Daily Dose Of Jazz…

Gianni Basso was born May 24, 1931 in Asti, Italy. He started his career shortly after World War II, at first as a clarinetist, then switched to the tenor saxophone playing in Germany and Belgium with Raoul Faisant’s Big Band.

By the Fifties he became established as a commercial GB or general business player in Milan, Italy and had a steady presence at jazz events. The middle of the decade saw Gianni studying music in Turin, Italy and collaborating with trumpeter and composer Oscar Valdambrini. They created a small group combo which soon became one of the most popular jazz groups in Italy during the Fifties.

Due to their popularity Basso went on to work with a number of touring American jazz musicians, including Chet Baker, Buddy Collette, Slide Hampton, Maynard Ferguson, Phil Woods and Gerry Mulligan.

During the Seventies he founded the Saxes Machine and fronted the Gianni Basso Big Band. His senior years had him settling into the Rome, Italy studio scene while playing clubs and enjoying his historical stature.

Tenor saxophonist Gianni Basso, who was influenced by Stan Getz, transitioned on August 17, 2009.

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Three Wishes

Francis Paudras replied to the query of three wishes by the Baroness with:

  1. “To ‘ave ze Beatles naked on ze stage on all fours, cut zeir ‘air, and zen close zem up, and force zem to listen to ze works of Monk, twenty-four hours on twenty-four!”
  2. “Zat ze world of music take conscience of ze importance, ze true place of Bud Powell in music, not just jazz.”
  3. “I would like for jazz coming ze ambassador for peace in ze world.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Terence Lightfoot was born on May 21, 1935 in Potters Bar, Middlesex, England. He started his musical career as a vocalist during early school life, singing popular songs with a small amateur variety group. In 1949, he came to jazz while at Enfield Grammar School in Enfield Town, London, England. He changed from playing the trumpet to clarinet to meet the needs of the traditional Dixieland jazz band of his friends. After leaving school, he formed his first jazz band, the Wood Green Stompers.

In 1955 he formed the band Terry Lightfoot’s New Orleans Jazzmen. In the Sixties they had three minor hits in the UK Singles Chart in 1961 and 1962, True Love, King Kong and Tavern in the Town. The group made regular Sunday night appearances at the Wood Green Jazz Club.

Clarinetist Terence Lightfoot transitioned from prostate cancer in Milton Keynes General Hospital on March 15, 2013 at the age of 77.

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Daily Dose Of Jazz…

George Golla was born May 10, 1935 in Chorzów, Poland. He emigrated to Australia in the 1950s and began working in Sydney from 1957. Two years later he commenced a long-term musical partnership with the clarinetist, flautist and saxophonist Don Burrows that continued for nearly forty years.

Recording frequently in duo, quartets and other combinations, they nurtured and featured many young talents, including brassman and multi-instrumentalist James Morrison, guitarist Guy Strazzullo, drummer David Jones and others.

As educators they taught at the New South Wales Conservatorium and Golla was a teacher at the Academy of Guitar in Bondi alongside Don Andrews. He specialized in jazz and classical guitar and has written several books on theory, scales and the modes.

George toured frequently throughout Australia, playing on-call with international artists such as vibraphonist Gary Burton in the early 1970s. He has had a long association with Luis Bonfa and other Brazilian musicians. He has made hundreds of recordings, including The Don Burrows Quartet at the Sydney Opera House, Cherry Pie 1017 & 1032, and Steph’n’Us, with Stephane Grappelli during a tour with Grappelli and Burrows.

Guitarist George Golla, at 85, continues to perform in and around Sydney with flugelhorn player and singer songwriter Elizabeth Geyer, and tours interstate and internationally, records and conducts workshops.

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Three Wishes

The night Oliver Jackson gave up his three wishes he was caught off guard, however, to the Baroness he replied:

  1. That’s a hell of a question! Well, I think the first thing would be… It may sound corny, but, compatibility of all people in the world.”
  2. “Then I have got to go to my own self – to my health.”
  3. “And then I’d have to say spontaneous music! I think that’s be everything. I’d started to put some money in there – I never have enough of that – but a lot of people have money and still don’t have what they really want..”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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