Daily Dose Of Jazz…
Tony Carr was born George Caruana on October 24, 1927 in Malta. Moving to the United Kingdom in 1953, he joined bandleader Billy Eckstine for a tour in Europe. He played regularly at the Bull’s Head in Barnes SW London, accompanying the cream of British and American jazz musicians.
He eventually became a most sought-after session player in London, England between 1954 and the early 1980s. During the Sixties pianist, conductor and arranger John Cameron recruited Carr as his first-call session player. His career would see him working with Ella Fitzgerald, Sixto Rodriguez, Donovan, Alan Price, Paul McCartney among others. In Malta, he also played with Frank Bibi Camilleri, Joe Curmi il-Puse, Juice Wilson, Freddie Mizzi and Sammy Galea, to name a few.
He has been a member of Daylight, Directions In Jazz Unit, Harold McNair Quartet, John Cameron Quartet, Mike Batt And Friends, Señor Funk and Frog, the latter put together for a horror film soundtrack.
Drummer and percussionist Tony Carr, at 96, no longer performs in public
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Daily Dose Of Jazz…
Junior Mance was born Julian Clifford Mance, Jr. on October 10, 1928 in Evanston, Illinois. When he was five years old, he started playing piano on an upright where his father taught him to play stride piano and boogie-woogie. With his father’s permission, he had his first professional gig in Chicago, Illinois at the age of ten when his upstairs neighbor, a saxophone player, needed a replacement for a pianist who was ill.
At Roosevelt College in Chicago he signed up for music classes but discovered jazz was forbidden and left before the school year was finished. Mance first played and recorded with Gene Ammons in Chicago in 1947 while he was enrolled at Roosevelt. While on tour in Chicago, Lester Young saw him playing with Ammons and had him sit in. He ended up recording with Young for Savoy Records that year, and reunited with Ammons to record with Sonny Stitt for Prestige Records in 1950.
Drafted into the Army in 1951, two weeks before shipping out to Korea from basic training, Cannonball Adderley helped Mance score a position in the 36th Army Band at Fort Knox, Kentucky, where he remained as the company clerk. Back in Chicago after being discharged two years later, Junior immediately started working at the Bee Hive Jazz Club in Chicago. He backed Charlie Parker, Coleman Hawkins, Eddie “Lockjaw” Davis, and Sonny Stitt among others.
Parker encouraged Mance to move to New York, and in 1954, he recorded with Dinah Washington, touring with her over the next two years and learning accompaniment technique from her arranger, Jimmy Jones. From a live session recorded in 1954 in Los Angeles, California that included him, Washington, Clifford Brown, Clark Terry, Maynard Ferguson, Herb Geller, Harold Land, Richie Powell, Keter Betts, George Morrow, and Max Roach, EmArcy released two LPs, Dinah Jams and Jam Session.
The Fifties saw Junior joining Cannonball Adderley’s first civilian band, making several recordings for EmArcy/Mercury and supported Dinah Washington on her In the Land of Hi-Fi album. He would go on torecord with Johnny Griffin, James Moody, and Wilbur Ware. Then he joined Dizzy Gillespie’s band. By the end of the decade he recorded his debut as a leader on the Verve label.
Over the course of his career he would record with Capitol and Atlantic, and Sackville record labels. He continued to record and perform during the next three decades. As an educator he taught at The New School for Jazz and Contemporary Music for 23 years, counting Brad Mehldau and Larry Goldings among his students before retiring in 2011.
From 1990 to 2009 Mance was part of the all-star group called “100 Gold Fingers” which frequently toured Japan. The rotating lineup included Toshiko Akiyoshi, Monty Alexander, Geri Allen, Lynne Arriale, Kenny Barron, Joanne Brackeen, Ray Bryant, Bill Charlap, Cyrus Chestnut, Gerald Clayton, Eric Reed, and twenty-two others with bassist Bob Cranshaw and either Alan Dawson or Grady Tate on drums.
Pianist and composer Junior Mance, who suffered from Alzheimer’s and a fall, died on January 17, 2021 from a brain hemorrhage at the age of 92 in New York.Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…Acquaint an inquisitive mind with a dose of an Evanston pianist who is in the company of musical genius around the world as a member of the jazz canon…
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Daily Dose Of Jazz…
Dieter Antritter was born in Pforzheim, Germany on October 6, 1929. After the end of World War II he started first to learn guitar, then later he switched to soprano saxophone. A move to Stuttgart, Germany gave him the opportunity to connect with the local jazz-scene.
On holiday in Paris, France in 1949, he unsuccessfully attempted to meet Sidney Bechet. However, Dieter eventually met Charles Delaunay, who opened him to the possibility of jamming with contemporary jazz greats living in Paris that time. Improving his playing, he built up a network with a few well-known jazz musicians.
Returning to Stuttgart in 1952 he founded the Latin Jazz Band. He used his concerts as a platform for guest musicians from his Paris connection to perform. From this band the Quartier Latin Jazz Band emerged, which existed until at least 2009. During those years this band accompanied numerous guest soloists such as Michel Attenoux, Peanuts Holland, Mezz Mezzrow, Benny Waters and Nelson “Cadillac” Williams.
In 1960, this led to several recordings for Deutscher Schallplattenclub, all recorded in Stuttgart venues. Antritter was one of the world’s longest-serving bandleaders, who led his band for 63 years, from 1952 until his death in 2015.
Bandleader, soprano and alto saxophonist Dieter Antritter died on August 5, 2015 in Königsbach-Stein, Germany.
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Daily Dose Of Jazz…
Michel Gaudry was born on September 23, 1928 in Eu, France on 23 September 1928. He learned clarinet and piano as a child before switching to bass. Following studies at the Geneva Conservatory, he played with Michel Hausser, beginning his professional career in 1955. In the latter half of the 1950s he worked with Billie Holiday, Quentin Jackson, Carmen McRae, and Art Simmons.
In the early 1960s he was very active playing with Elek Bacsik, Kenny Clarke, Sonny Criss, Stephane Grappelli, Bud Powell, Stuff Smith, and Billy Strayhorn, as well as continuing a long time slot as a member of Jack Diéval’s group.
The Seventies he played with Gérard Badini’s group, Swing Machine, and was a regular performer at the Grande Parade du Jazz in Nice, France. In the 1980s he played with Jimmy Owens and Irvin Stokes.
In his later life, he dedicated himself to the history of World War II occupation of Normandy, France. Double bassist Michel Gaudry died on May 29, 2019 in Saint-Lô, France at the age of 90.
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Daily Dose Of Jazz…
Shafi Hadi was born William Curtis Porter on September 21, 1929 in Philadelphia, Pennsylvania to William Porter and Harrietti Porter. He received piano lessons from his grandmother at age 6. He went on to study musical composition at Howard University and University of Detroit. He performed with rhythm and blues artists such as Paul Williams, Ruth Brown, and the Griffin Brothers.
He recorded with bassist Charles Mingus between 1956 and 1958. He also recorded with tenor saxophonist Hank Mobley. Hadi improvised the soundtrack music for John Cassavetes’s film Shadows, then returned to Mingus’s group in 1959. He also collaborated with Mary Lou Williams on her 1977 composition “Shafi”, although the extent of his contribution is unclear.
Between 1965 and 1969 Shafi co-wrote five songs with Lionel Hampton or Gladys Hampton: Bye, Bye, Hamp Stamps, No, Say No, A Sketch Of Gladys, and Mama Knows.
Tenor and alto saxophonist Shafi Hadi died in June 1976, at the age of 46.
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