Daily Dose Of Jazz
Betty Roché was born in Wilmington, Delaware on January 9, 1920. She began her career by taking the amateur contest on the famed stages of the Apollo Theatre in Harlem. Famous for her strong, dramatic way of singing the blues, she sang with the Savoy Sultans in 1941 and then joined Duke Ellington two years later replacing Ivie Anderson just days before his Carnegie concert.
Betty rose to the occasion to critical acclaim performing a section of Black, Brown & Beige. But it was her rendition of Take The “A” Train that gained her greatest fame. She performed it in the 1943 film “Reveille With Beverly” but because of WWII it would be nearly a decade later before she would record the tune.
Roché performed and recorded with pianist Earl ‘Fatha’ Hines, trumpet master Clark Terry and pianist/singer Charles Brown. In the late 50’s and early 60’s she recorded for both Bethlehem and Prestige and her contribution to the jazz scene is larger than most think as she is credited with being a major influence on bebop singers and the public’s ability to deal with the musical adventure.
Vocalist Betty Roché, known for her blues and jazz renderings, died on February 16, 1999.
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Daily Dose Of Jazz…
Chano Pozo was born Luciano Pozo Gonales was born in Havana, Cuba on January 7, 1915 and Chano showed an early interest in drumming, gaining his musical background performing ably in Afro-Cuban religious ceremonies in which drumming was a key element.
Growing up in poverty in the foul and dangerous area of El Africa solar where even the police feared to tread, By 13 he was in reformatory learning to read and write, study auto repair and hone his already exceptional drumming skill. Upon his release and during a series of lackluster jobs he composed music. His reputation grew among the people each year for the compositions he wrote for carnival and he quickly became the most sought after rumbero in Cuba.
At the beginning of 1947 Pozo moved to New York City with the encouragement of Miguelito Valdes with who he recorded along with Arsenio Rodriguez, Carlos Vidal Bolado and Jose Mangual. By September he was a featured performer with Dizzy Gillespie’s Big Band at Carnegie Hall and subsequently on a European tour. Their most notable material was ‘Cubana Be, Cubana Bop, Tin Tin Deo and Manteca, the latter two co-written by Pozo.
A conguero, percussionist, singer, dancer and composer, Chano became one of the founding fathers of Latin jazz, which was essentially a blend of bebop and Cuban folk music. Chano Pozo, a hot-tempered Cuban, was killed in a Harlem bar, a little more than a month shy of his 34th birthday on December 2, 1948.
Chano Pozo: 1915-1948 / Drums, Percussion
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Daily Dose Of Jazz…
Frankie Newton was born William Frank Newton on January 4, 1906, growing up in Emory, Virginia. The trumpeter’s mellow and thoughtful style sometimes seemed out of place in during the swing era, however, he played in several New York bands in the 1920s and 1930s, including bands led by Lloyd Scott, Elmer Snowden, Cecil Scott, Sam Wooding, Chick Webb, Charlie Barnet, Andy Kirk and Charlie “Fess” Johnson.
In the 40s he played with bands led by Lucky Millinder, Pete Brown and Mezz Mezzrow. He played in clubs in New York and Boston, with musicians such as pianist James P. Johnson, drummer Sid Catlett and clarinetist Edmond Hall.
He accompanied Bessie Smith on her final recordings (November 24, 1933), Maxine Sullivan on “Loch Lomond” and several of Billie Holiday’s Café Society recordings, most notably Strange Fruit in 1939.
Although the lyrical trumpeter had a relatively brief but artistically rewarding career producing a couple of recordings, “At The Onyx Club” and “At The Cotton Club”, by the end of the 40’s he became less interested in music and gradually faded from the scene and concentrating more on painting.
Politically, Newton was known to be a communist and as an homage, historian Eric Hobsbawn has written jazz criticism for the New Statesmen under the pen name “Francis Newton”. Trumpeter Frankie Newton passed away on March 11, 1954 in New York City.
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Daily Dose Of Jazz…
John Kirby was born in Winchester, Virginia on December 31, 1908 though some sources say he was born in Baltimore, Maryland orphaned, and adopted. He hit New York at 17, but after his trombone got stolen, he switched to tuba.
