Daily Dose Of Jazz…

Cabell Calloway III was born on December 25, 1907 in Rochester, New York, on December 25, 1907 to two college graduates, his mother a teacher and church organist, and his father who worked as a lawyer and in real estate. The family moved to Baltimore, Maryland, in 1919 but soon after, his father died and his mother remarried.

Growing up in West Baltimore’s Druid Hill neighborhood Cab often skipped school to earn money by selling newspapers, shining shoes, and cooling down horses at the Pimlico racetrack where he developed an interest in racing and gambling on horse races. He ended up in Downingtown Industrial and Agricultural School, a Pennsylvania reform school run by his mother’s uncle.

Returning to Baltimore he resumed hustling, worked as a caterer while he improved his studies in school, and his mentors included drummer Chick Webb and pianist Johnny Jones. After graduating high school Calloway joined his older sister Blanche on tour for the popular black musical revue Plantation Days. He spent most of his nights in Chicago, Illinois clubs performing as a singer, drummer, master of ceremonies and as an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style.

He established himself as a vocalist singing Ain’t Misbehavin’ by Fats Waller. The Thirties saw Cab’s orchestra permanently at the Cotton Club in Harlem, performed twice a week for radio broadcasts on NBC, and appeared on radio programs with Walter Winchell and Bing Crosby. He was the first Black American to have a nationally syndicated radio show and during the depths of the Great Depression he was earning $50,000 a year at 23 years old.

During the decade he recorded his most famous song, Minnie the Moocher, and became the first single record by a Black American to sell a million copies. He performed the song along with St. James Infirmary Blues and The Old Man of the Mountain, in Betty Boop cartoons of the same name.

His success with Minnie the Moocher and his relationship to the chorus  earned him the nickname, The Hi De Ho Man. He performed a gliding backstep dance move called The Buzz, which some observers have described as the precursor to Michael Jackson’s moonwalk. He would go on to be featured in several films, and made his first Hollywood feature film appearance opposite Al Jolson in The Singing Kid in 1936.

His band included Ben Webster, Illinois Jacquet, Milt Hinton, Danny Barker, Doc Cheatham, Ed Swayze, Cozy Cole, Eddie Barefield, and Dizzy Gillespie. He entertained troops during World War II, hosted a weekly radio quiz show called The Cab Calloway Quizzicale and recorded songs full of social commentary. He appeared in the film Stormy Weather, one of the first mainstream Hollywood films with a black cast. Then he played the prominent role of Sportin’ Life in a stage production of Porgy and Bess. He continued to perform in movies and on stage throughout his career.

He published an autobiography and Cab Calloway’s Cat-ologue: A “Hepster’s” Dictionary, the first dictionary published by a Black American. It became the official jive language reference book of the New York Public Library.

Suffering a stroke at his home, vocalist, bandleader and actor Cab Calloway transitioned from pneumonia on November 18, 1994, at the age of 86, at a nursing home in Hockessin, Delaware.

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Daily Dose Of Jazz…

Joe Thomas was born in Muskogee, Oklahoma on December 23, 1908 and was the brother of Walter “Foots” Thomas. He first went to New York City with Jelly Roll Morton in 1929.

During the 1930s he worked with Blanche Calloway and other bands. The early Forties saw him working with jazz musician Dave Martin. He gave up playing to become a vocal coach and songwriter and later an A&R executive.

Alto saxophonist and songwriter Joe Thomas transitioned on April 15, 1997.

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Daily Dose Of Jazz…

Jeanette Kimball was born Jeanette Salvant on December 18, 1906 in Pass Christian, Mississippi, the niece of blues pianist Isadore “Tuts” Washington. When she was seven she began playing the piano and as a teenager she performed as a professional musician with classical string formations, then in the field of jazz.

Moving to New Orleans, Louisiana she played in traditional jazz bands, first in 1926 in a “society” dance band, Papa Celestin’s Original Tuxedo Orchestra, with whom she went on tour in the southern United States. By 1929 she had married Celestin’s banjo and guitar player Narvin Kimball, and six years later left the band to raise their children. Post divorce, she retained Kimball and started her career anew in the mid-1940s. She went on to work with Buddy Charles, Herb Leary and Sidney Desvigne.

The 1950s saw Kimball working again with Papa Celestin, when he reactivated his band, which then was under the guidance of Papa French. She was a member of the Preservation Hall Jazz Band and played with Clive Wilson’s Original Camellia Jazz Band.

