Daily Dose Of Jazz…
Anne Phillips was born on February 17, 1935 in Wyomissing, Pennsylvania. Studyinged piano growing up in suburbia, she didn’t hear jazz until she was a senior in high school. She studied at Oberlin College where she joined a jazz club and sang with the school’s big band and had a radio show.
By the time she turned nineteen she was in New York City playing piano and clubs six nights a week. Phillips started working in demo recordings for songwriters in the 1950s, and was a member of the Ray Charles Singers on the Perry Como Show. In 1959, she recorded her first jazz album, Born to Be Blue, for Roulette Records.
She went on to work as a singer, music arranger, conductor, writer, and producer for national commercials including Pepsi, Revlon, and Sheraton. Her Pepsi campaign included The Turtles, The Four Tops, The Hondells, and the Trade Masters. Anne has worked with Carole King, Burt Bacharach, and Neil Diamond
Composing and arranging then became more of her musical life. She went on to write the Christmas album Noel Noel for 25 singers a cappella. She followed this by writing The Great Grey Ghost of Old Spook Lane, a children’s musical, then an environmental piece What Are We Doing To Our World?, and a full musical, Damn Everything But The Circus. for which I wrote both music and lyrics with book writer Stephanie Braxton, has had several readings and is close to production.
Founding Kindred Spirits, a not-for-profit organization founded with her husband, Bob Kindred, the organization sponsors a yearly performance of Bending Towards the Light – A Jazz Nativity, which she composed. They also have an educational program for inner-city children called The Kindred Spirits Children’s Jazz Choirs which teaches jazz music.
Vocalist, composer, arranger, producer Anne Phillips is celebrating her 90th birthday.
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Daily Dose Of Jazz…
Gerald “Jerry” Segal was born on February 16, 1931 and raised in Philadelphia, Pennsylvania. He majored in music at Mastbaum High before graduating and working with Bennie Green and Pete Rugolo in local clubs.
In the late 1950s he played with Johnny Smith, Terry Gibbs, Teddy Charles, Stan Getz, Charles Mingus, Herbie Mann, Lennie Tristano, Bob Dorough, Teo Macero, Curtis Fuller, Hampton Hawes, Dick Cary, Mal Waldron, Addison Farmer, the Australian Jazz Quintet, and Mose Allison.
From 1958 to 1960 he played with Bernard Peiffer and with the composer Edgar Varese in the 1950s. The 1960s saw him with Dave McKenna.
Raising his children he primarily became the big act show drummer for the honeymoon resort, the Mount Airy Lodge in the Poconos through the 60’s.
Drummer Jerry Segal, who never recorded as a leader, eventually disappeared from the jazz scene and died in August 1974. He was 43 years old.
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Daily Dose Of Jazz…
Pekka Eerik Juhani Sarmanto was born February 15, 1945 in Helsinki, finland. He first studied classical violin at the Sibelius Academy from 1958 to 1964 before switching to upright bass. He initially played dance music but was soon invited to perform in jazz clubs by bandleaders like Eero Koivistoinen and Esa Pethman.
1967 saw him joining the house band of Down Beat Club where he played with musicians like Ben Webster and Dexter Gordon. In 1975 Sarmanto founded UMO, abbreviation of Uuden Musiikin Orkesteri, (New Music Orchestra) and the group accompanied many international jazz musicians visiting Finland. As a result Pekka was able to meet and play with Charles Mingus in Belgrade, Serbia; Gil Evans, Edward Vesala and Sonny Rollins.
Sarmanto received the Georgie Award of the Finnish Jazz Federation in 1978. In 1982 he worked on the album To a Finland Station with Dizzy Gillespie and Arturo Sandoval, released on the Pablo label in 1983. He considers this to be his most successful recording.
In 1996 the bassist founded the Pekka Sarmanto Trio and in 2007 he retired from UMO but he still keeps performing actively with different groups, including with his own trio..
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Daily Dose Of Jazz…
Fred Staton was born on Valentine’s Day, February 14, 1915 in Pittsburgh, Pennsylvania. His musical life began with his mother’s player piano and 78 records of Duke Ellington and Fletcher Henderson. He began singing in his church’s gospel choir, but got introduced to playing jazz when the group’s sponsor brought in a full band’s worth of equipment, complete with charts of popular music. He first picked up the drums but having to pack up his kit left few women to flirt with as his bandmates left after the gig. This and the influence of a Johnny Hodges cut on an Ellington big band record inspired him to choose the saxophone.
He played in the first ensemble Art Blakey ever formed, alongside pianist Erroll Garner. The lack of opportunity and venues for a young black man in segregated Pittsburgh led Staton to leave the Steel City and find his fortune gigging on the East Coast. He fell in with Horace Silver and watched fellow Westinghouse High School graduates Billy Strayhorn and Ahmad Jamal pen iconic compositions.
Staton went on to become a veteran member of the Harlem Blues & Jazz Band, and toured Europe, Russia and the United States to much acclaim. He has received numerous honors and awards, and was a lifetime member and supporter of WBGO Radio. Tenor saxophonist Fred Staton continued to play jazz until his death at 102 years of age on October 25, 2017.
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Daily Dose Of Jazz…
Tom McEvoy was born on February 13, 1981 into a non-musical family but discovered his passion for music by chance. Early in his life he was mesmerized by Beethoven’s Pathetique Sonata played in a Peanuts cartoon, and immediately went to his toy piano to try and figure it out. He had a similarly powerful reaction to a video of Louis Armstrong he saw a few years later. He had his first ensemble experience in kindergarten, when his teacher played the piano in class and led the students in song and knew he wanted to be a musician.
His formal training began with classical piano at six, adding the cello at age nine and gaining an appreciation for ensemble playing. His skill and musicality led to McEvoy receiving top marks in state piano judgings and invitations to play cello with the state honors youth orchestra. His life changed when he bought Ahmad Jamal’s Pershing: But Not For Me and Monk’s Straight, No Chaser. Immersing himself, he began to experiment with composition and improvisation. Joining his high school jazz band in his senior year, they went on to win awards for best band and best rhythm section at the tri-state competition at James Madison University that year.
Tom’s first college stop was at Virginia Tech majoring in engineering but he couldn’t leave the music and changed his major to jazz piano. He began playing professionally in the area, but left Tech with a scholarship to study at the University of North Florida with renowned pianist Kevin Bales. Distinguishing himself he represented the school in performances in Europe and North America.
While still a student, Tom established himself as a first-call pianist and performed extensively with some of the best musicians in the southeast, including Delbert Felix, Ben Tucker, Von Barlow, and Kebbi Williams. Moving to New York City in 2006, the following year at Juilliard he played a piano duo with Kenny Barron every week for two years. He studied and/or performed with Benny Golson, Mulgrew Miller, Christian McBride, Terence Blanchard, Gerald Wilson, Joe Wilder, Benny Green, Kenny Washington, and Steve Turre.
Presently pianist Tom McEvoy stays busy performing with his own groups, working as an in- demand sideman, and sharing his knowledge with the next generation.
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