Daily Dose Of Jazz…
Jack Sperling was born on August 17, 1922 in Trenton, New Jersey. In 1941 he played with trumpeter Bunny Berigan. After World War II, he and Henry Mancini joined the Glenn Miller band when it was led by Tex Beneke. Drawing attention with his performance on the song St. Louis Blues in 1948, he then joined Les Brown and His Band of Renown, which played regularly for the Bob Hope radio program.
Sperling and other members of Brown’s band joined Dave Pell’s octet in 1953, recorded with the octet on Plays Irving Berlin and The Original Reunion of the Glenn Miller Orchestra. From 1954 to 1957 he was a member of Bob Crosby’s Bobcats. During the rest of his career, he worked in bands led by Charlie Barnet, Page Cavanaugh, Pete Fountain, and Benny Goodman.
He was among the studio musicians who accompanied Henry Mancini on the television show Peter Gunn. Jack recorded with him on the film soundtracks Charade and Days of Wine and Roses. He was the featured solo drummer on the theme song for the TV show Hogan’s Heroes and from 1959 to 1972 he was under contract with the NBC Orchestra. He worked on The Tonight Show Band, Rowan & Martin’s Laugh-In, and TV variety shows hosted by Bob Hope, Dean Martin, and Andy Williams.
In the music world, he recorded with Rosemary Clooney, Bobby Darin, Sammy Davis Jr., Doris Day, Ella Fitzgerald, The Four Freshmen, Lena Horne, Peggy Lee, Elvis Presley, Frank Sinatra, and Mel Tormé.
Drummer Jack Sperling, who was a big band and studio musician, transitioned on February 26, 2004.
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Daily Dose Of Jazz…
George Morrow was born on August 15, 1925 in Pasadena, California. After leaving the military he played with Charlie Parker, Sonny Criss, Teddy Edwards, Hampton Hawes and other musicians who were in Los Anegles, California. He then spent five years from 1948 to 1953 in San Francisco, California often appearing at the Bop City jazz club and working with Dexter Gordon, Wardell Gray, Billie Holiday and Sonny Clark, among others.
During the mid~1950s he recorded five albums with Sonny Rollins and at the end of the decade two with Sonny Stitt. He had been free-lancing around San Francisco clubs when Max Roach and Clifford Brown hired him to play with them after having rejected two other bassists. He appeared on all of the studio albums made by the Clifford Brown-Max Roach Quintet.
After the band dissolved due to the deaths of Brown and Richie Powell in a car accident, Morrow continued recording with Max Roach’s band. He also worked with Anita O’Day in the 1970s before joining the Disney World house band in 1976.
Bassist George Morrow, who never led his own recording date, transitioned on May 26, 1992 in Orlando, Florida.
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Daily Dose Of Jazz…
Jeannie Cheatham was born Jean E. Evans on August 14, 1927 and grew up in Akron, Ohio. At the age of five, she started having lessons on her aunt’s newly-acquired piano, which was soon moved to her home when it transpired that she had a talent for music her aunt lacked. Not long after, she began playing for services at the church her family attended. Throughout her school years, her piano teacher also took her to play at weddings and social events, as well as giving recitals
She first played jazz music at age 14 when she was requested to join a local 15-piece rehearsal orchestra. Still in high school Jeannie began playing in smaller groups and found herself in demand professionally as most younger male musicians were drafted into the US Army during World War II. In 1944, she was accepted as a student at the University of Akron but was unable to complete more than one year for financial reasons.
She met and married Jimmy Cheatham, with whom she formed the Sweet Baby Blues Band in 1984. Her autobiography, Meet Me With Your Black Drawers On: My Life In Music, was published in 2006, the same year they received a lifetime achievement award at the San Diego Music Awards, and in 2022, were inducted into the San Diego Music Hall of Fame.
It was noted by Los Angeles Times contributor Dirk Sutro that Jeannie Cheatham remains one of the under-appreciated greats of jazz and blues, both for her spare, tasteful piano playing, which ranges from boogie-woogie to Monk‑ish surprises, and for her earthy but sensuous voice.
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Daily Dose Of Jazz…
Stanley Mackay Greig was born on August 12, 1930 in Joppa, Edinburgh, Scotland to a father who was a drummer and piano tuner. While still in high school he played with Sandy Brown in 1945, then played piano and drums with him from 1948 to 1954. Moving to London, England in the mid-Fifties he played with Ken Colyer, Humphrey Lyttelton, and Bruce Turner, then with the Fairweather-Brown All-Stars in 1958-59.
He played with Turner again briefly before becoming a member of Acker Bilk’s Paramount Jazz Band from 1960 to 1968. After 1969 Greig made piano his primary instrument, leading his own small groups and playing boogie woogie and blues piano. He played with Dave Shepherd and Johnny Hawksworth as a sideman in the early 1970s, then formed the London Jazz Big Band in 1975.
From 1977-80 he played with George Melly, then toured as a bandleader in Europe in the early Eighties. He worked again with Lyttelton for a decade beginning in 1985, then worked with Wally Fawkes later in the 1990s. The Stan Greig Trio played many gigs in and around London, with the Rolling Stones’s Charlie Watts sometimes turning out on drums.
Pianist, drummer, and bandleader Stan Greig transitioned on November 18, 2012 after suffering from Parkinson’s disease.
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Daily Dose Of Jazz…
Thomas Mansergh Pickering was born on August 8. 1921 in Burra, South Australia, Australia. When the family moved to Australia’s island state of Tasmania from Burra in the mid-l930s and settled in the house next door to where Ian Pearce lived, the stage was set for the beginning of what was to become a significant part of Tasmania’s jazz history.
In his mid teens, he and Ian discovered British dance bands and over timethey embraced Benny Goodman, Louis Armstrong and the Swing Era musicians. Pee Wee Russell and Bud Freeman came later. At sixteen Tom received his first clarinet, doubling on saxophone and with his brother Cedri on drums, friend Ian playing cornet, pianist Rex Withers-Green, they gave birth to The Barrelhouse Four. He started playing in local bands and the four hit at local jam sessions. With the oncoming of WWII in 1939 they went their separate ways, reuniting in 1946 to record their first commercial pressing.
Pickering played traditional jazz in various parts of Australia during the late 30s and 40s. He continued working throughout succeeding decades, continuing his preference for older styles but also playing effective tenor saxophone in mainstream settings. His playing and recording career continued apace into the 80s, and his contribution to the musical life of his country has been rewarded with a number of honours.
Pickering went on to form his Good Time Jazz Band, which found success until the rising popularity of rock music led to the band’s eventual break up. A trio followed untilhe and Ian put together the Pearce- Pickering Ragtime Five. They had two very long and successful runs at the Tattersall’s Bar and Bistro, and then at Wrest Point Casino.
Ill-health led to Tom’s eventual retirement from music and the end of his playing career. Having qualified as a librarian in 1948, he would go on to work in the State Library of Tasmania, then became Parliamentary Librarian in 1974. He was made a member of the Order of Australia (AM), won the Australian Jazz Convention Composition Competition twice, and received the Satchmo Award.
Clarinetist Tom Pickering transitioned in Hobart, Tasmania on October 26, 2001.
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