Daily Dose Of Jazz…

Theodor Christian Frølich Bergh, better known as Totti Bergh was born December 5, 1935 in Oslo, Norway. He began playing clarinet, and started learning to play the saxophone in 1952. By the time he turned 21 in 1956, he became a professional musician, becoming a regular member of Kjell Karlsen Sextet for three years, in addition to collaborating sporadically with Rowland Greenberg and other musicians on the Norwegian jazz scene.

He joined the Norwegian America Ships house orchestra on the voyage to New York City. In 1960 Totti succeeded Harald Bergersen as tenor saxophonist in Karlsen’s new big band and in the summer of 1961 he met his future wife Laila Dalseth, who joined the band.

He would go on to play with the bands of Einar Schanke, Rowland Greenberg, Per Borthen and in Dalseth’s orchestra. During the Nineties he played tenor  and soprano saxophone with Christiania Jazzband and with Christiania 12.

Saxophonist Totti Bergh, who released several albums as a leader and whose music is reminiscent of Lester Young and Dexter Gordon, died January 4, 2012 in his home city.

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Jazz Poems

THE SYNCOPATED CAKEWALK

In it, I see Miss Hand and her Five Daughters

rubbing myback and the backs of my legs

Nat King Cole provides the music and the words

It’s 1949, Finished with them, I take off

on a river boat, down the Mississippi, looking for work.

On deck the got the Original Dixieland Jazz Band

doing “Big Butter and Egg Man.”

A guru haas the cabin next to mine and everybody

who visits him whimpers something terrible!

Stood on deck after dinner watching the clouds

form faces and arms. The Shadow went

by giggling to himself.

An Illinois Central ticket fell from his pocket.

Snake Hips picked it up, ran.

Texas Shuffle, who sat in with the Band last night,

this morning, dropped his fiddlecases

in the ocean and did the Lindy all the way

to the dinning room

I got off at Freak Lips Harbor.

Boy from Springfield said he’d talk like Satch for me

for a dime. I gave him a Bird,

and an introductory note to the Duke of Ellington.

Found my way to the Ida B. Wells Youth Center.

Girl named Ella said I’d have to wait to see Mister B.

Everybody else was out to lunch.

In the waiting room got into a conversation

with a horse thief from Jump Back. Told him:

My past life is a Saturday morning cartoon.

In it, I’m jumping Rock Island freight cars, skipping

Peoria with Leadbelly; running from the man,

trying to prove my innocence. Accused of being

too complex to handle.

Meanwhile, Zoot, Sassy, Getz, Prez, Cootie, everybody

gives me a hand.

Finally, Mister B comes in. Asks about my future.

All I can say is, I can do the Cow Cow Boogie

on the ocean and hold my own in a chase chorus

Fine, says Mister B, you start seven in the morning!

CLARENCE MAJOR

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Ricard Roda was born November 13, 1931 in Barcelona, Spain and he studied at the Barcelonas Conservatorium alongside his close friend Tete Montoliu. He began playing jazz in 1947 having started when he was only seventeen in the Crazy Boys orchestra in 1948. While working at Jamboree Club he played with visiting musicians such as Tony Scott, Art Farmer and Lucky Thompson.

During the Seventies he was a member of Orquestra Mirasol Colores in 1974 and were pioneers of jazz rock fusion in his hometown. He would go on to play popular music in orchestras led by Xavier Cugat, Frank Pourcel and Orquestra Latina Americana. Ricard worked with Catalònia Jazz Quiartet, Frank Miller y Su Hispania Soul, and Latin Combo.

His vast experience in the local jazz scene didn’t limit him to the genre. He also played with musicians outside the jazz scene like Joan Manuel Serrat and Liza Minelli. Alto saxophonist Ricard Roda died on November 18, 2010 in Barcelona, five days after his seventy-ninth birthday.

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Daily Dose Of Jazz…

Mario Pavone was born on November 11, 1940 in Waterbury, Connecticut and attended B. W. Tinker grammar school, Leavenworth High School, and the University of Connecticut at Storrs, where he graduated with a B.S. in engineering. When his neighbor, guitarist Joe Diorio, recognized him as an unrealized musician Mario was inspired to take up the bass. Primarily self-taught, he was a natural on his instrument. Pavone began playing bass soon after witnessing John Coltrane at the Village Vanguard in 1961.

Pavone’s career took off during the Sixties when he toured Europe and was involved in the jazz loft era, playing in jam sessions nightly in New York City. From the late in the decade into the early Seventies he was a member of Paul Bley’s trio. The New Haven based Creative Musicians Improvising Forum (CMIF) was founded in 1975 by Pavone, Wadada Leo Smith, and Gerry Hemingway was influenced by Chicago’s Association for the Advancement of Creative Musicians. His venture into composition began here.

In 1979 Mario recorded his debut album as a leader and was a member of Bill Dixon’s trio during the 1980s. He also performed with Barry Altschul, Smith, and Hemingway. In 1980 he began an 18-year musical relationship with saxophonist Thomas Chapin. With drummer Michael Sarin, the group recorded seven albums for Knitting Factory Records, which also released an eight-CD box set of these albums plus a live recording following Chapin’s death in 1998.

He co-led a group with Anthony Braxton in the early 1990s, with Braxton on piano rather than his usual saxophones. His groups have included Matt Wilson, Gerald Cleaver, Peter Madsen, Joshua Redman, Tony Malaby, Dave Douglas, Steven Bernstein, George Schuller, Craig Taborn, and Jimmy Greene.

Bassist Mario Pavone, who has over 40 recordings and several films documenting his compositions and performances, died from carcinoid cancer in Madeira Beach, Florida on May 15, 2021 at the age of 80.

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