Daily Dose Of Jazz…
Irene Reid was born on September 23, 1930 in Savannah, Georgia, singing in church and in high school in Georgia. In 1947 after her mother passed, she moved to New York City. Toward the end of the year she tried out for an amateur contest at the Apollo Theater in Harlem, and won the competition for five straight weeks. Soon after she was offered a slot as the featured vocalist with Dick Vance at the Savoy Ballroom, which she held from 1948 to 1950.
In 1961–62, Reid sang with Count Basie‘s orchestra, and recorded for Verve Records. She would later perform in a Broadway production of the musical The Wiz She sang with Carmen McRae, Sarah Vaughan, Aretha Franklin, and B.B. King.
Irene receded from fame in the 1970s and 1980s, but launched a comeback near the end of that decade. She appeared at the Savannah Jazz Festival in 1991, 1994, and 1996, and continued releasing albums on Savant Records in the 1990s and 2000s.
In 2002, British DJ duo Beginerz sampled Reid’s vocals to make the club hit “Reckless Girl” and in 2003 Lil’ Kim sampled Reid’s vocals to make the hit “I Came Back For You”.
On January 4, 2008 jazz singer Irene Reid passed away, leaving for posterity more than a dozen albums.
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Daily Dose Of Jazz…
Ray Wetzel was born on September 22, 1924 in Parkersburg, West Virginia. He played lead trumpet for Woody Herman from 1943 to 1945 and for Stan Kenton from 1945 to 1948. He recorded in 1947 with the Metronome All-Stars, Vido Musso, and Neal Hefti before marrying bass player Bonnie Addleman in 1949.
While with the Charlie Barnet Orchestra in 1949, he played trumpet alongside Maynard Ferguson, Doc Severinsen, and Rolf Ericson.. He played with his wife in Tommy Dorsey‘s ensemble in 1950 and with Kenton again in 1951.
Never recording as a leader, he did however compose the Stan Kenton tune “Intermission Riff”. While touring with Dorsey in 1951, trumpeter Ray Wetzel was killed in a car crash at the age of 27 on August 17, 1951 in Sedgwick, Colorado.
Daily Dose Of Jazz…
Sil Austin was born Sylvester Austin on September 17, 1929 in Dunnelion, Florida and taught himself to play as a 12 year old. He won the Ted Mack Amateur Hour in St. Petersburg, Florida in 1945, playing “Danny Boy”. His performance brought him a record deal with Mercury Records and he moved to New York and studied at the Juilliard School of Music.
Austin played briefly with Roy Eldridge, Cootie Williams in 1951–52 and Tiny Bradshaw from 1952-54, before setting up his own successful touring group. He recorded over 30 albums for Mercury with a number of Top 40 hits on the pop charts with tunes like “Danny Boy” (his signature), “Slow Walk” and “My Mother’s Eyes”.
Sil Austin, a saxophonist who considered Coleman Hawkins, Lester Young, and Sonny Stitt as his major influences, passed away of prostate cancer on September 1, 2001.
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Daily Dose Of Jazz…
Hamiet Bluiett was born on September 16, 1940 in Brooklyn a.k.a. Lovejoy, Illinois, that was founded as a free black refuge community in the 1830s. As a child, he studied piano, trumpet, and clarinet, but was attracted most strongly to the baritone saxophone from the age of ten. He began his musical career by playing the clarinet for barrelhouse dances in Brooklyn, Illinois, before joining the Navy band in 1961. He attended Southern Illinois University Carbondale.
Following his time in the Navy, he returned to the St. Louis area in the mid-1960s. In the late 1960s Bluiett co-founded the Black Artists’ Group (BAG) in St. Louis, Missouri, comprised of a collective dedicated to fostering creative work in theater, visual arts, dance, poetry, film, and music. He led the BAG big band during 1968 and 1969.
Bluiett moved to New York City in 1969 and joined the Charles Mingus Quintet and the Sam Rivers large ensemble. In 1976 he co-founded the World Saxophone Quartet with two other BAG members, Julius Hemphill and Oliver Lake and David Murray. The group would quickly become jazz music’s most renowned saxophone quartet. He has remained a champion of the somewhat unwieldy baritone saxophone, organizing large groups of baritone saxophones.
In the 1980s, he also founded The Clarinet Family, a group of eight clarinetists playing clarinets of various sizes ranging from E-flat soprano to contrabass. Since the 1990s he has led a virtuosic quartet, the Bluiett Baritone Nation, made up entirely of baritone saxophones, with drum set accompaniment. His return to his hometown in 2002 affords him the opportunity to gig, perform with students from Neighborhood Music School in New Haven, Connecticut under the name of “Hamiet Bluiett and the Improvisational Youth Orchestra”.
Baritone saxophonist Hamiet Bluiett recorded over three-dozen albums and continued to perform, record and tour until his passing on October 4, 2018 at the age of 78 in St. Louis, Missouri.
Daily Dose Of Jazz…
Gene M. Roland was born September 15, 1921 in Dallas, Texas and learned to play several instruments, such as trumpet and piano. He received a degree in music from the University of North Texas College of Music, first hooked up with Stan Kenton in 1944, playing fifth trumpet and contributing arrangements. He worked briefly with Lionel Hampton and Lucky Millinder, and then rejoined Kenton in 1945 as a trombonist and writer, arranging the hit “Tampico”.
In 1946 Roland played piano and wrote for a group that included Stan Getz, Zoot Sims, Jimmy Giuffre and Herbie Steward , and would lead Woody Herman‘s Four Brothers Second Herd. By the late 40s, he played trombone with Georgie Auld, trumpet with Count Basie, Charlie Barnet and Lucky Millinder and contributed charts for the big bands of Claude Thornhill and Artie Shaw. He led a giant rehearsal band in 1950 that included Dizzy Gillespie and Charlie Parker, wrote for Kenton in 1951, Dan Terry in 1954, and Woody Herman from 1956-58, for whom he contributed 65 arrangements.
Gene was a major force in Kenton’s mellophonium band of the early 1960s, not only writing for the ensemble, but also performing as one of the mellophoniums, occasionally doubling on soprano sax with the orchestra. He provided the robust vocal on “Hawaiian Teenage Girl”, and remained active as a writer in the 1960s and 70s, working with Copenhagen’s Radiohus Orchestra and playing trumpet, piano and tenor with his own groups.
Arranger, composer, vocalist and multi-instrumentalist Gene Roland, who was the only arranger to write for Kenton in all four decades of the band’s existence, passed away on August 11, 1982 in New York City.