Daily Dose Of Jazz…
Panama Francis was born David Albert Francis on December 21, 1918 in Miami, Florida to a Haitian father and an English property-owning mother in the Bahamas. He began playing the drums even before attending school and initially played in marching bands and local drum and bugle corps.
His first professional playing was in the 1930s as part of George Kelly’s band from 1934 to 1938. He then became a member of the Florida Collegians in 1938. After his move to New York City that year, he worked with Tab Smith, Billy Hicks, and Roy Eldridge before the 1940s. Francis acquired his nickname from Eldridge at a moment when he was wearing a panama hat and Eldridge could not remember his new drummer’s name.
Joining Lucky Millinder’s big band in 1940, he often played at the Savoy Ballroom. After leaving Millinder he was with Willie Bryant’s band in 1946 and then Cab Calloway from 1947 to 1952. He performed in three short films alongside the latter. For much of the 1950s, Panama was a studio musician in New York, accompanying the likes of Bobby Darin, the Four Seasons, the Platters, Dion DiMucci, Neil Sedaka, and Jackie Wilson.
He went on to tour with Dinah Shore, then moved to California where he struggled to find work. The early Seventies saw him touring Japan with Sam “The Man” Taylor, then appeared on film in 1972, in Lady Sings the Blues. Back in New York in 1973, Francis was part of Sy Oliver’s nonet for two years and during this period he played jazz festivals and toured internationally with other bands.
He revived the Savoy Sultans jazz and dance band in 1979, and he appeared regularly at the Rainbow Room in New York City for eight years from 1980. Panama became drummer in the Benny Goodman Quartet for concerts in 1982. He appeared in the 1994 film The Statesmen of Jazz as a member of the Statesmen of Jazz.
Over his career he recorded with Ray Bryant, Eddie Barefield, Arnett Cobb, Earl Hines, Ray Conniff, Eubie Blake, Oscar Brown Jr., Dorothy Donegan, Roy Eldridge, Dizzy Gillespie and numerous others.Drummer Panama Francis, who mainly played swing jazz, transitioned in Orlando, Florida on November 13, 2001 following a stroke at age 82.
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Daily Dose Of Jazz…
Theodore Guy Buckner was born on December 14, 1913 in St. Louis, Missouri but was raised in Detroit, Michigan where he played very early in his career before joining McKinney’s Cotton Pickers.
He became a member of the Jimmie Lunceford Orchestra, remaining from 1937 to 1943. After working with Lunceford, Buckner primarily played locally in Detroit, where he worked well into the 1970s. He played in small jazz combos, worked in the Motown studios, and co-led a big band with Jimmy Wilkins, Ernie Wilkins’s brother.
He toured Europe in 1975, and also appeared in the New McKinney’s Cotton Pickers that decade. Saxophonist Ted Buckner, who was the older brother of pianist Milt Buckner, transitioned on April 12, 1976 in Detroit.
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Daily Dose Of Jazz…
Kansas Fields was born Carl Donnell Fields on December 5, 1915 in Chapman, Kansas and first played in Chicago, Illinois from the late Twenties and worked with King Kolax and Jimmie Noone in the 1930s. In 1940 he joined Roy Eldridge’s group for a year and returned to play with Eldridge again later in the decade.
He briefly led his own ensemble and played with Ella Fitzgerald and Benny Carter before joining the Marines during World War II. After the war, Kansas played with Cab Calloway, Claude Hopkins, Sidney Bechet, Dizzy Gillespie, and Eldridge again before the close of the decade.
Forming another group early in the 1950s, he then played with Mezz Mezzrow in Europe in 1953. Fields stayed in Europe for more than a decade, relocating to France where he worked as a sideman. In 1965, he returned to Chicago, working once more with Gillespie and doing studio work.
Drummer and bandleader Kansas Fields transitioned on March 7, 1995 in Chicago.
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Daily Dose Of Jazz…
Charlie Ventura was born Charles Venturo on December 2, 1916 in Philadelphia, Pennsylvania. During the 1940s, he played saxophone for the Gene Krupa and Teddy Powell bands. In 1945 he was named best tenor saxophonist by DownBeat magazine.
During the Forties he led big bands and led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. By the 1950s he formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. By the 1980s he slowed down until finally retiring from music.
Tenor saxophonist and bandleader Charlie Ventura transitioned from lung cancer on January 17, 1992 in Pleasantville, New Jersey at age 75. was an American from
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Daily Dose Of Jazz…
Lurlean Hunter was born in Clarksdale, Mississippi on December 1, 1919 and was taken to Chicago, Illinois when she was two months old. She attended Englewood High School in Chicago.
Her first paid singing performance came when she appeared with Red Saunders and his orchestra at Club DeLisa on Chicago’s South Side. Hunter was signed by Discovery Records in 1950 and subsequently was a featured performer with George Shearing and his quintet at Birdland in New York City.
In 1951 Lurlean was among a group of rising young stars of jazz, that were presented at the Streamliner night club in Chicago. She performed at the Cloister Inn, where an initial four-week booking turned into a 2.5-year stay. She went on to work in New York and Ottawa, Ontario, Canada.
Leaving Discovery, she began recording for Atlantic Records in 1961, with Blue and Sentimental as her first album for that label. She later recorded for RCA Victor. By 1963, Hunter became the first Black performer hired by WBBM radio in Chicago. After a successful on-air audition, she became a member of the staff of the all-live Music Wagon Show. Five years later the National Educational Television jazz broadcast featured her, accompanied by the Vernel Fournier Trio.
In 1958, she sued RCA Record Division after it used her image and her name on the cover of its, not her Lonesome Gal record album. The suit alleged “unfair competition, infringement of trade name, unfair business practices, unjust enrichment and invasion of the right of privacy.” Though the court acknowledged that the album contained the song “Lonesome Gal”, and that the use of one song’s title for an album’s title was common practice in the recording industry, it ruled in Hunter’s favor on the basis that she was the first person to “adopt and establish the name Lonesome Gal as a personality” and that name was exclusively associated with her. Damages of $22,500 were awarded to Hunter, and the company was ordered to destroy all material containing Hunter’s likeness in conjunction with “Lonesome Gal”.
Vocalist Lurlean Hunter, who was a contralto and made commercials for products such as peas and telephone directories, transitioned on March 11, 1983 in Kalamazoo, Michigan.
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