Daily Dose Of Jazz…
Teddy Wilson was born Theodore Shaw Wilson in Austin, Texas on November 24, 1912. By his teenage years he was enamored with the music of Bix Beiderbecke and King Oliver and decided to make a living playing jazz. He studied piano and violin at Tuskegee Institute where his father was head of the English Department and his mother was chief librarian. A year later he joined Speed Webb’s band as one of seven arrangers, re-orchestrating in close harmony the songs of Beiderbecke and Hodges. He went on to join Louis Armstrong, understudying Earl Hines in his Grand Terrace Café Orchestra, and Benny Carter’s Chocolate Dandies.
By 1935 Teddy joined Benny Goodman trio with Gene Krupa becoming the first black musician to perform in public with a previously all-white jazz group. With the help of jazz producer John Hammond, Wilson got a contract with Brunswick Records in 1935 and started recording hot swing arrangements of popular songs of the day with the growing jukebox trade in mind. He recorded fifty hit records with various singers including Lena Horne, Helen Ward and Ella Fitzgerald while also participating in sessions with Lester Young, Roy Eldridge, Charlie Shavers, Red Norvo, Buck Clayton and Ben Webster.
Wilson formed his own short-lived big band in 1939 and then led a sextet at Café Society from 1940 to 1944. In the 1950s he taught at the Julliard School, appeared as himself in the motion picture The Benny Goodman Story, and during the next two decades lived quietly in suburban New Jersey. Pianist and arranger Teddy Wilson passed away on July 31, 1986 in New Britain, Connecticut at age 73.
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Daily Dose Of Jazz…
Coleman Randolph Hawkins was born on November 21, 1904 in St. Joseph, Missouri and named after his mother’s maiden name. He started out playing piano and cello prior to playing saxophone at age nine. By the time he turned 14, he was playing around eastern Kansas while attending Topeka High School and simultaneously studying harmony and composition for two years at Washburn College.
In 1921 Hawkins joined Mamie Smith’s Jazz Hounds, toured through 1923 and settled in New York City. Hawkins joined Fletcher Henderson’s Orchestra doubling on clarinet and bass saxophone and becoming a star soloist. He recorded with band mates Louis Armstrong and Henry “Red” Allen, a number of solo recordings with either piano or a pick-up band of Henderson musicians. In late 1934, he played with Jack Hylton’s band in London, toured Europe as a soloist until 1939 and worked with Django Reinhardt and Benny Carter in 1937 Paris.
Returning to the States he worked Kelly’s Stables, recorded two choruses of Body and Soul, his landmark recording of the Swing Era. Recorded as an afterthought at the session, it is notable in that Coleman ignores almost all of the melody, only the first four bars are stated in a recognizable fashion. In its exploration of harmonic structure it is considered by many to be the next evolutionary step in jazz recording from where Louis Armstrong’s “West End Blues” in 1928 left off.
Over the course of his long and prolific career Hawkins had an unsuccessful attempt at a big band, led a combo at Kelly’s Stables, played with Thelonious Monk, Oscar Pettiford, Miles Davis, Oscar Peterson, Herb Ellis, Ray Brown, Ben Webster, Max Roach, Howard McGhee, Sonny Rollins, John Coltrane, Roy Eldridge, J.J. Johnson, Fats Navarro and Duke Ellington among others, recorded a session with Dizzy Gillespie that is considered the first bebop recording and toured with Jazz at the Philharmonic. After 1948 Hawkins divided his time between New York and Europe, making numerous freelance recordings. In the 1960s, he appeared regularly at the Village Vanguard.
Tenor saxophonist Coleman Hawkins directly influenced many future bebop musicians such as Sonny Rollins and John Coltrane. In his later years he stopped recording, began drinking heavily and died of pneumonia on May 19, 1969 in New York.
Daily Dose Of Jazz…
Albert Edwin Condon was born November 16, 1905 in Goodland, Indiana and started playing music on the ukulele before switching to guitar. By the time he was sixteen he was in Chicago playing professionally with Bix Beiderbecke, Jack Teagarden and Frank Teschmacher.
In 1928 Condon moved to New York City frequently arranging jazz sessions for various labels, sometimes playing with the artists he brought like Louis Armstrong and Fats Waller. He organized racially integrated recording sessions – when these were still rare – with Waller, Armstrong and Henry “Red” Allen. He played with the Red Nichols band, later forming a long association with Milt Gabler’s Commodore Records in 1938.
