Daily Dose Of Jazz…
Jerry “Buck” Jerome was born on June 19, 1912 in Brooklyn, New York and he didn’t begin playing the saxophone until he was in high school in Plainfield, New Jersey.
Jerome became part of a national tour in 1936 with bandleader Harry Reser and his Clicquot Club Eskimos. He joined Glenn Miller’s original orchestra in 1937 and was a member until it broke up in 1938. He played and soloed on the Glenn Miller recording Doin’ the Jive. He then joined the Red Norvo band which was followed by his joining the Benny Goodman orchestra in 1938.
When Goodman broke up his band in 1940, he joined the Artie Shaw Orchestra. While with Shaw he appeared the same year he joind the band in the film Second Chorus, starring Fred Astaire and Burgess Meredith. By the end of the 1940s, Jerry became involved in broadcasting, working various positions as a conductor, composer, arranger and musical director.
Tenor saxophonist Jerry Jerome, who composed the Winston tastes good like a cigarette should jingle for the tobacco company, transitioned on November 17, 2001 at the age of 89.
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Daily Dose Of Jazz…
René “Rudy” Bruder was born on June 15, 1914 in Brussels, Belgium. His father was a bandleader and Rudy played in his father’s group in the mid-1930s. He then joined Jean Omer’s group, accompanying visiting American musicians such as Benny Carter, Bill Coleman, Coleman Hawkins, and Bobby Martin.
He worked with Omer through the early 1940s. He also recorded several times with Jean Robert and Gus Deloof. He led his own band, which recorded in the early 1940s and again in 1946.
Pianist Rudy Bruder retired from music and according to sources is 108 yers old.
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Daily Dose Of Jazz…
Ginger Smock was born Emma Smock on June 4, 1920 in Chicago, Illinois and grew up in Los Angeles, California. She graduated from Jefferson High School and studied violin privately with Bessie Dones. By the time she hit the age of 10 she appeared as a soloist at the Hollywood Bowl. She was featured on Clarence Muse’s radio program at the age of thirteen performing Edward MacDowell’s To A Wild Rose. She earned degrees in music from Los Angeles City College, and the Zoellner Conservatory of Music. At the latter institution she was a pupil of Edith Smith.
During 1944 she led a trio with Nina Russell and Mata Roy. In 1951, she led an all-female sextette, featuring Clora Bryant, on the Chicks and the Fiddle show hosted by Phil Moore that broadcasted for six weeks on CBS. The next year she was the featured soloist on KTLA’s variety show, Dixie Showboat.
1953 had Smock recording as part of a group with Gerald Wiggins, Freddie Simon, Red Callender, and Rudy Pitts, accompanying the vocalist Cecil “Count” Carter.
During the mid 1970s, she spent ten years as concertmaster of show orchestras in Las Vegas. In addition to her work in jazz and rhythm & blues, she performed with the All City Symphony Orchestra of Los Angeles. A violin owned by Smock is in the collection of the National Museum of African American History and Culture
Violinist, orchestra leader, and local Los Angeles television personality Ginger Smock, who recorded as a leader but is perhaps best known from her recordings with the Vivien Garry Quintet, transitioned on June 13, 1995.
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Daily Dose Of Jazz…
Skeets Herfut was born Arthur Relsmond Herfut on May 28, 1911 in Cincinnati, Ohio and raised in Denver, Colorado. While attending the University of Colorado he played in different bands. By 1934 he was performing with Smith Ballew, and through the decade with Jimmy and Tommy Dorsey, and Ray Noble.
After moving to California, Herfut worked with Alvino Rey, then served in the Army from 1944 to 1945. After the war, he flourished as a studio musician in Hollywood, California and led his own band. Between 1946 and 1947 he performed with Benny Goodman and Earle Spencer.
Into the 1960s Skeets’ studio sessions were with Billy May, Louis Armstrong, Georgie Auld, Jack Teagarden, Stan Kenton and again with Goodman. By the end of the 1960s he joined the Ray Conniff orchestra for several tours of Japan and Germany as well as recording sessions during the 1970s.
Herfurt bacme a member of Lawrence Welk’s orchestra and weekly television show from 1979 to 1982, performing on lead alto saxophone. During his career he recorded with Glen Gray, Ray Anthony, Joe “Fingers” Carr, Frankie Carle, Larry Clinton, Bob Eberly, Helen O’Connell, The Four Freshmen, Bob Keene and Pete Rugolo.
Saxophonist and clarinetist Skeets Herfut, who appeared as a saxophonist in the 1956 film The Nightmare, playing clarinet on the soundtrack, and performed on the soundtrack to the 1974 film The Fortune, transitioned in New Orleans, Louisiana at the age of 80 on April 17, 1992.
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Three Wishes
The question of three wishes came up during the laughter and music one night and Paul Gonsalves simply said:
- “May I wish you happiness, prosperity, and all that you desire for here and ever after.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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