She appeared in 1976 on the Jazz Festival Breda live 1999 album Jeanette Kimball Meets the Fondy Riverside Bullet Band; their album Sophisticated Lady with Frank Fields and Freddie Kohlman. In the field of jazz, Jeanette worked between 1953 and 1991 on 72 recording sessions, among others with Alvin Alcorn, Paul Barbarin, Papa Celestin, Punch Miller and Johnny St. Cyr.

She left New Orleans in the 1990s to live in Ohio and South Carolina. Pianist Jeanette Kimball, received the Black Men of Labor Jazz Legacy Award in 1998, transitioned in Charleston, South Carolina, at the age of 94 on March 28, 2001.

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Daily Dose Of Jazz…

Louis Leo Prima was born December 7, 1910 in New Orleans, Louisiana into a musical Italian American family. His mother, a music lover, made sure that each child played an instrument, assigning him the violin and started out playing at St. Ann’s Parish. His interest in jazz came when he heard black musicians, including Louis Armstrong at a time Italians and Blacks in New Orleans frequently socialized together in the same clubs and bars.

He practiced continuously on his worn-down cornet and formed a band in 1924 with his childhood friends, bassist Candy Candido, Irving Fazola on clarinet and drummer Johnny Viviano. Prima attended Jesuit High School but transferred to Warren Easton High in 1926. There he played with the Eastonites, the school band. The next year he partnered with fellow musician Frank Federico and they played in the French Quarter.

By 1928 his decision was made to become a professional musician. After finishing high school he joined the Ellis Stratako Orchestra in 1929 then the Joseph Cherniavsky Orchestrafollowed by a temporary job playing on the steamship Capital that docked on Canal Street. His first break was when Lou Forbes hired him for daily afternoon and early evening shows at The Saenger.

1934 saw him begin recording for the Brunswick label. He recorded That’s Where the South Begins, Long About Midnight, Jamaica Shout, and StarDust. Prima and his New Orleans Gang featured Frank Pinero playing piano, Jack Ryan bass, Garrett McAdams guitar, and Pee Wee Russell clarinet. at the Famous Door. HIs recordings from 1935 were a combination of Dixieland and swing. He and Russell recorded The Lady in Red, a national jukebox hit. They also recorded Chinatown, Chasing Shadows and Gypsy Tea Room.

Martha Raye played a role in Prima’s professional and personal life and with her got his first national debut on The Fleischman Hour. He recorded Sing, Sing , Sing in 1936, which subsequently became a hit for Benny Goodman. Moving to California he expanded his music, joining the movement for big bands and orchestras. However for him the configuration was not successful.

He returned to New York City in 1937 with  his quintet at the Famous Door. Then on to Billy Rose’s Casa Mañana club in 1938, earning nearly a quarter million dollars throughout seven weeks. This led to an East Coast to mid-West tour. During the war years, Louis was experiencing great success regardless of anti-Italian sentiment. He would go on to have several big hits but by the end of the war years, the popularity of big band music was diminishing. By 1947 he was playing more jazzy versions of his music for the next decade and a half.

Trumpeter, singer, entertainer and bandleader Louis Prima suffered a heart attack in 1973.  Two years later he was diagnosed with a brain stem tumor, suffered a cerebral hemorrhage, went into a coma following surgery and never recovered. He moved back to New Orleans and transitioned three years later on August 24, 1978 at 67 in his hometown.

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Daily Dose Of Jazz…

Joseph William Thomas was born on December 3, 1902 in New Orleans, Louisiana. His first professional gig was in his home city with trombone player Joe Harris in 1923. Soon after that, he worked with Jack Carey, Chris Kelly, and Kid Rena. He recorded with Charles Derbigny in 1941, but the recordings were not publicly released until the 1960s, by which time Thomas had become a figure in the Dixieland revival movement.

He led his own ensemble at New Orleans’s H&J Tavern for much of the 1940s, then in 1951, he became a sideman for Papa Celestin. He worked with this ensemble for years, including after Papa French and Eddie Pierson had taken over as leader.

Other associations in the 1950s and 1960s included work with Freddie Kohlman, Punch Miller, the Olympia Brass Band, and on Swedish television with Sweet Emma Barrett in 1968. In the 1970s he worked with the Legends of Jazz, replacing Joe Darensbourg.

Clarinetist and vocalist Joe Thomas, also known as Brother Cornbread and was closely associated with the New Orleans jazz scene, February 18, 1981 in New Orleans at 78.

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