From the late 1930s on Eddie was a regular at Nick’s in Manhattan with Pee Wee Russell, Wild Bill Davison and Bobby Hackett. He went on to appear in a short film with Hackett, produced a series of jazz broadcasts from Town Hall during the last years of WWII that gave him national popularity.
From 1945 through 1967 he ran his own New York jazz club, Eddie Condon’s. In the 50s he recorded a sequence of classic albums for Columbia Records, toured Britain, Australia, Japan, the U. S. and performed at jazz festivals throughout the world until 1971. Two years later, Eddie Condon, jazz banjoist, guitarist, bandleader and arranger passed away on August 4, 1973 in New York City.
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Daily Dose Of Jazz…
Jerome Richardson was born November 15, 1920 in Oakland, California and started on alto saxophone at the age of eight. In his teens Benny Carter, Johnny Hodges and Willie Smith were his idols. He became a professional musician at the age of fourteen, and had a brief stint with Lionel Hampton, and worked with Bay Area bands until 1941, during which time he also studied music at San Francisco State College. The flute was added to his working compliment in 1940. Both this and his alto sax were used to advantage in a Navy band, under the direction of Marshall Royal, at St. Mary’s Pre-Flight from 1942 to 1945. He joined the Lionel Hampton band again in 1949, with whom he recorded what is widely regarded as the first modern jazz solo played on flute on “Kingfish”, and was also a member of the Earl Hines big band.
Settling in New York in 1954 he began a very active session career, but continued to make his mark in a purely jazz context. He worked with bands led by Lucky Millinder and Cootie Williams, led his own quartet at Minton’s Playhouse in Harlem in 1955 and was part of Oscar Pettiford’s group that summer.
Over the next decade Jerome continued to lead his quartet, work the Roxy pit orchestra, regularly worked with Quincy Jones, toured Europe with Harold Arlen’s blues opera, was a founder member of the Thad Jones-Mel Lewis Orchestra, organizing and performing many Thad Jones tribute concerts. He played with a number of other notable big bands during his long career, including bands led by Jimmy Lunceford, Gerald Wilson, Gil Evans and Charles Mingus.
His standing as a superbly accomplished soloist on a range of reed and wind instruments was complemented by an equally strong reputation as an accompanist of singers, including the likes of Ella Fitzgerald, Frank Sinatra, Sarah Vaughan, Billie Holiday, Peggy Lee, Nancy Wilson, Billy Eckstine, and Lena Horne. Richardson performed with practically every significant post-war jazz artist, including Miles Davis, Dizzy Gillespie, Duke Ellington, Louis Armstrong, John Coltrane, Cannonball Adderley, Lionel Hampton, Herbie Hancock, Milt Jackson, Oliver Nelson, Art Farmer, Clifford Jordan, Slide Hampton, Horace Silver, Gerry Mulligan, Jimmy Smith, Wes Montgomery, Cal Tjader, and Antonio Carlos Jobim, as well as a whole range of blues, soul and pop artists.
Jerome Richardson played tenor, alto, baritone saxophone, clarinet, piccolo, and flute passed away in Englewood, New Jersey on June 23, 2000 recorded sparingly as a leader but was one of the most sought after session musicians for more than half a century was probably the most recorded saxophonist of his generation.
Daily Dose Of Jazz…
Joe Turner was born Joseph H. Turner on November 3, 1907 in Baltimore, Maryland. He was a stride and jazz pianist, not to be confused with blues singer Big Joe Turner. He started to learn the piano from his mother at age five and began to make a name for himself in Harlem as a teenager shortly after his move to New York in 1925.
Joe got his first big break in 1928 when Benny Carter hired him as part of his orchestra. He followed this with playing in Louis Armstrong’s group. He was an accompanist to Adelaide Hall with whom he toured Europe in 1931 where he remained through 1939 when war broke out.
Tuner returned to the States and worked as a singer, played with Sy Oliver’s band, then Rex Stewart until after the war. He went back to Europe passing through Hungary and Switzerland before settling in Paris and occasionally returning to the U.S. to perform.
He was the last major stride pianists to survive the era following in the footsteps of James P. Johnson and Fats Waller. He had a superb technique and fine sense of swing, recording a handful of albums. Joe Turner passed away of a heart attack on July 21, 1990 in Paris, France at age 82.
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