
Daily Dose Of Jazz…
Daniel Asbury Mixon was born August 19, 1949 in Harlem, New York City. He started off as a tap dancer, attending the Ruth Williams Dance Studio. Later, he attended the High School of Performing Arts with Dance as his major but soon switched to playing the piano after being inspired by visits with his grandfather to see jazz artists playing at the Apollo Theater.
In 1966, at the age of 17, Danny was invited to play with the trumpet player Sam Brown’s band backing Patti LaBelle & the Blue Bells in Atlantic City at Reggie’s Cocktail Lounge. After working with Joe Lee Wilsonfor three years beginning in 1967 then started to play regularly with Betty Carter during the years 1971–72.
Formed his own jazz trio, he recorded with the Piano Choir and worked with a variety of important jazz musicians including Kenny Dorham, Cecil Payne, Art Blakey’s Jazz Messengers, Frank Foster, Grant Green, Pharoah Sanders, and singers Joe Williams, Eddie Jefferson and Dee Dee Bridgewater.
1976 saw Mixon playing in Charles Mingus’ band. He then played with Dannie Richmond in the late 1970s, toured the U.S. with Yusef Lateef and played a few years with the Lionel Hampton Big Band. Since his twenties Mixon has worked continuously with Frank Foster as a pianist for the Big Band; Frank Foster’s Loud Minority, and his quartet the Non-Electric Company.
He plays piano on many recordings. He appears with Hank Crawford on Tight and After Dark and has also recorded with The Danny Mixon Trio and has recorded On My Way. In 2004 he was awarded as a legendary pianist by the National Jazz Museum in Harlem during their series Harlem Speaks honoring Harlem Heroes. He was also the musical director of the Lenox Lounge in Harlem, where he also regularly played with his trio, until it closed in 2012.
Pianist Danny Mixon, at 76, continues to perform and record.
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Daily Dose Of Jazz…
Frank Parker was born on August 18, 1919 in New Orleans, Louisiana and began drumming at the start of his career in show business at the age of 5. He gained experience playing with various bands in New Orleans, including The Gin Bandits. He performed as a member of Kid Clayton’s band before relocating to Los Angeles, California. There he hooked up with Teddy Buckner at the Beverly Caverns and the Johnny Otis Band.
Returning home in 1949, Parker played alongside such notables as Fats Domino, Joe Phillips, Roy “Good Rocking” Brown, and Paul Gayten. Nearly ten years later he went on the road with Ray Charles, which was followed up by a spot with the Louis Jordan Band. In 1959 he was back in Los Angeles working with Lou Rawls among others.
By 1970, Parker was working once more on Bourbon Street with Thomas Jefferson, George Finola, Papa French, Santo Pecora, and Wallace Davenport. During his later years, he performed with Laverne Smith at Marriot and Fairmont hotels, toured with One Mo’ Time in 1979, a stage hit about black vaudeville in the early days of jazz. A year later he was playing drums for Percy Humphrey and the Preservation Hall Band.
He ultimately retired in 1990 after suffering a stroke. Just a few months after The Louisiana Jazz Federation presented him with a lifetime achievement award, drummer Frank Parker died on January 23, 2001 in his hometown.
More Posts: drums,history,instrumental,jazz,music

Daily Dose Of Jazz…
James Benjamin Sherman was born on August 17, 1908 in Williamsport, Pennsylvania. He played piano in dance bands in the late 1920s and played on and off with Jimmy Gorham in the metropolitan Philadelphia area. In 1930 he began playing on a steamboat in Alphonso Trent’s band, then played in the 1930s with Peanuts Holland, Al Sears, Stuff Smith, Lil Armstrong, Putney Dandridge, Mildred Bailey, and Billie Holiday.
From the mid- to late ’30s Jimmy played in various swing groups but is best known for his hand in composing the jazz standard Lover Man, co-written with Jimmy Davis and Roger Ramirez, and was first recorded by Billie Holiday
He became the pianist and arranger for The Charioteers in 1938, remaining with the group until 1952. Following this he played primarily locally in eastern Pennsylvania. In 1960 he took up a residency at Miss Jeanne’s Crossroad Tavern in Chester County, Pennsylvania, where he played until shortly before his death.
Pianist and arranger Jimmy Sherman died on October 11, 1975 in Philadelphia, Pennsylvania.
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Daily Dose Of Jazz…
Paulinho Garcia was born on August 16, 1948 in Belo Horizonte, Minas Gerais, Brazil and began his musical career at the age of nine as a singer in a Sunday children’s program in the city’s principal radio station, Radio Inconfidencia. His teens saw him performing as a house musician in all musical programs of the Radio network, Guarany—TV Itacolomy.
He led his own band, Os Agitadores, and with them recorded his first two albums. Before his arrival in the United States in 1979, Paulinho composed, arranged, produced, and performed jingles for HP Studios. Four of his commercials received national awards.
After his move to Chicago, Illinois he performed and recorded two albums with the band Made in Brazil. In 1991 he founded his own band, Jazzmineiro, and their 1996 recording received excellent reviews in the Chicago Tribune, Jazziz magazine, the Brazilian Music Review, and The Brazilians.
Paulinho has been the recipient of numerous awards and accolades for his music and bands. He has toured Japan, Poland, Prague, Bratislava, Netherlands, Hong Kong, and Bangkok and performed at several jazz festivals and jazz cruises. With the addition of Polish singer Grazyna Auguscik, Two for Brazil with Greg Fishman became Three for Brazil.
Garcia released My Very Life to critics and audience praise and was nominated for a Grammy for Best Latin Jazz Recording among 25 of the best, and was nominated for the Brazilian International Press Award.
Guitarist and vocalist Paulinho Gatcia continues to perform, tour and record.
More Posts: bandleader,guitar,history,instrumental,jazz,music,vocal

Daily Dose Of Jazz…
Leslie Priestley Carew was born on August 15, 1908 in London, England but spent his formative years in Shipley, Yorkshire. The son of theatrical parents, it wasn’t till after working in the local mills in his post-school years that he found himself drawn to music and the trombone, upon which he progressed rapidly.
Known to the music world as Les, he began playing in dance bands and eventually returned to London and caught the eye and ear of Jack Hylton. In the 1930s he became a featured trombonist in the Jack Hylton Orchestra during their international heyday performing all over Europe.
He was known for his comedic performances, as an actor and a natural comedian, Carew appeared with his Hylton bandmates in films She Shall Have Music (1935), The Playboy (1938) and Calling All Stars (1937).
Leaving Hylton in the Forties he added vocals to his performance arsenal and recorded as a member of Bert Ambrose and His Orchestra. By the time World War II ensued, military service was curtailed by health deficiencies, and during the latter part of it he led the Ambrose Octet.
After the war Carew freelanced in London with Geraldo, Eric Robinson, Mantovani, George Melachrino and many others. In 1970 his first wife, Elsie, died and he subsequently married the music lecturer Avril Dankworth – founder of the children’s music camps bearing her name – a partnership which lasted the rest of his life.
Trombonist Les Carew died of Parkinson’s disease, shortly after completing his autobiography in 1994 in St Albans, Hertfordshire, England.