Kirby joined Fletcher Henderson’s orchestra as a tuba player in 1929. In the early 1930s, he performed some amazingly complicated tuba work on a number of Henderson’s recordings. He picked up on the double bass at the time when tuba was falling out a favor as the primary bass instrument of jazz bands.
About 1933 Kirby left Henderson to go with Chick Webb, went back with Henderson, then with Lucky Millinder and briefly led a quartet in 1935 but generally kept busy as bassist in others’ groups. Securing a gig at the Onyx Club and really got going as a bandleader in 1937. Soon the sextet was known as the Onyx Club Boys.
“The Biggest Little Band in the Land,” as it was called began recording in August 1937 and immediately had a hit with a swing version of “Loch Lomond” and though the group’s name would vary with time this would become one of the more significant “small groups” in the Big Band era and was also notable for making the first recording of the Shavers song “Undecided”. He recorded with Maxine Sullivan for Vocalion Records and accompanied Billie Holiday.
John tended toward a lighter, classically influenced style of jazz, often referred to as chamber jazz. He kept trying to lead a group in clubs and in the studio, occasionally managing to attract such talents as Dizzy Gillespie, Benny Carter, Ben Webster, Clyde Hart, Budd Johnson and Zutty Singleton and Sarah Vaughan.
As John Kirby’s career declined, he drank too much, was beset by diabetes and moved to Hollywood, California, where he died on June 14, 1952 just before a planned comeback.
Daily Dose Of Jazz…
Earl “Fatha” Hines was born Earl Kenneth Hines on December 28, 1903 in Duquesne, Pennsylvania. The youngster took classical piano lessons and by eleven was playing organ in his local Baptist church. Having a “good ear and a good memory” he could re-play songs and numbers he heard in theaters and park concerts. At 17, with his father’s approval, Hines moved away from home to take a job playing piano in a Pittsburgh nightclub with baritone Lois Deppe & his Symphonian Serenaders. He would accompany Deppe on his concert trips to New York and record his first four sides for Gennett Records in 1923 that included Hines’ composition Congaine.
In 1925 Hines moved to Chicago, Illinois, then the world’s “jazz” capital, home to Jelly Roll Morton and King Oliver. He started in The Elite no. 2 Club but soon joined Carroll Dickerson’s band, touring with him on the Pantages Theatre Circuit to Los Angeles. He met Louis Armstrong in the poolroom at Chicago’s Musicians’ Union and becoming good friends played together Louis was astounded by Hines’s avant-garde “trumpet-style” piano playing. They played together in Dickerson’s band, Louis’ Hot Five and The Unholy Three.
Hines joined clarinetist Jimmy Noone, recorded his first piano solos for QRS Records in 1928, then for Okeh in Chicago. In Chicago he lead his own big band at the Capone controlled Grand Terrace Café, working continuously through the Great Depression. He influenced or taught Nat “King” Cole, Jay McShann and Art Tatum. Fatha brought along in his band Dizzy Gillespie, Budd Johnson, Ray Nance, Trummy Young, Harry “Pee Wee” Jackson, Charlie Parker, Scoops Carry, Teddy Wilson, Omer Simeon and Nat “King” Cole, along with vocalists Sarah Vaughan and Billy Eckstine among others.
He laid the seeds for bebop bringing modern players like Gene Ammons, Benny Carter Wardell Gray, Bennie Green and shadow Wilson to name a few. Earl would hire and all-women group during WWII, fronted Duke Ellington’s band when he was ill, and had a serious head injury from a car crash that affected his eyesight for the rest of his life.
Earl “Fatha” Hines was one of the most influential figures in the development of modern jazz piano and according to one major source, is “one of a small number of pianists whose playing shaped the history of jazz”. To name a few would be an injustice to those unmentioned as his list of recordings with jazz notables runs endlessly.
Over the course of his career Earl joined up again with Armstrong in what became the hugely successful “Louis Armstrong and his All-Stars small-band”, he won Downbeat Magazine’s Hall of Fame “International Critics Poll” and elected him the world’s “No. 1 Jazz Pianist”, made a hour long documentary at Blues Alley in Washington, DC, played solo at the White House and for The Pope, and played and sang his last show in San Francisco a few days before he died in Oakland, California on August 22.1983. On his tombstone is the inscription: “Piano Man”.
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