Daily Dose Of Jazz…
George Handy, born George Joseph Hendleman on January 17, 1920 in New York City, where his musical beginnings were fostered under the tutelage of composer Aaron Copland.
He first worked professionally as a swing pianist for Michael Loring in 1938. Soon afterward George was drafted into the United States Army in 1940. Post WWII, from 1944 to 1946 he became a member of the Boyd Raeburn Orchestra, composing and performing on piano. This was during a time when many big bands were transforming their musical tendencies toward bebop. Leaving the orchestra briefly to work for Paramount Studios, he returned to Raeburn quickly. During this period he entered one of his most creative periods, doing arrangements of older standards with a distinctly bebop quality.
A rift between him and Raeburn, just as he was entering his prime, forced him to depart the group. Handy continued to arrange for other musicians in his later career.
Pianist, arranger and composer George Handy, best remembered in retrospect for his bebop arrangements, transitioned in Harris, New York, on January 8, 1997 at the age of 76, from heart disease.
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Daily Dose Of Jazz…
Vido William Musso born Vito Gugliermo Musso on January 16, 1913 in Palermo, Sicily. He moved with his family to the U.S. in July 1920, having arrived at the Port of New York on the Italian steamship Patria. They lived in Detroit, where Musso started learning to play clarinet. Ten years later, he went to Los Angeles, California and formed a big band with Stan Kenton in 1935.
Musso dropped out the next year to work with Gus Arnheim, Benny Goodman, and Gene Krupa. He accompanied Billie Holiday and pianist Teddy Wilson on recordings in the late 1930s. He replaced Bunny Berigan as the leader of his band and tried unsuccessfully at other times during the 1930s and 1940s to be a big band leader. However, most of his career was spent as a sideman.
Returning to Goodman, he was a member of big bands led by Harry James, Woody Herman, and Tommy Dorsey. He went back to play with Kenton during the middle 1940s and having moved to California, he retired around 1975.
Saxophonist Vido Musso, who recorded as a leader in the Forties and Fifties for Savoy, Trilon, Arco, Fantasy, RPM, Crown, and Modern record labels, transitioned on January 9, 1982 in Rancho Mirage, California.
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Daily Dose Of Jazz…
Arthur Shapiro was born on January 15, 1916 in Denver, Colorado, and began on trumpet at age 13, ultimately picking up bass as his prominent instrument at 18. By the late 1930s he was playing with Wingy Manone, Joe Marsala, Eddie Condon, and Chu Berry. From 1938 to 1940 he played with Paul Whiteman, then returned to play with Marsala in addition to working with Bobby Hackett.
Moving to Hollywood, California in the early 1940s, Artie started playing with Jack Teagarden and Joe Sullivan before serving in the United States Army. In 1947 he returned to music, playing with Benny Goodman.
As an accompanist, he worked with, among others, Billie Holiday, Peggy Lee, Anita O’Day, Doris Day, Bing Crosby and Frank Sinatra. His list of recording credits runs to more than 100 during his period of activity, stretching into the late 1960s. Bassist Artie Shapiro transitioned in Los Angeles, California on March 24, 2003.
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Daily Dose Of Jazz…
Johnny Frigo was born on December 27, 1916 in Chicago, Illinois and studied violin for three years beginning at age seven. In high school he started to play double bass in dance orchestras. In 1942 he played with Chico Marx’s orchestra and performed a comedy routine on violin with Marx on piano.
Entering the United States Coast Guard during World War II, he played in an Ellis Island band with Al Haig and Kai Winding. After his brief turn at active service near the end of the war he moved to New Jersey and from 1945 to 1947 he toured with Jimmy Dorsey’s band. He later formed the Soft Winds trio with Dorsey’s guitarist Herb Ellis and pianist Lou Carter. During this time he wrote the music and lyrics to Detour Ahead and I Told Ya I Love Ya, Now Get Out.
In 1951, returning to Chicago, Johnny primarily worked as a studio bassist and arranger. He also led the band at Mr. Kelly’s, and until 1960 he played fiddle hoedowns and novelties with the Sage Riders, WLS radio house band for the National Barn Dance. Then in 1961 WGN revived the show and he played with the Sage Riders for another fourteen years.
He went on to work with Chicago jazz vocalist Anita O’Day in live and studio recordings. In the mid-1980s Frigo largely abandoned playing bass and concentrated on violin. He performed as a jazz violinist at festivals worldwide. Frigo also was a published poet and artist and played flugelhorn. He wrote and performed the 1969 Chicago Cubs fight song Hey Hey, Holy Mackerel.
Violinist and bassist Johnny Frigo, who was also a composer, lyricist, published poet and artist, passed away of cancer on July 4, 2007 at age 90.
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Three Wishes
When asked of his three wishes, Art Blakey responded to the Baroness with these answers:
- “I want to play my arse off.”
- “To be as happy as my old man.”
- “To be as hip as Jim Green.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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