Daily Dose Of Jazz…

Eje Thelin was born Eilert Ove Thelin on June 9, 1938 in Jönköping, Sweden. He started his own quintet in 1961 and from 1969 to 1972 he was on the faculty of the Music Academy in Graz, Austria. For the rest of the 1970s, he led his own Eje Thelin Group in Sweden.

By the 1980s he expanded into composition, writing commissioned works for large European orchestras, sometimes featuring himself as soloist. In spite of the attention given to the obvious technical side of his playing, Thelin was also known for his warm approach to traditional ballads, a somewhat retro-romanticism that comes through in his later playing.

An innovator, Eje was widely admired among fellow trombonists for his facile technique, rhythmic intensity and was, perhaps, the first jazz trombonist to translate that technique into the so-called “Sheets of Sound” style that characterized much of the music of tenor saxophonist John Coltrane and, in general, free jazz of the late 1960s and 1970s. He would play with Joachim Kuhn and Don Cherry while leading his own groups.

Trombonist Eje Thelin, one of the strongest trombone voices of modal and free jazz to emerge in the European 60s, passed away on May 18, 1990.

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Daily Dose Of Jazz…

Bill Watrous was born William Russell Watrous III on June 8, 1939 in Middletown, Connecticut. Introduced to the jazz trombone at an early age by his trombonist father, it was while serving in the Navy that he studied with jazz pianist and composer Herbie Nichols. His first professional performances were in Billy Butterfield’s band.

Bill’s career blossomed in the 1960s, playing and recording with many Maynard Ferguson, Woody Herman, Quincy Jones, Johnny Richards and fellow trombonist Kai Winding. From 1965 – 68 he was a member of the house band on the Merv Griffin Show.

In the Seventies he played with the jazz-fusion group Ten Wheel Drive, formed his own band – The Manhattan Wildlife Refugee Big Band, recorded two albums for Columbia, and relocated to southern California.

He worked actively since the 1980s as a bandleader, studio musician, and performing at various jazz clubs. He is most known for his rendition of Johnny Mandel’s “A Time For Love”. Bill Watrous continued to perform and record as a solo artist, bandleader and in various small ensembles for a number of different labels until his passing on July 2, 2018 at age 79. He published an instructional manual Trombonisms and was on the faculty of the University of Southern California Thornton School of Music.

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Daily Dose Of Jazz…

Beryl Booker was born on June 7, 1922 in Philadelphia, Pennsylvania and studied piano as a child.  She played with Slam Stewart’s trio in 1946, playing off and on with him until 1951 and accompanied Dinah Washington.

In early 1952, Booker led a quintet that featured Don Elliot, Chuck Wayne, Clyde Lombard and Connie Kay. She recorded several sessions with Miles Davis and by 1953 had formed a trio with two female musicians – Bonnie Wetzel and Elaine Leighton. This group toured Europe in 1954 as part of the show “Jazz Club USA”, which featured Billie Holiday.

After another stint with Dinah Washington in 1959, she slipped into obscurity, however, in the 1970s she re-emerged to play and record with small groups.

On September 30, 1978, swing pianist Beryl Booker passed away at age 56.

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Daily Dose Of Jazz…

Grant Green was born on June 6, 1931 in St. Louis, Missouri. He first performed as a guitarist in a professional setting at the age of 12, first playing boogie-woogie before moving to jazz. His influences were Charlie Christian, Charlie Parker, Ike Quebec, Lester Young, Jimmy Raney, Jimmy Smith and Miles Davis.

Grant first recorded in St. Louis with tenor saxophonist Jimmy Forrest on the Delmark label alongside Elvin Jones. But it was Lou Donaldson who discovered the young talent and after touring together, by 1959 Green had moved to New York. An impressive introduction to Alfred Lion led to his bypassing the sideman audition and recording as a bandleader, a relationship that lasted throughout the Sixties.

Grant’s first issued album as a leader was in 1961 with Grant’s First Stand, followed by Green Street, Grantstand and being named Down Beat critics’ poll best new star in 1962. He would often play the sideman for Hank Mobley, Ike Quebec, Stanley Turrentine, Harold Vick and Larry Young among others at the label.

Though he had an impressive catalogue of recordings many were not released during his lifetime though Grant always carried off his more commercial dates with artistic success during this period. Towards the late 60s he left Blue Note for Verve Records and other labels into the Seventies but was relatively inactive due to personal problems and heroin addiction.

The guitarist spent much of 1978 in the hospital, but against doctors’ advice, went back on the road to earn some money and collapsed in his car of a heart attack in New York City on January 31, 1979 at age 47.

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Daily Dose Of Jazz…

Grachan Moncur III was born June 3, 1937 in New York City, the son of bassist Grachan Moncur II, but was raised in Newark, New Jersey. He began playing cello at age nine but switched to trombone at eleven. In high school he attended Laurinburg Institute in North Carolina and began sitting in with touring musicians, establishing lasting friendships with Art Blakey and Jackie McLean.

After high school he toured with Ray Charles in 1959, gained membership into the Art Farmer/Benny Golson Jazztet in ’62, and then worked with Sonny Rollins. He took part in two classic McLean sessions in the early 1960s, One Step Beyond and Destination Out, to which he also contributed the bulk of compositions that led to two influential albums of his own for Blue Note Records – Evolution with McLean and Lee Morgan and Some Other Stuff with Herbie Hancock and Wayne Shorter.

Moncur joined Archie Shepp’s ensemble and recorded with other avant-garde players such as Marion Brown, Beaver Harris and Roswell Rudd. In 1969 while in Paris he recorded two albums as a leader for the BYG Actuel label, New Africa and Aco Dei de Madrugada, as well as appearing as a sideman on numerous other releases of the label. In 1974, the Jazz Composer’s Orchestra commissioned him to write a jazz symphony, Echoes of Prayer, and he has gone on to work with Cassandra Wilson, Frank Lowe, John Patton, Mark Masters, Joe Henderson, Tim Hagans, Gary Bartz and perform occasionally with the Paris Reunion Band.

The prolific composer and trombonist continued to perform, tour and record until he died from cardiac arrest on his 85th birthday in Newark, New Jersey on June 3, 2022.

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