Daily Dose Of Jazz…
Don Ferrara was born on March 10, 1928 in Brooklyn, New York and began playing trumpet at the age of ten, avidly listening to jazz and swing era giants on both radio and records. Roy Eldridge became and remained his single most important influence on his playing. In 1945 he had a brief stint with Jerry Wald’s band, then moved over to George Auld.
Enlisting in the Army in mid-1946, during this time he played in a band with bassist Red Mitchell, drummer Howie Mann and met Warne Marsh. It was through him that he became interested in the work of Lennie Tristano. After his discharge he began studying with Tristano, something he continued to do until the 1960s. During this same period, Don taught and played in the big band assembled by Gene Roland for a Charlie Parker recording session, though he missed the recording session because of a date clash. He then joined Woody Herman’s Third Herd. After a year he returned to New York where he gigged and taught and continued his own studies with Tristano.
In the mid-1950s New York he played and sometimes recorded with various bands, including those of Lee Konitz and Gerry Mulligan. In the early Sixties Ferrara played a regular engagement with Tristano at New York’s Half Note Club and during the rest of the decade continued with his teaching. The early 70s, had him relocating to the west coast and joining Gary Foster’s teaching studio. He continued to live and teach in California through to the 90s, most of his teaching work being conducted at long range through audio cassettes.
Trumpeter Don Ferrara, who was also a skilled and highly individual soloist, died on January 18, 2011 in San Diego, California.
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Daily Dose Of Jazz…
Richard Hyman was born in New York City on March 8, 1927 and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Trained classically by his uncle, concert pianist Anton Rovinsky, who taught him touch and a certain amount of repertoire while he pursued Chopin on his own.
Enlisting in the U.S. Army in 1945, Dick was transferred to the U.S. Navy band department. After leaving the Navy he attended Columbia University where he won a piano competition with the prize being 12 free lessons with swing-era pianist Teddy Wilson. It was during this period Hyman fell in love with jazz.
During the 1950s Relax Records released his first two solo piano versions of All the Things You Are and You Couldn’t Be Cuter. Hyman recorded two honky-tonk piano albums under the pseudonym Knuckles O’Toole and recorded more as Willie the Rock Knox and Slugger Ryan.
In the 1950s and early 1960s Dick worked as a studio musician and performed with Tony Bennett, Perry Como, Guy Mitchell, LaVern Baker, Ruth Brown, Mitch Miller and many more. He played with Charlie Parker for Parker’s only film appearance and had a stint as music director for Arthur Godfrey’s television show from 1959 to 1961.
As a composer, arranger, conductor, and pianist he worked on eleven Woody Allen films as well as other films like Moonstruck and Scott Joplin. Hyman composed and performed scores for ballet and dance companies. In the 1960s, Hyman recorded several pop albums on Enoch Light’s Command Records using the Lowrey organ and then the Moog synthesizer.
Between 1970 and 2014 he recorded 112 albums as a leader, sixty-two as a sideman, and arranged four albums for Count Basie, Trigger Alpert and Flip Phillips. He has been a guest performer at jazz festivals and concert venues around the world. In 1995 pianist and composer Dick Hyman moved his wife Julia permanently to Venice, Florida.
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Jazz Poems
LISTENING TO SONNY ROLLINS AT THE FIVE SPOT There will many other nights like this be standing here with someone, some one someone some-one some some some some some some one there will be other songs a-nother fall, another–spring, but there will never be a-noth, noth anoth noth anoth-er noth-er noth-er Other lips that I may kiss but they won’t thrill me like thrill me like like yours used to dream a million dreams but how can they come when there never be a-noth– Paul BlackburnFrom Jazz Poems | Selected and edited by Kevin Young
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Daily Dose Of Jazz…
Kenny Baker was born on March 1, 1921 in Withernsea, East Riding of Yorkshire, England. Joining a brass band, by the age of 17 he had already become a professional musician. After leaving his home town for London, he met and began performing with George Chisholm. He was first heard on record in a British public jam session in 1941 and quickly established a strong reputation in London clubs.
After serving in the Royal Air Force during WWII, the young Baker was lead trumpeter with Ted Heath’s post war orchestra, with Bakerloo Non-Stop recorded for the Decca record label in 1946. He played a tenor saxophone solo on Johnny Gray, the piece recorded by both Baker and the drummer Jack Parnell. During the 1950s, he led his own group called Baker’s Dozen and performed on the first regular jazz show, the BBC Light Programme series Let’s Settle For Music.
During this period he regularly recorded as a quartet for Parlophone, and in the Sixties and Seventies, he was on call for film and studio work. He shared top billing with comedy variety acts, continued to appear on BBC shows, and formed the Best of British Jazz show with Don Lusher and Betty Smith. He went on to play with Frank Sinatra, Petula Clark, Sammy Davis, Jr. and Tony Bennett, as well as performing on James Bond soundtracks, with The Beatles and The Muppet Show among numerous other television shows.
Trumpeter, cornetist, flugelhornist and composer Kenny Baker, who was titled three times as best trumpet player and awarded the MBE title, died in Felpham, West Sussex on December 7, 1999 after suffering from a viral infection. He was 78.
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Daily Dose Of Jazz…
William Douglass was born on February 28, 1923 in Sherman, Texas. His extended family relocated to Los Angeles, California when he was six months old in an effort to escape Jim Crow laws. As a member of a musical family he took an early interest in music and when he heard drummer Gene Krupa performing Sing, Sing, Sing on the radio his path was set. He met and befriended Dexter Gordon while attending McKinley Junior High School in Los Angeles, at which point he first began playing drums.
At Jefferson High School, both he and Gordon began taking band under teacher Lloyd Reese, and took private keyboard instructions. Never taking private drum lessons, Bill eventually made the acquaintance of drummer Cozy Cole, who allowed him to watch him practice. What he learned by watching him and other drummers helped him evolve a style of his own.
While still in schoo he, Dexter and Lammar Wright, Jr. he began playing in Central Avenue night clubs. Eventually he began drumming for pianist Gerald Wiggins, along with double bass and tuba player Red Callender, until he and Callender left to form a trio with blind pianist Art Tatum.
In 1941 upon graduating from high school he enlisted in the United States Army and was assigned to the Black 10th Cavalry Regiment at Camp Lockett. This led to his start to seeing the world being stationed in Casablanca, Oran, Algiers, Naples and Rome. During these travels, Bill became drum major of his 28-piece ensemble, a position he attributed to his great height.
Leaving the service he went on to a stint with Benny Goodman, where he was at the time the only black member of the band. Bill eventually became part of the union struggle for integration and equality. Even as a working musician, Douglass expanded into teaching drums at Drum City. Among his students, were Ray Brown, Jr., Karen Carpenter, and Ella Fitzgerald.
Drummer and educator Bill Douglass, who was an active proponent of desegregation in the American Federation of Musicians, died on December 19, 1994.
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