

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Daily Dose Of Jazz…

Jerry Gray was born Generoso Graziano on July 3, 1915 in East Boston, Massachusetts. His father was a music teacher who began teaching his son violin at age seven. As a teenager he studied with Emanuel Ondříček and was a soloist with the Boston Junior Symphony. By age eighteen he had formed a jazz band and was performing in Boston clubs.

1936 saw Gray joining the Artie Shaw orchestra as lead violinist and studied musical arrangement under Shaw. A year later he became a staff arranger.  Over the next two years he penned some of the band’s most popular arrangements, including Carioca, Softly, As In A Morning Sunrise, Any Old Time, and Begin the Beguine. After the band broke up in 1939, Glenn Miller offered him a job arranging

In November 1939, Shaw suddenly broke up the band and moved to Mexico. On the next day, Glenn Miller called Gray and offered him a job arranging for his band. During his time with the Glenn Miller Orchestra, Jerry produced many of the most recognizable recordings of the era, arranging Elmer’s Tune, Moonlight Cocktail, Perfidia, and Chattanooga Choo-Choo among others, while his compositions among numerous others included Sun Valley Jump, The Man In The Moon, Caribbean Clipper, Pennsylvania 6-5000, and his most famous song, A String of Pearls. Many of his compositions became best-sellers.

The war years saw Jerry in Miller’s unit and became chief arranger for Miller’s “Band of the Training Command”, better known today as the Glenn Miller Army Air Forces Orchestra. He was the full orchestra’s assistant conductor, and conducted the orchestra’s first concert in Paris after Miller’s airplane disappeared over the English Channel.

After the war for a while he did radio and studio work around Los Angeles, California, including leading the band on a radio show called Club 15 that featured Dick Haymes. In 1949 he accepted a request from Decca Records to lead his own Miller-esque orchestra that was called Jerry Gray and the Band of Today.

Violinist, arranger, composer, and leader of swing big bands Jerry Gray,  who continued to lead the Fairmont Hotel band into the 1970s, passed away of a heart attack on August 10, 1976 in Dallas, Texas. He was 61.

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