Daily Dose Of Jazz…
David Bee was born on October 17, 1903 in Brussels, Belgium. He was a multi-instrumentalist adept on clarinet, harp, piano, and alto and tenor saxophone. For a year in 1924 he played with the group Bistrouille ADO before co-founding an ensemble with Peter Packay called Red Beans. The group toured widely throughout western Europe.
After returning to Belgium, David joined Robert De Kers’s band, and also played in Paris, France at Chez Florencewith Benny Carter and Willie Lewis. He recorded with Gus Deloof in the early Forties and after World War II he played with Robert Bosmans and Chas Dolne later in the decade. He led his own bands and groups at various times in the 1950s and continued recording late into the decade and the 60s.
As a composer, Bee pennedr the tunes High Tension recorded by Luis Russell) and Obsession recorded by Ted Heath and Reg Owen.
Clarinetist, harpist, pianist, alto and tenor saxophonist, arranger and composer David Bee, also known as Ernest Craps, Ernie Sparks, and Manuel Travo, transitioned in 1992.
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Daily Dose Of Jazz…
Lee L. Blair was born on October 10, 1903 in Savannah, Georgia and was a left-handed autodidact on banjo, aside from a few lessons taken from Mike Pingitore, the banjoist for Paul Whiteman. He played and recorded in New York City, New York with Thomas Morris’s Seven Hot Babies in 1926, then played with Charlie Skeete in 1926-28, before playing and recording with Jelly Roll Morton’s Red Hot Peppers in 1928-30.
In the Thirties he went on to play with Billy Kato, then played and recorded with Luis Russell and Louis Armstrong from 1935 to the end of the decade. He worked part-time in music through the 1940s, then joined Wilbur De Paris’s New New Orleans Jazz Band in the 1950s at Jimmy Ryan’s Club on West 52nd Street in New York City.
The summer of 1957 had him touring Africa with the DeParis band for the State Department. During the 1960s he played less, concentrating on raising chickens on his farm in Belmore, Long Island, but appeared at the 1964 World’s Fair in a trio with Danny Barker and Eddie Gibbs. He freelanced around New York with Hank Duncan and others until his death.
He never recorded as a leader, but appears on record with Morris, Morton, Russell, Armstrong, and De Paris, as well as with Dick Cary, Pee Wee Erwin, and Leonard Gaskin among others. He is honored in the jazz section of the Georgia Music Hall of Fame in Macon, GA.
Banjoist and guitarist Lee Blair, who never recorded as a leader, transitioned on October 15, 1966 in New York City.
Daily Dose Of Jazz…
Greely Walton was born in Mobile, Alabama on October 4, 1904. He played violin in his youth before settling on saxophone, and went on to study music at the University of Pittsburgh in the 1920s.
During the 1920s he first worked with Elmer Snowden, then with Benny Carter. For seven years beginning in 1930 he played with Luis Russell during which time they served as Louis Armstrong’s backing ensemble. After leaving Russell in 1938 he worked with Vernon Andrade, and in the Forties he worked with Horace Henderson, Cootie Williams, and Cab Calloway.
From 1945-47 he acted as musical director for The Ink Spots, and played with Noble Sissle and Sy Oliver towards the end of the decade. In the Fifties he worked in radio and television in the 1950s.
Retiring from music before the end of the decade, tenor saxophonist Greely Walton transitioned on October 9, 1993 in New York City.
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Daily Dose Of Jazz…
Thelma Terry was born Thelma Esther Combes on September 30, 1901 in Bangor, Michigan in 1901. After her parents divorced she moved with her mother and two sisters to Chicago, Illinois where she chose to study string bass. Her early years were spent on the road performing in Chautauqua assemblies. When she graduated from Austin Union High School, she earned first chair in the Chicago Women’s Symphony Orchestra. As this did not provide her with a living, she turned to jazz.
She found her way into Chicago nightlife, playing in and around the city with her all-women band, Thelma Combes and her Volcanic Orchestra, or her jazz string quartet, and was hired by Al Capone as the house band in his Colosimo’s Restaurant.
Withan article in Variety bringing national attention to her, the Music Corporation of America took notice of Combes and renamed her “Thelma Terry” and gave her an all-male band, Thelma Terry and Her Playboys, with a young Gene Krupa on drums.
MCA billed Terry as “The Beautiful Blonde Siren of Syncopation”, “The Jazz Princess”, and “The Female Paul Whiteman”. Bud Freeman was so enthusiastic about the band that he paid another musician to fill his seat in the Spike Hamilton Band so he could join the Playboys. The band toured nationally on the Eastern Seaboard and as far west as Kansas City. In 1929 she disbanded the Playboys, quit MCA to marry Willie Haar and settled in Savannah, Georgia.
After a failed comeback, and a divorce in 1936 she sold her string bass, turned her back on the music profession, and took a job as a knitting instructor. She spent her last years with family in her native Michigan.
Bandleader and bassist Thelma Tery, who was the first American woman to lead a notable jazz orchestra as an instrumentalist, transitioned on May 30, 1966 from esophageal cancer at the age of 64.
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Daily Dose Of Jazz…
Tiny Bradshaw was born Myron Carlton Bradshaw on September 23, 1907 in Youngstown, Ohio. Graduating from high school he went on to matriculate through Wilberforce University with a degree in psychology, then turned to music for a living.
In Ohio, he sang and played drums with Horace Henderson’s campus oriented Collegians. Relocating to New York City in 1932 he drummed for Marion Hardy’s Alabamians, the Charleston Bearcats, and the Mills Blue Rhythm Band, and sang for Luis Russell. Two years later Bradshaw formed his own swing orchestra, which recorded eight sides in two separate sessions for Decca Records that year in New York City. The band would go on to record in 1944 for Manor Records with the music leaning more towards rhythm and blues than jazz or swing. In 1947 he recorded for Savoy Records.
The band recorded extensively for the rhythm and blues market with King Records between late 1949 and early 1955. His influence as a composer is evidenced in the rock world with his 1951 song The Train Kept A-Rollin’ that has been recorded by Johnny Burnette & The Rock and Roll Trio, The Yardbirds with Jeff Beck, Aerosmith, Motörhead and performed by Jimmy Page as the first song played, at the very first rehearsal of the band that would become Led Zeppelin.
Returning to R&B with Soft and Heavy Juice, he brought along with him on both of these 1953 hits, Red Prysock on tenor saxophone. Tiny’s later career was hampered by severe health problems, including two strokes, the first in 1954, that left him partially paralyzed. However he made a return to touring in 1958.
As a bandleader, he was an invaluable mentor to important musicians and arrangers including Sil Austin, Happy Caldwell, Shad Collins, Wild Bill Davis, Talib Dawud, Gil Fuller, Gigi Gryce, Big Nick Nicholas, Russell Procope, Red Prysock, Curley Russell, Calvin “Eagle Eye” Shields, Sonny Stitt, Noble “Thin Man” Watts, and Shadow Wilson.
Weakened by the successive strokes as well as the rigors of his profession, bandleader, singer, composer, pianist, and drummer Tiny Bradshaw, who was important to the development of rock and roll, transitioned from a final stroke on November 26, 1958 in Cincinnati, Ohio at 51 years of age.
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