Daily Dose Of Jazz…

Nelson Riddle was born Nelson Smock Riddle, Jr. on June 1, 1921 in Oradell, New Jersey and later moved with his family to Ridgewood. He began taking piano lessons at age eight and trombone lessons by age fourteen. After his graduation from high school Nelson spent his late teens and early 20s playing trombone in and occasionally arranging for various local dance bands, culminating in his association with the Charlie Spivak Orchestra.

In 1943, Riddle joined the Merchant Marines, studied orchestration under Alan Shuman, joined Tommy Dorsey in 1941, drafted into WWII shortly before the end of the war. Upon discharge he moved to Hollywood and started his arranging career for radio and record projects.

In 1950, Riddle was hired by composer Les Baxter to write arrangements for a recording session with Nat King Cole, becoming his first association with Capitol Records. He would go on to work with Ella Fitzgerald, Oscar Peterson, Kate Smith, Judy Garland, Dean Martin, Keely Smith, Sue Raney, Linda Ronstadt, Johnny Mathis, Rosemary Clooney, Ed Townsend and Frank Sinatra, who reluctantly but successfully re-launched his career with the Riddle arrangement of “I’ve Got The World On A String”.

Riddle would arrange for such films as High Society with Bing Crosby and Paint Your Wagon with Lee Marvin, Clint Eastwood and Jean Seberg, in conjunction to leading his successful orchestra.

Arranger, composer, bandleader and orchestrator Nelson Riddle, whose career spanned over four decades, passed away on October 6, 1985 of cardiac and kidney failure at age 64.

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Daily Dose Of Jazz…

Paulinho da Costa was born Paulo Roberto da Costa on May 31, 1948 in Rio de Janiero, Brazil. Learning to play percussion as a child of five by exploring the different sounds of everything he could get his hands on.  While still in his early teens, he joined several musical groups, traveling extensively throughout the world.  Upon arriving in the United States, the multi-versed percussionist carved a sizable niche in the music community,

Over the course of five decades Paulinho has participated in thousands of recording sessions, performed on the soundtracks of nearly two hundred films and television shows, recorded seven albums as a leader for A&M, Concord and Pablo record labels, and has been a part of several Grammy winning albums.

He playing has crossed over to work in a variety of music genres including Brazilian, blues, Christian, country, disco, gospel, hip hop, jazz, Latin, pop, R & B, rock, soul and world.

He has performed, collaborated and recorded with an impressive list of musicians and vocalists from A to Z not limited to Bill Cunliffe, Chico Freeman, Chicago, Miles Davis, Earth Wind and Fire, Ricky Martin, Eliane Elias, Toots Thielemans, Sammy Nestico, Dizzy Gillespie, Cher, The Gap Band, Bobby McFerrin, Michael Jackson, Ramsey Lewis, Chet Atkins, Sadao Watanabe, Tori Amos, Stix Hooper and Quincy Jones to name just a few.

Percussionist Paulinho Da Costa is currently proficient on more than two hundred percussion instruments and is considered one of the most recorded musicians of modern times.

 

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Daily Dose Of Jazz…

Darrell Grant was born on May 30, 1962 in Philadelphia, Pennsylvania but his family moved to Denver, Colorado while still a young child. He started piano lessons before his teens and was considered enough of a prodigy to join and tour for two years with the Boulder-based Pearl Street Jazz Band, from the age of fifteen.

At 17 Grant won a scholarship to the Eastman School of Music in Rochester, New York and while at Eastman focused on performance studies over theory, which he covered in his graduate studies in jazz theory and composition at the University of Miami.

Relocating to New York in the mid-’80s, Grant concentrated on a series of low-profile sideman gigs with the likes of Betty Carter, Chico Freeman and Greg Osby before finally stepping out as a bandleader for the first time. His 1994 Black Art was well received and reviewed and sold respectably, and his sophomore project The New Bop was an even bigger critical success.

He has recorded for 32 Jazz, Criss Cross, Monarch, Lair Hill and Origin record labels, has relocated to the Pacific Northwest and has added teaching credits to his resume of performance, composition  and bandleader and sideman in Tony Williams’ quintet as he continues in the tradition of bop and post-bop jazz.

 

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Daily Dose Of Jazz…

Lynne Arriale was born May 29, 1957 in Milwaukee, Wisconsin. She was adopted as an infant only to discover the piano keyboard at three. Her initial training being classical, eventually earned her Master’s from the Wisconsin Conservatory of Music. However, it wasn’t until after college that her interest in the works of Keith Jarrett and Herbie Hancock led her to jazz.

She gained renown in the 1990s with her collaborator, drummer Steve Davis and bassist Jay Anderson. Lynne first came to prominence when she won the 1993 International Great American Jazz Piano Competition and performed at the Jacksonville Jazz Festival. She has toured Japan with the acclaimed 100 Golden Fingers ensemble, performed with jazz legends Hank Jones, Tommy Flanagan, Kenny Barron, Harold Mabern, Junior Mance, Monty Alexander, Roger Kellaway, Ray Bryant, and Cedar Walton.

An active educator and adjudicator pianist Lynne Arriale is a member of The Jazz Education Network has adjudicated the Montreux Jazz Competition, American Pianists Association Fellowship Awards, and The Kennedy Center’s Mary Lou Williams Competition, and the Jacksonville Piano Competition. She is currently Associate Professor of Jazz Studies and Director of Small Ensembles at The University of North Florida in Jacksonville and conducts educational clinics and master classes as she continues to perform and tour throughout the world.

 

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Daily Dose Of Jazz…

Claudio Roditi was born on May 28, 1946 in Rio de Janiero, Brazil. He began his musical studies of trumpet when he was just five years old and his native Brazilian music nearly took a back seat as he became enamored with jazz recordings of Louis Armstrong, Harry James and other American trumpeters.

By 13, he became familiar with Charlie Parker, Dizzy Gillespie and Miles Davis. At the age of twenty, he was named a finalist in the International Jazz Competition in Vienna, and the following year, moved to Mexico City where he was active on the contemporary music scene.  Relocating to Boston in 1970 he enrolled at the Berklee School of Music.

In 1976 Roditi moved to New York eventually establishing himself in the highly competitive atmosphere of the world’s jazz capital. He would go on to perform with Joe Henderson, Charlie Rouse, Herbie Mann, Tito Puente, McCoy Tyner, and Paquito D’Rivera.  He has been a member of Dizzy Gillespie’s United Nation Orchestra, The Jazz Masters led by Slide Hampton and his solo work Symphonic Bossa Nova with Ettore Stratta and the Royal Philharmonic earned Roditi a Grammy nomination in 1995 as well as Brazilliance X4 in 2010.

Claudio easily integrates post-bop elements and Brazilian rhythmic concepts, is in demand as a studio musician and a sideman, has composed, arranged and recorded seventeen critically acclaimed albums. The trumpeter currently tours leading his own band, is frequently travels as a member of Dizzy Gillespie’s United Nations Orchestra and is on the faculty of the School of Contemporary Music.

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