Daily Dose Of Jazz…
Albert George Hibbler was born on August 16, 1915 in Tyro, Mississippi and was blind from birth. At the age of 12 he moved to Little Rock, Arkansas where he attended Arkansas School for the Blind where he joined the school choir. He went on to begin working as a blues singer in local bands before failing his first audition for Duke Ellington in 1935. However, after winning an amateur talent contest in Memphis, Tennessee, he was given his start with Dub Jenkins and his Playmates. He later joined the Jay McShann band in 1942, followed with replacing Herb Jeffries a year later and joining Ellington’s orchestra.
He stayed with Ellington for almost eight years, and featured on a range of Ellington standards, including Do Nothin’ Til You Hear From Me, I Ain’t Got Nothin’ But the Blues and I’m Just a Lucky So-and-So. Do Nothin’ lyrics were written specifically for him, reaching #6 on the Billboard pop chart and #1 for eight weeks on the Harlem Hit Parade in 1944.Considered undoubtedly the best of Ellington’s male vocalists, while with Ellington, he won the Esquire New Star Award in 1947 and the Down Beat award for Best Band Vocalist in 1949.
Leaving Ellington’s band in 1951 after a dispute over his wages, Al then recorded with various bands including those of Johnny Hodges and Count Basie, and for various labels including Mercury and Norgran. His biggest hit was Unchained Melody, which reached #3 on the US pop chart, sold over one million copies, and was awarded a gold disc. Its success led to network appearances, including a live jazz club remote on NBC’s Monitor. His other hits were He, 11th Hour Melody, Never Turn Back and After the Lights Go Down Low.
In the late 1950s and 1960s, Hibbler became a civil rights activist, marching with protestors and getting arrested in 1959 in New Jersey and in 1963 in Alabama. The notoriety of this activism discouraged major record labels from carrying his work, but Frank Sinatra supported him and signed him to a contract with his label, Reprise Records. However, he made very few recordings after that, occasionally doing live appearances through the 1990s.
In 1971, he sang two songs at Louis Armstrong’s funeral. In 1972 he made an album, A Meeting of the Times, with another fiercely independent blind musician, the multi-instrumentalist Rahsaan Roland Kirk. Baritone vocalist Al Hibbler transitioned on April 24, 2001 at Holy Cross Hospital in Chicago, Illinois at the age of 85.
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Daily Dose Of Jazz…
Andrew Anderson was born on August 12, 1912 in Mandeville, Louisiana. He played in the Young Tuxedo Band and the Allen Brass Band. In the mid to late Twenties he played with Joe Oliver in Chicago, Illinois.
He led the Pelican State Band in the late 1930s and continued playing in New Orleans with various bands until the 1980s. In the Seventies and Eighties he played and recorded with the New Orleans Ragtime Orchestra.
Trumpeter Andy Anderson transitioned on December 19, 1982.
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Daily Dose Of Jazz…
Lou McGarity was born Robert Louis McGarity on July 22, 1917 in Athens, Georgia. He started out playing violin when he was seven and didn’t switch to trombone until he was 17. He studied at the University of Georgia from 1934-36, gigged locally around the South and toured with Ben Bernie from 1938-40
He hit the big time with Benny Goodman from 1940-42, becoming the first trombonist to play both with the big band and his smaller groups. During the war years 1942-44 he worked with Raymond Scott’s Orchestra at CBS, and after military service teamed up with his friend and fellow trombonist Cutty Cutshall and rejoined Goodman in ‘46.
Lou was a busy studio musician in New York City beginning in 1947 while performing in clubs at night with Eddie Condon and playing Dixieland with the Lawson/Haggard band. He worked with Bob Crosby in the mid-’60s andwas a member of the World’s Greatest Jazz Band at the end of the 1960s. He recorded with Urbie Green, J.J. Johnson, Kenny Davern, Jimmy McPartland, Charlie Parker, Cootie Williams and Bobby Hackett among others.
Trombonist Lou McGarity, who recorded as a leader and played in the big band, swing and Dixieland genres until bad health shortened his life, transitioned on August 28, 1971 in Alexandria, Virginia.
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Daily Dose Of Jazz…
Lyle “Rusty” Dedrick was born on July 12, 1918 in Delevan, New York. His first call to jazz came when he was in a music store in Buffalo, New York and heard a Louis Armstrong record. So taken was he that he bought the record, then returned home to save money for a record player. After brief studies at Fredonia State Teachers College, he spent a two-year jazz apprenticeship working with the band known as “Mr. And Mrs. Swing,” the Red Norvo/Mildred Bailey Orchestra, featuring the arrangements of a young Eddie Sauter.
He followed this with two stints with Claude Thornhill (1941-42 and 1946-47) and the chance to play a book by Gil Evans. This experience, plus private studies with Paul Creston and Stefan Wolpe, were good preparation for a long career in the New York City jazz commercial music field.
His credits included writing and/or playing with Maxine Sullivan, Lee Wiley, Lionel Hampton and others, along with radio and television studio work with Arthur Godfrey, Ed Sullivan, Sid Ceasar and more. At the same time, Rusty was recording his own LPs.
In 1971 Dedrick joined the faculty of the Manhattan School of Music as Director of Jazz Studies. He guest conducted many all-county high school jazz bands, as well as the prestigious American Jazz Orchestra. Swing and bebop jazz trumpeter, arranger, composer and educator Rusty Dedrick, who recorded three albums as a leader, transitioned on December 25, 2009 in Summitville, New York
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Daily Dose Of Jazz…
Milton Brent Buckner was born July 10, 1915 in St. Louis, Missouri to parents who encouraged him to learn to play piano, but they both died when he was nine years old. Milt and his younger brother Ted were sent to Detroit where they were adopted by members of the Earl Walton band, trombonist John Tobias, drummer George Robinson fostered Milt and reedplayer Fred Kewley fostered Ted. He studied piano for three years from the age 10, then at 15 began writing arrangements for the band. He and his brother went on to become active in the Detroit jazz world in the 1930s.
He first played in Detroit with the McKinney’s Cotton Pickers and then with Cab Calloway. In 1941, he joined Lionel Hampton’s big band, and for the next seven years served as its pianist and staff arranger. Buckner was part of a Variety Revue of 1950 organized by Lionel Hampton at the Cavalcade of Jazz concert held at Wrigley Field in Los Angeles, California. He led a short-lived big band of his own for two years, but then returned to Hampton’s in 1950.
In 1952, Milt formed his own trio and pioneered the use of the electric Hammond organ. He often played in Europe in the late 1960s. His last studio session took place in Paris. France on July 4, 1977. He is also known for the use of his song The Beast in the title menu of the video game, Battlefield: Bad Company.
Pianist and Hammond B3 organist Milt Buckner, who pioneered the parallel chords style that influenced Red Garland, George Shearing, Bill Evans, and Oscar Peterson, transitioned from a heart attack on July 27, 1977, in Chicago, Illinois, at the age of 62.
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